350 resultados para Painters.


Relevância:

20.00% 20.00%

Publicador:

Resumo:

Published also under title: Artist-life; or, Sketches of American painters.

Relevância:

20.00% 20.00%

Publicador:

Resumo:

Mode of access: Internet.

Relevância:

20.00% 20.00%

Publicador:

Resumo:

Appelles and Protogenes; Cimabue and Giotto; Leonardo da Vinci; Michelangelo Buonaroti; Raffaello Sanzio D'Urbino; Antonio Allegri da Coreggio; Giorgione and Tiziano; The three Carracci-Ludovico; Annibale and Agostino--with their school; Reubens and Vandike; Claude Gelée; Poussin; Salvator Rosa.

Relevância:

20.00% 20.00%

Publicador:

Resumo:

On spine: Ruskin's works v. 1-4.

Relevância:

20.00% 20.00%

Publicador:

Resumo:

Includes indexes.

Relevância:

20.00% 20.00%

Publicador:

Resumo:

Each plate accompanied by guard sheet with descriptive letter-press.

Relevância:

20.00% 20.00%

Publicador:

Resumo:

On verso: Ed Wood in front sitting down; Anga Ponta the Queen, Young Weissinger beside the Queen. Taken 1901 the bigest prade Ann Arbor ever seen [sic]. Taken on N. Ashley mail carrier Meyers house on left & Williman on right. Presented by Geo. Kuster our first President; Eugene A. Wines - Secretary; Chris Kuster - Sec. & Treas.

Relevância:

20.00% 20.00%

Publicador:

Resumo:

"Index to the works of the principal central Italian painters": p. 130-189.

Relevância:

20.00% 20.00%

Publicador:

Resumo:

Title Varies: 1911-1947, Monthly Journal; 194h-1969, Woodworkers Journal; 1970-1971:2. Woodworkers and Painters Journal

Relevância:

20.00% 20.00%

Publicador:

Resumo:

Series title also at head of t.-p.

Relevância:

20.00% 20.00%

Publicador:

Resumo:

General note: Title and date provided by Bettye Lane.

Relevância:

10.00% 10.00%

Publicador:

Resumo:

This thesis explores Raphael Rubinstein’s notion of provisionality as detailed in his influential article from 2009, Provisional Painting and his subsequent exhibition of the same name from 2011. Rubenstein’s writing is discussed in relation to modern art’s rhetoric around the many ‘deaths’ or ‘ends’ of painting as a contemporary art‐making medium, particularly in reference to Yve‐Alain Bois’ 1986 article, Painting: the task of mourning. While Rubenstein predominantly views the provisional via an abstract lens, it is through the work of Sigmar Polke and then Luc Tuymans, Peter Doig and Daniel Richter, that I build an argument to include the work of contemporary representational painters within his notion of provisionality. These new ideas of provisionality are then examined in the context of my recent paintings, which are viewed as contemporary examples of provisionality extended into the representational.