The larger forms of musical composition; an exhaustive explanation of the variations, rondos, and sonata designs, for the general student of musical analysis, and for the special student of structural composition,

"A sequel to the Homophonic forms and Applied counterpoint."--Pref.

The musical times and singing-class circular.

Includes music.

The Musical times and singing-class circular.

Includes music.

Musical biography ; or, Memoirs of the lives and writings of the most eminent musical composers and writers, who have flourished in the different countries of Europe during the last three centuries.

Mode of access: Internet.

The island princess; or, The generous Portuguese: made into an opera: as it is performed at the Theatre Royal. All the musical entertainments, and the greatest part of the play new, and

Dedication signed: Peter Motteux.

Parliamentary usage for women's clubs; a manual of parliamentary law and practice, designed for the use of societies, literary, social, musical, philanthropic, and fraternal,

Mode of access: Internet.

Musical studies and silhouettes.

Mode of access: Internet.

The music teachers' assistant, being a few friendly words to young teachers, supplemented with a new pronouncing dictionary of nearly 3,000 musical terms and a table of the principal abbreviations used in music.

Mode of access: Internet.

Musical composers and their works; for the use of schools and students in music,

Mode of access: Internet.

Complete musical dictionary, containing definitions of all English and foreign musical terms and phrases, to which is prefixed a summary of the elements of music,

On cover: 20th ed.

Elson's music dictionary; containing the definition and pronunciation of such terms and signs as are used in modern music; together with a list of foreign composers and artists ... and a short English-Italian vocabulary of musical words and expressions,

Mode of access: Internet.

A complete course of instruction for the piano forte, with the assistance of hand guides: containing the principles of music, a complete system of fingering, with rules on expression and musical punctuation, and a classification of authors, proper to be studied, followed by a study for three fingers, a toccata, a fugue of four parts for the left hand alone, and several studies in thirds, sixths, and octaves.

Principally exercises.

Musical composers and their works; : for the use of schools and students in music, /

Mode of access: Internet.

Birth-to-pregnancy intervals and adverse perinatal outcomes among African-born black women in Washington State.

Thesis (Master's)--University of Washington, 2016-06

Ravel’s Gaspard de la Nuit: Extra-musical subtext, and its role within interpretive performance

Few works within the realm of the piano repertoire have amassed a reputation as formidable as Gaspard de la Nuit. These three pieces, each unique in character and pianistic requirements, arguably represent a pinnacle of early 20th-century French piano music. This paper seeks to illuminate points for consideration for the pianist who wishes to embark upon studying the work for performance, and for the musicologist.

I shall first consider the three character poems of Aloysius Bertrand that inspired the suite, as an understanding of these Diabolic creations is essential to understanding the piece analytically and programmatically. I shall then explore the subtitle of Bertrand’s Gaspard de la Nuit: ‘Fantaisies À La Manière De Rembrandt Et De Callot’, as an acknowledgement of these artists helps us better to engage with Bertrand’s poetry, and provides us with a direct link to the visual stimuli for Ravel’s compositions.

Finally, using Ondine as a case study, I shall explore how the composer unifies his inspirations to paint a musical portrait of both the character and the content of Bertrand’s poem. I shall focus on three particular aspects of Ravel’s style: the refined textures that create washes of watery colour, subtle rhythmic variations that imply the ‘deep, rolling currents of the sleeping lake’, and the simple melodic lines sung by the water nymph in the manner of a French air. Each element plays its part in the thematic development that illustrates Ondine’s seductive powers.