Simulación numérica computacional de fenómenos dinámicos

En este proyecto se trata la simulación numérica de un fenómeno dinámico, basado en el comportamiento de una onda transmitida a lo largo de una cuerda elástica de un instrumento musical, cuyos extremos se encuentran anclados. El fenómeno físico, se desarrolla utilizando una ecuación en derivadas parciales hiperbólicas con variables espacial y temporal, acompañada por unas condiciones de contorno tipo Dirichlet en los extremos y por más condiciones iniciales que dan comienzo al proceso. Posteriormente se han generado algoritmos para el método numérico empleado (Diferencias finitas centrales y progresivas) y la programación del problema aproximado con su consistencia, estabilidad y convergencia, obteniéndose unos resultados acordes con la solución analítica del problema matemático. La programación y salida de resultados se ha realizado con Visual Studio 8.0. y la programación de objetos con Visual Basic .Net In this project the topic is the numerical simulation of a dynamic phenomenon, based on the behavior of a transmitted wave along an elastic string of a musical instrument, whose ends are anchored. The physical phenomenon is developed using a hyperbolic partial differential equation with spatial and temporal variables, accompanied by a Dirichlet boundary conditions at the ends and more initial conditions that start the process. Subsequently generated algorithms for the numerical method used (central and forward finite differences) and the programming of the approximate problem with consistency, stability and convergence, yielding results in line with the analytical solution of the mathematical problem. Programming and output results has been made with Visual Studio 8.0. and object programming with Visual Basic. Net

Disparador MIDI para batería

La batería acústica es un instrumento de percusión muy complejo que requiere altas dosis de coordinación, interdependencia y musicalidad. Los músicos necesitan nuevas formas de desarrollarse y expresarse. Buscando caminos que mejoren su comprensión. Así también los aprendices requieren herramientas para poder disfrutar del instrumento musical. Construir un disparador MIDI mejora esas prestaciones. Aumenta la cantidad de soni-dos, es adaptable a la forma de tocar y simplifica los conceptos evitando problemas a los principiantes. Actualmente existen escasos disparadores MIDI en el mercado. En su lugar se presen-tan módulos electrónicos con altas características, complejos de utilizar y con alto coste. El proyecto a implementar consiste en un disparador MIDI, un equipo cuyo fin es cap-tar los impactos que efectúa un músico; un percusionista. En el proyecto se estudian y analizan las problemáticas a las que se enfrenta este tipo de dispositivo, se propondrá distintas soluciones de concepto y, finalmente se construirá dicho sistema que será probado en un ordenador personal. Con un ideal en mente, emular una batería acústica y ser un proyecto abierto en el sentido de ser modulable y ampliable. ABSTRACT. Drum set is a very complex percussion instrument that requires a lot of coordination, interdependence and musicality. Musicians need new ways to develop and express themselves, as well as learners re-quire tools to enjoy the musical instrument. Build a MIDI drum trigger improves these benefits. It increases the amount of sounds, is customizable and simplifies problems for drummer beginners. There are currently a few MIDI triggers on the market. Instead, electronic modules with high features, complex to use and they are sold at high cost. The aim of the project is to implement a MIDI drum trigger, a kit to capture the impact that percussionist makes. The project studies and analyzes the problems which this type of device. Different solutions concept will be proposed and finally the system will be built. With an ideal in mind, emulate an acoustic drum.

Development and psychometric testing of the clinical learning environment, supervision and nurse teacher evaluation scale (CLES+T): The Spanish version

Background: The Clinical Learning Environment, Supervision and Nurse Teacher scale is a reliable and valid instrument to evaluate the quality of the clinical learning process in international nursing education contexts. Objectives: This paper reports the development and psychometric testing of the Spanish version of the Clinical Learning Environment, Supervision and Nurse Teacher scale. Design: Cross-sectional validation study of the scale. Setting: 10 public and private hospitals in the Alicante area, and the Faculty of Health Sciences (University of Alicante, Spain). Participants: 370 student nurses on clinical placement (January 2011–March 2012). Methods: The Clinical Learning Environment, Supervision and Nurse Teacher scale was translated using the modified direct translation method. Statistical analyses were performed using PASW Statistics 18 and AMOS 18.0.0 software. A multivariate analysis was conducted in order to assess construct validity. Cronbach’s alpha coefficient was used to evaluate instrument reliability. Results: An exploratory factorial analysis identified the five dimensions from the original version, and explained 66.4% of the variance. Confirmatory factor analysis supported the factor structure of the Spanish version of the instrument. Cronbach’s alpha coefficient for the scale was .95, ranging from .80 to .97 for the subscales. Conclusion: This version of the Clinical Learning Environment, Supervision and Nurse Teacher scale instrument showed acceptable psychometric properties for use as an assessment scale in Spanish-speaking countries.

Construcción de un instrumento para medir la utilidad percibida de las TIC usadas en la docencia por estudiantes de Arquitectura Técnica

Se ha realizado una investigación acerca del uso del ordenador y de los objetos de aprendizaje que utilizan los estudiantes en una asignatura de Arquitectura Técnica de la Universidad de Alicante. Para ello, se ha creado un instrumento que analiza la utilidad percibida de los objetos de aprendizaje en la adquisición de las competencias y las actitudes de los estudiantes hacia el uso del ordenador. Los análisis realizados indican que el instrumento de medición elaborado es fiable y válido. La validez de contenido del instrumento se analizó a través del juicio de expertos (validez general del cuestionario = .912, p-valor = .000). La validez de constructo se estudió a través del análisis de su estructura interna, sometiendo a un análisis factorial los ítems de la versión definitiva del cuestionario (se identificaron cuatro factores que juntos explicaron el 45.65% de la varianza). La fiabilidad del instrumento se analizó calculando su consistencia interna por medio del coeficiente alpha de Cronbach (? para el total de la escala = .90).

L'art de preluder sur la flûte traversiere ; sur la flûte-a-bec, sur le hautbois, et autres instrumens de dessus.

Mode of access: Internet.

Qin pu xie sheng : 6 juan ; Shi si jun sheng lü biao dong xiao pu he kan /

Reprint of Ting zhen xuan kan ben.

Aerial view of University of Michigan

Located in Ann Arbor, Michigan, this aerial view shows the Burton Memorial Tower, Michigan League and the Thomas M. Cooley fountain. The Burton Memorial Tower houses the Baird Carillon, 3rd largest musical instrument in the world. The bells range from 12 pounds to 12 tons.

Handbuch der Musikinstrumentenkunde /

Mode of access: Internet.

Piano tuner

General note: Title and date provided by Bettye Lane.

Piano tuner

General note: Title and date provided by Bettye Lane.

Resonances: Noise and Contemporary Music

Noise seems to stand for a lack of aesthetic grace, to alienate or distract rather than enrapture. And yet the drones of psychedelia, the racket of garage rock and punk, the thudding of rave, the feedback of shoegaze and post-rock, the bombast of thrash and metal, the clatter of jungle and the stuttering of electronica, together with notable examples of avant-garde noise art, have all found a place in the history of contemporary musics, and are recognised as representing key evolutionary moments. Noise therefore is the untold story of contemporary popular music, and in a critical exploration of noise lies the possibility of a new narrative – one that is wide-ranging, connects the popular to the underground and avant-garde, fully posits the studio as a musical instrument, and demands new critical and theoretical paradigms of those seeking to write about music. Resonances is a compelling collection of new essays by scholars, writers and musicians – all seeking to explore and enlighten this field of study.

Pathfinder: a performance-game for the augmented drum-kit

Pathfinder is a performance-game for solo drummer, exploring the synergies between multiple contemporary creative practices. The work navigates between music composition, improvisation, projection/light art and game art. At its heart lies a bespoke electro-acoustic instrument, the augmented drum-kit, used not only to provide the sonic content of the work in real-time, but also as a highly expressive game controller that interacts with an instrument-specific game. The musical instrument offers a much wider range of expressive possibilities, control and tactile feedback in comparison to a traditional general-purpose game controller, and as a result it affords a more diverse and nuanced game play performance. Live electronics, lights, projections and the drum-kit all make up the performance-game’s universe, within which the performer has to explore, adapt, navigate and complete a journey.

A mini maratona de violoncelistas AMVP 2016

Relatório de Estágio para a obtenção do grau de Mestre em Ensino da Música

A docência no piano : representações sociais de professores de escolas de música em Taguatinga

Dissertação (mestrado)—Universidade de Brasília, Instituto de Artes, Departamento de Música, Programa de Pós-graduação em Música, 2015.

iGrooving: A Generative Music Mobile Application for Runners

iGrooving is a generative music mobile application specifically designed for runners. The application’s foundation is a step-counter that is programmed using the iPhone’s built-in accelerometer. The runner’s steps generate the tempo of the performance by mapping each step to trigger a kick-drum sound file. Additionally, different sound files are triggered at specific step counts to generate the musical performance, allowing the runner a level of compositional autonomy. The sonic elements are chosen to promote a meditative aspect of running. iGrooving is conceived as a biofeedback-stimulated musical instrument and an environment for creating generative music processes with everyday technologies, inspiring us to rethink our everyday notions of musical performance as a shared experience. Isolation, dynamic changes, and music generation are detailed to show how iGrooving facilitates novel methods for music composition, performance and audience participation.