The geographical guide : a poetical nautical trip round the island of Great-Britain, with entertaining and illustrative notes, in prose : descriptive of its principal ports, havens, rivers, creeks, and inlets, cities, towns, forts, and mountains, &c. &c. &c and a particular description of the general appearance of the country, as viewed from the sea.

Theatrum oceani on p. 71.

The ocean : a description of wonders and important products of the sea /

Index: pp. [209]-212.

Memorials of the sea.

Sabbaths in the Arctic regions.--2. Loss of the Esk, whaler.--3. A glance at Iceland.--4. The Mary Russell.--5. The hurricane.

Lucian's Dialogues : namely the Dialogues of the gods, of the sea-gods, and of the dead; Zeus the tragedian, the ferry-boat, etc /

Mode of access: Internet.

The physical geography of the sea /

Mode of access: Internet.

Down to the sea /

Verso of t.p.: Published March, 1905.

Special lectures on the freedom of the sea.

"Delivered before the Royal Society of Arts on May 2nd, 5th, and 10th, 1918."

Travels in Norway, Sweden, Finland, Russia and Turkey; also on the coasts of the sea of Azof and of the Black sea; with a review of the trade in those seas, and of the systems adopted to man the fleets of the different powers of Europe, compared with that of England.

Mode of access: Internet.

The Scandinavian races : the northmen, the sea-kings and vikings : their manners and customs, discoveries, maritime expeditions, struggles and wars, up to the present time /

Mode of access: Internet.

Deep-sea plunderings; a collection of stories of the sea,

Mode of access: Internet.

Jack's Bay (the architecturalisation of memory)

Jack's Bay (the architecturalisation of memory) is a key work of the author's exhibition Lightsite, which toured Western Australian galleries from February 2006 to November 2007. It is a five-minute-long exposure photographic image captured inside a purpose-built, room-sized pinhole camera which is demountable and does not have a floor. The work depicts octogenarian Jack Morris, who for forty years held the professional salmon fishing license in the hamlet of Bremer Bay, on the SE coast of Western Australia. The pinhole camera-room is sited within sand dunes new Jack's now demolished beachside camp. Three generations of Jack's descendents stand outside the room - from his daughter to his great grand children. The light from this exterior landscape is 'projected' inside the camera-room and illuminates the interior scene which includes that part of the sand dune upon which the floorless room is erected, along with Jack who is sitting inside. The image evokes the temporality of light. Here, light itself is portrayed as the primary medium through which we both perceive and describe landscape. In this way it is through the agency of light that we construct our connectivity to landscape.

Litigating law of the sea disputes using the UNCLOS Dispute Settlement System

The interpretation and application of the United Nations Convention on the Law of the Sea (UNCLOS) may be the source of many disputes. UNCLOS introduced an à la carte menu for dispute settlement with a number of options for international dispute resolution, including a compulsory procedure entailing binding decisions. While drafting this ambitious and complex system of dispute settlement, the drafters had to negotiate many delicate compromises to secure a system for the uniform interpretation of the Convention. The aim of this paper r is to explore why litigation using the UNCLOS dispute settlement system is, or is not, a preferred mode of settlement for law of the sea disputes.