Some account of the writings and opinions of Clement of Alexandria.

Mode of access: Internet.

The genuine epistles of the Apostolical fathers: St. Barnabas, St. Ignatius, St. Clement, St. Polycarp, The shepherd of Hermas; and the martyrdoms of St. Ignatius and St. Polycarp, written by those who were present at their sufferings: being, together with the Holy Scriptures of the New Testament, a complete collection of the most primitive antiquity for about a hundred and fifty years after Christ.

The first epistle of St. Clement to the Corinthians.--The epistle of St. Polycarp to the Philippians.--The genuine epistles of St. Ignatius.--A relation of the martyrdom of St. Ignatius, written by those who were present at his sufferings.--The epistle of the Church of Smyrna, concerning the martyrdom of Polycarp.--The Catholic epistle of St. Barnabas.--The shepherd of Hermas.--The remains of St. Clement's Second epistle to the Corinthians.

The genuine epistles of the Apostolical Fathers, : St. Barnabas, St. Ignatius, St. Clement, St. Polycarp, the Shepherd of Hermas, and the martyrdoms of St. Ignatius and St. Polycarp, /

Subscribers: p. [2]-[5] at end.

Hymnes de Synésius ... : précédés d'une étude sur sa vie et ses écrits ; accompagnés d'un Hymne au Christ par Saint Clement Alexandrin ... ; et suivis des hymnes sacrés de Manzoni /

Mode of access: Internet.

Œuvres de Clement Marot ... : Revûes sur plusieurs manuscrits, & sur plus de quarante editions; et augmentées tant de diverses poësies veritables, que de celles qu'on lui a faussement attribuéss /

"Poësies de Jean Marot et de Michel Marot": t. 5.

Father Clement, a Roman Catholic story.

Mode of access: Internet.

The church of the fathers. A history of Christianity from Clement to Gregory (A. D. 100-A. D. 600.)

Contains bibliographies.

History of the Jesuits: from the foundation of their society to its suppression by Pope Clement XIV; their mission, throughout the world; their educational system and literature; with their revival and present state.

Mode of access: Internet.

Peter Clement Layard : extracts from his letters /

Mode of access: Internet.

Ute Clement: Ehrbare Berufe für coole Jungs, Wie Ausbildung für schwache Jugendliche gelingen kann. Weinheim und Basel: Beltz Juventa 2012 [Rezension]

Rezension von: Ute Clement: Ehrbare Berufe für coole Jungs, Wie Ausbildung für schwache Jugendliche gelingen kann, Weinheim und Basel: Beltz Juventa 2012 (137 S.; ISBN 978-3-7799-2255-1)

Beethoven's Violinists: The Influence of Clement, Viotti, and the French School on Beethoven's Violin Compositions

Over the course of his career, Ludwig van Beethoven (1770–1827) admired and befriended many violin virtuosos. In addition to being renowned performers, many of these virtuosos were prolific composers in their own right. Through their own compositions, interpretive style and new technical contributions, they inspired some of Beethoven’s most beloved violin works. This dissertation places a selection of Beethoven’s violin compositions in historical and stylistic context through an examination of related compositions by Giovanni Battista Viotti (1755–1824), Pierre Rode (1774–1830) and Franz Clement (1780–1842). The works of these violin virtuosos have been presented along with those of Beethoven in a three-part recital series designed to reveal the compositional, technical and artistic influences of each virtuoso. Viotti’s Violin Concerto No. 2 in E major and Rode’s Violin Concerto No. 10 in B minor serve as examples from the French violin concerto genre, and demonstrate compositional and stylistic idioms that affected Beethoven’s own compositions. Through their official dedications, Beethoven’s last two violin sonatas, the Op. 47, or Kreutzer, in A major, dedicated to Rodolphe Kreutzer, and Op. 96 in G major, dedicated to Pierre Rode, show the composer’s reverence for these great artistic personalities. Beethoven originally dedicated his Violin Concerto in D major, Op. 61, to Franz Clement. This work displays striking similarities to Clement’s own Violin Concerto in D major, which suggests that the two men had a close working relationship and great respect for one another. The first recital was performed in Ulrich Recital Hall; the second and third recitals were performed in Gildenhorn Recital Hall at the University of Maryland. All three performances were collaborations with pianist, Hsiang-Ling Hsiao. A Recording of the first program can be found in the Digital Repository at the University of Maryland (DRUM). Recordings of the second and third recitals can be accessed at the University of Maryland Hornbake Library.