Notice sur l'exhumation de leurs majestés Louis XVI, et Marie-Antoinette, archiduchesse d'Autriche.

Mode of access: Internet.

Mémoires de S. A. S. Louis-Antoine Philippe d'Orléans, duc de Montpensier.

Caption title: Mémoires ... Ma captivité de quarante-trois mois.

Memoirs of Louis XIV and the regency /

Title within colored ornamental borders.

Correspondance inédite du prince de Talleyrand et du roi Louis XVIII pendant le Congrès de Vienne,

Mode of access: Internet.

Louis Nowra, 'Radiance' (Sydney: Currency Press, 1993)

Louis Nowra wrote 'Radiance' especially for the three actors who performed it in the play’s premier season at Belvoir Street Theatre in September 1993. And the Currency Press playscript / programme produced for that season foregrounds these three performers – Rachael Maza, Lydia Miller and Rhoda Roberts – in such a way that the usual distinction between dramatis personae and the actors who play them is considerably diminished. Both the blurb on the back cover and Nowra’s introduction emphasise this special relationship between text and actors, but it is the front cover shot which particularly reflects the conjunction between the two. Rather than depicting a scene from performance, or a ‘graphic’ suggesting something of the play’s thematic content, the front cover of Radiance features the three actors in a posed promotional shot. Arms joined warmly, lovingly, about each other’s waist, bodies turned away from but faces towards the camera, it is the actors we see, not their characters. It’s a very joyful image; they’re positively beaming. Radiant. They look as if they could really be the three half-sisters they portray, except that such moments of blithe sorority are just about non-existent in the play.

'The black hole of our history' : a conversation with Louis Nowra

This is an edited version of an interview recorded for Canadian Theatre Review in 1992. By that time Nowra had established a reputation as one of Australia's foremost playwrights. Part of the generation which succeeded the New Wave of the late 1960s and early 1970s, Nowra became known for a stylistic inventiveness which placed him outside the tradition of realist playwriting in Australia. The international outlook in his early plays, and the fact that he was not exclusively preoccupied with Australian settings and subject matter, was often a focal point in critical accounts of his work. In this interview Nowra discusses his 'internationalism', and a range of topics including the playwriting process; the presence of landscape in his plays; and the autobiographical elements in his work.

Studio portrait of Louis Gottschalk.

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Portrait of Louis Gottschalk, Julia Rothschild, Henriette Rothschild und Jenny Rothschild looking at photo album.

From left to right: Julia Rothschild, Henriette Rothschild, Jenny Rothschild; Louis Gottschalk stanting

Obituary of Louis Gottschalk; Hannoversches Tageblatt.

Death Notice of Louis Gottschalk, Hannoversches Tageblatt, Tuesday, Aug 18, 1914

Portrait of George Louis Wolff (Gerd Ludwig Wolff) holding a mouse in his genetics laboratory; Little Rock, Arkansas.

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Reproduction of newspaper obituary for Louis Gottschalk in the Hannoversches Tageblatt.

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Portrait of George Louis Wolff (Gerd Ludwig Wolff) holding a mouse in his genetics laboratory; Little Rock, Arkansas.

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Studio portrait of Louis Gottschalk.

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Reproduction of portrait of Louis Levinson.

Husband of Aurelie Levinson nee Roos who was deported to Riga 6 December 1941

Exterior view of the residence of brother-in-law Louis; Wolfenbuettel.

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