858 resultados para Processo de criação musical


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O item não apresenta o texto completo, para aquisição do livro na íntegra você poderá acessar a Editora da UFSCar por meio do link: www.editora.ufscar.br

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This research started with an investigation about the theatrical speaking. Through an empirical methodology that analyzed a practical experience of creating a play and bibliographical research, the actress/researcher investigated ways to manipulate musical parameters as tools in the creation process of the actor s voice. The actress/researcher attempted to connect theory and practice, moved by the desire to find a vocal expression in theater that unfolds as living and transforming movement. This dissertation also contains the report of pedagogical experiences, in which the actress/researcher explored strategies to teach the appropriation of musical parameters in the construction of the vocal work of the actor. Considering that speaking in theater is closer to singing than everyday speech, she concluded that the actor may compose music as a music composer does in the elaborating process of building vocal scores. Therefore, she demonstrated that it is of fundamental importance a musical training in the development of the actor.

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This paper proposes a reflection on the body between/bodies, especially in contemporary dance, in their path that starts from the choreographic construction, permeating the body of the choreographer, the dancer s body and when fulfills themselves as artistic expression, the body of the spectator. Initially discusses the body in dance as a body/space for convergence, connectedness and continuity, from the thought of the Greek philosopher Epicurus of Samos, in dialogue with the thought of Maurice Merleau-Ponty, Gilles Deleuze and José Gil. Reflect about the creation of this body/space in the relationship choreographer/dancer using as connecting thread the experiences of the author in his artistic path. Finally describes the process of creating the scenic experiment (h)áporos, which constitutes the practice scene of this dissertation, having as main objective the creation of spaces of convergence and interaction between a proponent and an affluent body that, in this move, transforms itself and the space that now cohabits / is

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Estudos sobre as mais diversas formas de controle de pragas e utilização de inimigos naturais, exigem artrópodes em quantidade e qualidade. Mediante essa necessidade, o processo de criação e multiplicação de artrópodes, vem ao longo dos anos, passando por significativas transformações. As técnicas de criação e multiplicação de insetos são muito importantes em estudos de biologia e de métodos de controle. A criação e definição de uma metodologia para multiplicação tem sido um grande desafio nos estudos da biologia e da criação de insetos, principalmente, devido a dificuldade de estabelecimento de populações em casa de vegetação e campo. Visando otimizar e adequar uma metodologia de multiplicação de Aphis gossypii (Hemiptera: Aphididae) em condições de laboratório, foi estabelecida uma colônia sobre plantas de algodoeiro (Gossypium hirsutum L. raça Latifolium Hutch) objetivando uma melhoria nas condições de sobrevivência e multiplicação desses insetos, menores influencias dos fatores abióticos, e a potencialização do uso das plantas por um período mais longo. Com o desenvolvimento dessa técnica e dos recursos utilizados na criação, notou-se um incremento na quantidade de indivíduos obtidos, melhor aproveitamento das plantas e diminuição de custos. Dessa forma evitou-se também a migração e infestação de outras espécies de pulgões e a ação de inimigos naturais. Após o estabelecimento da criação, verificou-se que o controle do parasitismo de A. gossypii foi de acordo com as condiçõ es submetida.

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Pós-graduação em Artes - IA

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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

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Pós-graduação em Música - IA

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The present study sought to identify which are the facilitators and restrictive in the creation and management of franchises from the point of view of process factors franchisees. For this, we first proposed to critically analyze its creation and management.The specific objectives of this work are: a) to understand in the light of the theory , the basic requirements for creating franchises b ) identify, from the literature review , facilitators and restrictive factors in the process of franchise management , c) develop a survey tool to critically analyze the processes of creating and managing a franchise from the point of view of the franchisee , and d ) to review the process of creating and managing franchises , from the perspective of four franchised food services in the municipalities of Ribeirão Preto and Sao Jose do Rio Preto - SP . A descriptive qualitative work, which found the most important features about the franchises, through a study of 4 franchises in the food industry of São Paulo was performed. To complete the survey was conducted a semi-structured interview, containing questions regarding the main elements of a business: creating, planning, organization, direction and control. It was found that franchising is a business model with controversies. There are people who deal well with the system and that through him realize dreams such as owning their own business. Others need to think many times before embarking in business since the entrepreneurship factor can be so intense that it hinders the acceptance of norms and duties to the system. This causes some factors such as communication, measurement of outcomes, implementation plan and among others are considered restrictive or facilitators in the process of strategy management of franchises

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Pós-graduação em História - FCHS

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This study is resultant of the interview with the plastic artist Leda Catunda, when it emphasized for the feminine, the context and work’s creative process. For this, handle a ready of the technique and materials used in the work of artist into the reflection of the plastic language that prize the pictures and alternatives supports, assemblages that materially personifies itself in objects and topics from the popular culture.