956 resultados para Penn, William, 1644-1718


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Contemporary panelled calf; g.e.

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v. 1. Some account of the life, &c. of William Shakespeare / Nicholas Rowe. Dr. Johnson's preface. Farmer's essay on Shakespeare. The tempest. Two gentlemen of Verona.--v. 2. Midsummer-night's dream. Merry wives of Windsor. Twelfth night. Much ado about nothing.--v. 3. Measure for measure. Love's labour's lost. Merchant of Venice.--v. 4. As you like it. All's well that ends well. Taming of the shrew.--v. 5. Winter's tale. Macbeth. King John.--v. 6. King Richard II. King Henry IV, Parts I and II.--v. 7. King Henry V. King Henry VI, Parts I and II.--v. 8 King Henry VI, Part III. King Richard III. King Henry VIII.--v. 9. Troilus and Cressida. Coriolanus. Julius Caesar.--v. 10. Antony and Cleopatra. King Lear. Hamlet.--v. 11. Cymbeline. Timon of Athens. Othello.--v. 12. Romeo and Juliet. Comedy of errors. Titus Andronicus. Pericles.

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Mode of access: Internet.

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--A further account of the province of Pennsylvania, by William Penn, 1685.--Letters of Doctor Nicholas More, and others, 1686.--A short description of Pennsylvania, by Richard Frame, 1692.--An historical and geographical account of Pennsylvania and West-New-Jersey, by Gabriel Thomas, 1698.--Circumstantial geographical description of Pennsylvania, by Francis Daniel Pastorius, 1700.--Letter of John Jones, 1725.

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Mode of access: Internet.

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Mode of access: Internet.

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Mode of access: Internet.

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William St building-Riverside Expressway building junction.

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Published in the final months of 1891, Architecture, Mysticism and Myth was the first architectural treatise written by the late nineteenth-century English architect and theorist William Richard Lethaby (1857-1931).' Documenting the characteristic attributes of the architectural myth of the "temple idea", and its presence amongst architectures of multiple ancient cultures, the text was endowed with a distinctly historical tone. In examining the motives behind myth, which Lethaby defined as the interaction and reaction between the natural universe and the built environment, Lethaby also injected a series of theoretical considerations into the text. It is clear that Lethaby's interest in the temple idea was not limited to its curious, prolific presence in past architectures, hut also embraced a consideration of what lessons the temple idea may contribute to the struggle of the late nineteenth-century English architect to define an "art of the future".