956 resultados para RDNet audio comunicazione ethernet impianti acustici RCF


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Après une introduction géologique et un bref aperçu sur la méthode audio-magnétotellurique, les résultats de l'étude sont présentés sous forme de cartes de résistivités et de conductances, et de trois profils transversaux. Ceux-ci comprennent chacun 5 à 7 sondages AMT et permettent la comparaison directe ave les profondeurs obtenues par une campagne de sismique-réflexion. Les résultats sont en bon accord et les profondeurs maximums déduites de la géophysique, voisines de 800 m, sont nettement plus importantes que les estimations anciennes.

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Este documento es una introducción a las herramientas Dragon Naturally Speaking y Audacity, especializadas en optimizar la transcripción de archivos sonoros.

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Melodic motifs form essential building blocks in Indian Classical music. The motifs, or key phrases, providestrong cues to the identity of the underlying raga in both Hindustani and Carnatic styles of Indian music. Automatic identification and clustering of similar motifs is relevant in this context. The inherent variations in various instances of a characteristic phrase in a bandish (composition)performance make it challenging to identify similar phrases in a performance. A nyas svara (long note)marks the ending of these phrases. The proposed method does segmentation of phrases through identification ofnyas and computes similarity with the reference characteristic phrase.

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Este PFM se enmarca dentro del trabajo a realizar por el proyecto IRATI. IRATI es un proyecto STReP (Specific Targeted Research Project) financiado por la Unión Europea dentro del programa FP7 (Seventh Framework Programme for Research and Technological Development). El objetivo general de IRATI es conseguir una mayor compresión y exploración de RINA. El trabajo que se reportará en este PFM es (aproximadamente) la primera fase del diseño y desarrollo de un prototipo de RINA sobre Ethernet en el seno del Kernel (Linux), basándose y generando software libre.

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This paper proposes a novel high capacity robust audio watermarking algorithm by using the high frequency band of the wavelet decomposition at which the human auditory system (HAS) is not very sensitive to alteration. The main idea is to divide the high frequency band into frames and, for embedding, to change the wavelet samples depending on the average of relevant frame¿s samples. The experimental results show that the method has a very high capacity (about 11,000 bps), without significant perceptual distortion (ODG in [¿1 ,0] and SNR about 30dB), and provides robustness against common audio signal processing such as additive noise, filtering, echo and MPEG compression (MP3).

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Many audio watermarking schemes divide the audio signal into several blocks such that part of the watermark is embedded into each of them. One of the key issues in these block-oriented watermarking schemes is to preserve the synchronisation, i.e. to recover the exact position of each block in the mark recovery process. In this paper, a novel time domain synchronisation technique is presented together with a new blind watermarking scheme which works in the Discrete Fourier Transform (DFT or FFT) domain. The combined scheme provides excellent imperceptibility results whilst achieving robustness against typical attacks. Furthermore, the execution of the scheme is fast enough to be used in real-time applications. The excellent transparency of the embedding algorithm makes it particularly useful for professional applications, such as the embedding of monitoring information in broadcast signals. The scheme is also compared with some recent results of the literature.

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Peer-reviewed

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This paper describes an audio watermarking scheme based on lossy compression. The main idea is taken from an image watermarking approach where the JPEG compression algorithm is used to determine where and how the mark should be placed. Similarly, in the audio scheme suggested in this paper, an MPEG 1 Layer 3 algorithm is chosen for compression to determine the position of the mark bits and, thus, the psychoacoustic masking of the MPEG 1 Layer 3compression is implicitly used. This methodology provides with a high robustness degree against compression attacks. The suggested scheme is also shown to succeed against most of the StirMark benchmark attacks for audio.

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Prosessitietoliikenneverkko toimii mm. energian tuotannon, siirron ja jakelun käytönvalvontajärjestelmien tiedonsiirron alustana. Tietoliikenneverkkojen rooli osana yrityksen operatiivisia prosesseja kasvaa järjestelmäuusintojen myötä ja järjestelmien tehokas hyödyntäminen vaatii luotettavat sekä nopeat tietoverkot. Uusittavien järjestelmien tietoliikenneratkaisut perustuvat pääsääntöisesti Ethernetpohjaiseen TCP/IP-verkkotekniikkaan. Tällä hetkellä prosessijärjestelmien tiedonsiirtoyhteydet kenttälaitteiden ja valvomojärjestelmien välillä on pääsääntöisesti toteutettu PCM-siirtojärjestelmällä tai kiinteän yhteyden modeemeilla. Käytössä oleva PCM-tekniikka on elinkaarensa loppupuolella ja tiedonsiirtonopeudet sekä liityntärajapinnat eivät täytä nykyaikaisten prosessijärjestelmien tiedonsiirto¬vaatimuksia. Työssä käytiin läpikeskeisimmät Ethernet-tekniikkaan ja TCP/IP-protokollaperheeseen liittyvät standardit ja verkon aktiivilaitteet. Vaatimusmäärittelyissä selvitettiin Helsingin Energian eri liiketoimintayksiköiden tarpeita sekä energia-alan lainsäädännön vaatimuksia prosessitietoliikenneverkolle. Tarpeiden ja vaatimusten pohjalta verrattiin kolmea eri vaihtoehtoista verkkotekniikkaa: kytkintekniikkaa, reititintekniikkaa ja MPLS-tekniikkaa. Vertailun perusteella valitulla verkkotekniikalla tehtiin suunnitelma avoimesta, valmistajasta riippumattomasta standardeihin perustuvasta yritystason Ethernet-pohjaisesta TCP/IP prosessiverkkoratkaisusta. Johtopäätöksissä pohditaan valitun ratkaisun käytettävyyttä, tietoturvaa sekä toimenpiteitä niiden kehittämiseksi.

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The subject of the thesis was the digital audio broadcasting technology developed in the Eureka project 147. The research was based on the literature on the subject. At first, some reasons for the digitisation of broadcasting technology were given. Next, the channel multiplexing and channel coding methods employed by digital radio were discussed. The design of these methods is based on certain phenomena related to the propagation of radio-frequency signals, and these phenomena were also described. After that, audio and data transfer mechanisms as well as the structure of digital radio network were explained. Furthermore, digital audio and data services were considered. Finally, the digital radio was examined from marketing and administrative aspects. From a merely technical point of view, the digital radio technology offers several improvements in comparison with analogue technology. However, the digital radio has not become as widespread as it was perhaps originally expected during its development.