Vorträge über Nietzsche; Versuch einer Wiedergabe seiner Gedanken.

Mode of access: Internet.

Le crépuscule des idoles : le cas Wagner, Nietzsche contre Wagner, L'Antéchrist /

Translation of: Götzendämmerung.

Die Philosophie Friedrich Nietzsches.

Bibliography: p.[210]-216.

Friedrich Nietzsches briefwechsel mit Franz Overbeck, herausgegeben von dr. Richard Oehler und Carl Albrecht Bernoulli.

Mode of access: Internet.

Nietzsche the thinker : a study /

Includes bibliographical references and index.

Nietzsche /

Mode of access: Internet.

Corpo, força e potência: Nietzsche e Spinoza no pensamento de Deleuze

This dissertation aims at showing the importance of the Nietzsche s and Spinoza s philosophy in Deleuze thought, about body, force, and potency concepts. The search starts from Deleuze texts around two authors of his inspiration, reaching understand in the plan of immanence of the relationship between concepts and the way life as ethics and political affirmation. The first goal is the concept of rhizome; propose by Deleuze in what manner to walk the ways traced by philosophers and at the same time to create self ways. The second chapter examines the body in Nietzsche as force s relations. Find to show the genesis of the force in its determination as relative quantity strong or weak, and as absolute quality active or reactive; and for other side the genesis of the force from two poles of the will to power affirmation or negation, examining the consequences for life and thought. In the third chapter explained the definitions of body in Spinoza. The body, in Spinoza, defines itself complex relation of movement and repose, velocity and slowness and by it s to affect and be affecter s power. Find to show understanding the mediums for to amplify the power of to exist or the potency of to act, in what manner ethics of to live. The fourth chapter makes one parallel between the war and the thought in the constitution of socials body and collectives agenciamientos, for understand in the fifth chapter the body as war s machine of the thought, from the relationship between nomad way life and war s machine showed in Tractate of Nomadologia. Wait like this to show the importance of the ethics and political thought than affirm the existence in the world through active force from that body s power.

Entre a imagem e o signo : notas sobre Nietzsche, a linguagem e a tradição dialética

Persigo aqui o objetivo de contribuir à recuperação da interlocução entre Nietzsche e a tradição dialética. A despeito da ideia de registros teóricos incompatíveis, procuro sublinhar as preocupações comuns e o possível benefício recíproco nessa interlocução. A diretriz fundamental consiste na visualização da capacidade de a linguagem se tensionar entre a mediação simbólica das formas de vida e a expressividade das vivências singularizadas. Primeiramente, proponho uma interpretação das reflexões de Nietzsche sobre a linguagem no sentido de detectar aí uma instigante polarização entre conceito e intuição (1). Em seguida, mostro como Adorno desenvolve esse tema no sentido de uma concepção dialética de linguagem (2). Finalmente, apoiando-me em Hegel e Gadamer, gostaria de indicar como a tradição dialética logra responder ao desafio nietzschiano do inacabamento do sentido poético (3). ______________________________________________________________________________ RESUMEM

O páthos moral da verdade: o problema do conceito da veracidade na crítica de Nietszche à moral

Na tentativa de reconstruir a crítica nietzschiana à reflexão filosófica sobre o fenômeno moral, o presente trabalho investiga os critérios utilizados pela Filosofia moral na sistematização dos conceitos de liberdade e obrigatoriedade sob a base de uma assim chamada vontade de verdade. O propósito dessa reconstrução crítica consiste em averiguar o papel desempenhado pela noção de veracidade na compreensão filosófica das ações e normas morais. Para tanto, o estudo se ocupa, em um primeiro momento, dos argumentos utilizados por Nietzsche ao conceber a interpretação filosófica em sua essência moral e ao identificar na exigência humana por sociabilidade uma das gêneses da noção de veracidade. Essas duas hipóteses são decisivas na análise das propostas hermenêuticas ocidentais referentes ao fenômeno moral, tal como Nietzsche propôs no famoso texto Sobre verdade e mentira em sentido extramoral (1873) e em sua obra tardia. Em seguida, é abordada a dificuldade que a tradição filosófica enfrentou na tentativa de fundamentação das normas e ações morais, sobretudo à luz da crise do pensamento metafísico. Por fim, procura-se apresentar a reflexão de Nietzsche sobre o fenômeno moral como o meio mais adequado para se responder à crise do pensamento metafísico, na medida em que procura substituir os pressupostos teóricos da tradição filosófica ocidental e apresentar a noção de veracidade como probidade e virtude por excelência do espírito livre.

Entre a ontologia e o ficcionalismo: uma análise crítica da proposta nietzschiana de superação da metafísica

Essa dissertação tem como objetivo fazer uma análise crítica da proposta nietzschiana de superação da metafísica. Primeiro, determinaremos o que Nietzsche entende por metafísica no período intermediário de sua produção filosófica. Conquistada essa compreensão, mostraremos as críticas feitas pelo filósofo à metafísica, presentes em sua obra de juventude Sobre a verdade e a mentira no sentido extra-moral. Por fim, a proposta de superação da metafísica será analisada a partir de quatro grandes referências interpretativas: o realismo negativo do devir, o neokantismo, o naturalismo substantivo e a proposta ontológica da vontade de poder. Testaremos a legitimidade de cada uma dessas interpretações a partir de duas principais perguntas: qual o estatuto ontológico do devir na filosofia de Nietzsche? Por que o filósofo afirma que nossas categorias são somente ficções?

The seasons of Zarathustra and their correspondence to the metamorphoses of the spirit

Nietzsche employed metaphors frequently throughout his works. This is especially true in Thus Spoke Zarathustra. Although this is often aesthetically pleasing, it can be very difficult for the reader to understand the nuances and interconnections with the various metaphors. This is generally considered one of the main drawbacks of Thus Spoke Zarathustra. While it is beautifully written in a style that is incomparable today, much of what it is attempting to communicate is lost on the reader. This thesis explores the connection between the metamorphoses of the spirit and the seasons in Thus'Spoke Zarathustra, with the camel spirit corresponding to autumn, the lion spirit with winter, the child spirit with spring, and finally the Overman with summer. Although the Overman is not included among the three metamorphoses of the spirit, it will be argued that the Overman is a separate metamorphosis and must not be conflated with the child spirit despite their similarities. While Thus Spoke Zarathustra will be the primary text used, Nietzsche's other works will be employed to demonstrate that this connection between the metamorphoses of the spirit and the seasons runs through much of his thought. By demonstrating how the seasons are used in Thus Spoke Zarathustra, a deeper understanding of the work will be revealed. Further, this thesis will demonstrate that it is an intentional connection, and not merely coincidental or something that has been constructed and imposed upon the work. Bringing this correspondence between the metamorphoses of the spirit and the seasons to light will result in the need to rethink particular notions of Nietzsche's philosophy. The most apparent involves the Overman and the process of overcoming. Although the Overman has often been viewed as "the end" in the cycle of metamorphoses, it will be argued that this is not the case. The typical interpretation of the metamorphoses of the spirit regard it as a linear progression; however, it will be shown that the metamorphoses of the spirit is cyclical with the camel, lion, and child spirits endlessly repeating, much like the seasons.

Giorgio de Chirico and the idea of enigmatic imagery : the innocence of becoming

My paintings emerge from within a context best explained by reference to Nietzsche's perspectivism. That is an intellectual attitude that deprivileges rationalism and accommodates scepticism or unknowing as an acceptable starting point From this standpoint art/language can be seen as being in a state of becoming rather than as representing a state of being. This thesis aims to demonstrate, not only by a philosophical encounter with Giorgio de Chirico's work: ie. his use of myth, his Nietzschean perspectivism and his enigmatic interpretation of figuration, that the most helpful context and understanding of my work can be realied. De Chirico's art, like Nietzsche's philosophy seeks in its processes to explore the possible unity of Dionysian aesthetic force with the Apollonian. Neither Nietzsche nor de Chirico considered within a post-Socratic world that this unity was realizable. Nevertheless they both share in their respective art forms a need to represent the relentless struggle to enact the disjunction of the two aesthetic forces in a secular world. The artist’s enigmatic imagery is characterized by a consideration of appearance and reality and it is for this reason that the work was selected as a model for investigating the nature of enigma. His use of seemingly straightforward, ordinary images suggests a sense of accessibility, yet at the same time they are irreducible to knowing and my own image-making was greatly expanded by investigating these concerns. I am not arguing that de Chirico was influenced by Nietzsche but instead that Nietzsche's philosophical point of view and his use of poetic language to express these views lay in discovering the qualities and substance of the Dionysian spirit As well as working within a Nietzschean world-view set out in The Birth of Tragedy, de Chirico has also drawn on the Italian unification, specifically the Risorgimento and the lineage of these political and mythical figures were endemic to his art and they interface the with his use of the Apollonian-Dionysian disunity first explored by Nietzsche. The focus of the exegesis will be to present the poetic and philosophical use made of the latter in de Chirico’s art It is anticipated that this philosophical encounter with the aesthetic, social and political world of de Chirico will, not only assist in interpreting his life's work anew, but will also provide a context in which my paintings of enigma might be interpreted.

Rope dancer : a novel and accompanying essay

The thesis combines a novel and a critical essay. The novel tells of a group of people in Melbourne, some of whom write, party, have sex, take drugs, go climbing and die. The essay discusses four aspects of the novel: climbing fiction, Nietzsche in literature, place and fiction and character as hero.

O “Apolíneo” e o “Dionisíaco” n’A montanha mágica: a dialética como paródia do Bildungsroman

Pós-graduação em Estudos Literários - FCLAR

Eine Messe des Lebens : für Soli Chor und grosses Orchester, nach Nietzsches Zarathustra /

"In die Universal Edition aufgenommen."