Identité narrative et temporalité chez Christian Bobin : l'écriture du care comme réplique poétique au désenchantement

Cette thèse sur l’oeuvre de Christian Bobin (1951-) porte aussi et avant tout sur le lyrisme et le désenchantement contemporains. En posant pour horizon ces deux objets de discours, j’interprète le discours éthique et poétique sur l’« enchantement simple » chez l’auteur français. Dans une perspective herméneutique, il s'agit d'éprouver l'hypothèse selon laquelle les oeuvres de Bobin véhiculent un discours poétique « répliquant » (Ricoeur) à un certain discours intellectuel dominant, s'énonçant contre lui, mais aussi en réitérant plusieurs de ses credo. La première partie annonce la posture théorique et la méthode (comparatiste), puis définit le lyrisme et le désenchantement comme horizon d’interprétation. La seconde partie, qui interroge l’identité « poéthique » (Pinson) de l’auteur (entendu comme catégorie du texte), dévoile la manière dont l’auteur prend acte du désenchantement et du nihilisme : en masculinisant le désenchantement, le reliant au logos, et en féminisant l’enchantement, l’associant au muthos. Le parti pris du temps authentique est soutenu par la valorisation de conduites et d’attitudes temporelles relevant de l’éthique de l’authenticité (Rousseau), alors que le parti pris du féminin correspond à la valorisation d’attitudes relevant de l’éthique de la bonté (Levinas). Puisque la première éthique mise sur le temps du sujet et que la seconde favorise le temps de l’autre, un premier paradoxe émerge au coeur des messages spéculatifs véhiculés, dont on prend la mesure grâce au discours de l’auteur sur le temps, les hommes, les femmes et la bonté. Dans la troisième partie, je mets au jour le grand projet éthique dont l’auteur investit son oeuvre : écrire pour prendre soin, soigner. Après avoir défini ce que j’appelle « l’écriture du care » chez Bobin, je m’attarde aux figures féminines fondatrices de l’oeuvre et constate que l’ambition est triple chez l’auteur : premièrement, prendre soin du présent, deuxièmement, protéger les femmes de la misogynie et troisièmement, revaloriser les attitudes care qui leur sont traditionnellement reconnues et comprendre, dédramatiser, esthétiser leur « folie ». Apparaît alors un second paradoxe : la valorisation simultanée de figures charnelles inscrites dans la temporalité (maternité) et de figures atemporelles, hors temps (extase). Enfin, un regard sur les « femmes à venir » bobiniennes montrera trois figures promises à la pratique du soin promue par l’auteur. Au final, c’est non seulement la poéthique bobinienne qui est mise en lumière, mais aussi des postures éthiques et poétiques centrales en Occident, que plusieurs poètes lyriques adoptent « en temps de détresse » (Hölderlin).

"The nothing that is" : An Ethics of Absence Within the Poetry of Wallace Stevens

Cette thèse se concentre sur ce que j'appelle «l’espace négatif» de la représentation dans la poésie de Stevens comme étant un véritable espace d'engagement politique, une interprétation qui se distingue de la plus grande partie de la critique sur Stevens. En suivant les écrits philosophiques d'Emmanuel Levinas, j'affirme que l'emphase que Stevens place sur la représentation de la représentation elle-même ouvre un espace au-delà des limites rigides de l'identité-ce que Levinas appelle « le je [sujet] semblable », permettant un contact authentique avec « l'Autre» ainsi qu’avec le concept de « l'infini ». Bien que Stevens s’est farouchement opposé à la notion Romantique de la sublime transcendance, c’est-à-dire d'un espace censé exister en dehors des limites de l'imagination humaine, il se concerne néanmoins avec l'exploration d'un espace au-delà de l'identité individuelle. Pour Stevens, cependant, « la transcendance» est toujours, nécessairement, liée par les restrictions reconnues du langage humain et de l'imagination, et donc par la réalité du monde perceptible. Toute « transcendance» qui est recherchée ou atteinte, dans la poésie de Stevens ne devrait donc pas - ma thèse affirme - être entendu dans le sens sublime déterminé auparavant par les Romantiques. Une connexion plus appropriée peut plutôt être faite avec la transcendance concrète et immédiate décrit par Lévinas comme le «face à face ». L’attention que Stevens accordent aux notions concrètes et immédiates est souvent exprimé à travers son attention sur les qualités esthétiques de la langue. Sa poésie a en effet la poésie pour sujet, mais pas dans le sens solipsiste qui lui est souvent attribué. En se concentrant sur le processus actif et créateur inhérent à l'écriture et à la lecture de la poésie, Stevens explore la nature de l'Etre lui-même. Je compare cette exploration dans le travail de Stevens à celle du dessinateur, ou de l'artiste, et dans ma conclusion, je suggère les liens entre l'approche d'enquête de Stevens et celle d’artistes visuels contemporains qui se sont également engagés à la figuration du processus créatif. L’ artiste sud-africain William Kentridge est mon exemple principal , en raison de sa conviction que la méthode est intrinsèquement liée à l'engagement politique et social.

Infinito, conoscenza e trascendenza

Quello che mi propongo in queste pagine è una breve analisi del debito che Levinas ha nei confronti di Cartesio per quanto concerne l'elaborazione del concetto di infinito in « Totalità e infinito ». [...]

El perdón y la filosofía

El objetivo de este trabajo es mostrar el papel que desempeña la filosofía al hacer explícita la relación existente entre incondicionalidad y condicionalidad del perdón, es decir que el único perdón que tiene sentido es aquel que perdona lo imperdonable, donde la fuerza del concepto se encuentra determinada por su incondicionalidad. Esto puede ser llamado “la fuerza teórica del concepto” y a pesar de ello se encuentra determinado por su carácter práctico, donde se busca reunir las condiciones necesarias para otorgar un “justo” perdón. Por otra parte, se busca hacer explícita la conexión existente entre el concepto de perdón y el concepto de diferencia, de modo que cada elaboración del primer concepto “devela” una forma de teorizar y aplicar el segundo. El perdón surge como un acontecimiento con múltiples dimensiones: figura religiosa, concepto filosófico, acto político; por tanto, es imposible crear un concepto único del perdón, su multidimensionalidad exige que esa construcción sea examinada desde una pluralidad de perspectivas. Además, es de resaltar que dicha multidimensionalidad genera una ganancia para la filosofía, pues nos introduce en diferentes escenarios del ejercicio filosófico, desentrañando la filosofía desde el hacer, mostrando cómo surge en otros campos, para hacerse filosofía. Es decir, a partir del perdón es posible hacer filosofía, evitando caer en una filosofía del perdón.

La muerte en la psicoterapia fenomenológico-existencial

El siguiente trabajo pretende, mediante la revisión de diferentes fuentes bibliográficas, mostrar las distintas categorías en las que la muerte se trabaja dentro de la psicoterapia fenomenológico existencial. Es así como se hace un recorrido por los antecedentes filosóficos de este enfoque psicoterapéutico, las diferentes escuelas que dentro de él se desarrollan y sus planteamientos frente a la muerte, las maneras de morir, la muerte y el ciclo vital, y los avances actuales como la Teoría del Manejo del Terror (TMT) . Todos estos elementos se revisan para después ser relacionados y así proponer una serie de acciones prácticas a llevar a cabo dentro del encuentro psicoterapéutico con miras a un trabajo adecuado y productivo con la muerte desde una perspectiva existencial.

El sujeto como centauro: ensayos e investigaciones en psicología de la cultura

El texto se presenta como una creación de relaciones conceptuales y la muestra de algunos datos empíricos que aportan a la construcción de una visión del Sujeto Psicológico. En esta medida se pretende generar una alternativa de conceptualización sobre la mediación semiótica y la formas del sujeto con la cultura. De igual manera se busca divulgar la Psicología de la Cultura, como herramienta de base para que la comunidad académica colombiana pueda tener un insumo más de debate y de co-construcción conceptual.

Post-phenomenology/post-phenomenological geographies

Post-phenomenological geographies are an emergent (and as yet relatively fragmentary) body of work. This work does not reflect a turn away from phenomenological theories; rather it reflects a critical engagement which rereads them through the post-structuralist theories of such authors as Deleuze, Derrida, and Levinas. This rereading, combined with a disciplinary context of a turn to practice and the ‘more than human’, has resulted in post-phenomenological geographies which extend the boundaries of the phenomenological focus upon the experiencing subject (in place). Thus, the interest is in the ways in which inhuman, nonhuman, and more-than-human forces contribute to processes of subject formation, place making, and inhabiting the world. These geographies have thus far been played out through critical explorations of the realms of the experiencing subject and landscape. This more-than-human focus has tested conventional human geographical methods, requiring innovative use of technologies such as video to document research, the use of experiential research methods, and also experimentation with the form of narrating these experiential methods.

Heaney and the neighbour: poetry between politics and ethics

In this essay I argue that Heaney uses the figure of the neighbour to examine questions of otherness and cultural difference and their relationship to history and politics. The neighbour is of course a figure that has played a central role in Western philosophy and theology for centuries, from the Gospels and Kant to Freud and Lacan. It is also a concept to which Western poetry often returns, particularly in the work of Herbert, Clare, Eliot and Auden. Heaney too belongs to this tradition, in that his oeuvre contains many poems which consider the relationship between neighbours, and do so in ways profoundly suggestive for consideration of the relationship between historical events, social structures, cultural difference and psychic affect. In my essay I argue that Heaney sketches a profoundly materialist conception of subjectivity in its relationship with the Other. In doing so I contrast Heaney’s treatment of the neighbour, with its emphasis on questions of politics and locality, to the treatment of the neighbour in the ethical philosophy of Emmanuel Levinas.

Sociality and money

This is a translation of ‘Socialité et argent’, a text by Emmanuel Levinas originally published in 1987. Levinas describes the emergence of money out of interhuman relations of exchange and the social relations – sociality – that result. While elsewhere he has presented sociality as ‘nonindifference to alterity’ it appears here as ‘proximity of the stranger’ and points to the tension between an economic system based on money and the basic human disposition to respond to the face of the other person. Money both encodes and effaces sociality, both designates and disguises social relations. It arises from the way that needs and interests are manifested in exchange relations, in what he calls the ‘interestedness’ of economic life. But interests are always already cut through by the fact that being is always ‘being with others’. Being is always ‘interbeing’. Interestedness is always confronted by disinterestedness, that is, by a sociality marked by the ‘goodness of giving’, attachment to and concern for the poverty of the other person. Levinas concludes with a discussion of sociality and justice, posing questions about the tension between the demand to respond to an Other immediately before me and at the same time to respond to the demands of an other Other (the third person) who also invites a response.

Pain and communication

It is frequently said that pain is incommunicable and even that it destroys language. This paper offers a phenomenological account of pain and then explores and critiques this view. It suggests not only that pain is communicable to an adequate degree for clinical purposes, but also that it is itself a form of communication through which the person in pain appeals to the empathy and ethical goodness of the clinician. To explain this latter idea and its ethical implications, reference is made to the writings of Emmanuel Levinas.

Saving human rights from its friends : a critique of the imaginary justice of Costas Douzinas

Costas Douzinas has argued that human rights arise from a universal but unconscious need for recognition of oneself by others as unique and whole. According to Douzinas, humans' activities and interrelationships are determined by their desires and human rights are a manifestation of those same deep characteristics. Because the basic desires are by their nature incapable of being satisfied, the aspiration for human rights is likewise doomed to frustration. Douzinas' analysis of human nature is derived from a reading of Jacques Lacan's theory of psychoanalysis in which an imaginary and a symbolic realm of experience are defined. Douzinas attempts a synthesis between the Lacanian imaginary and the ethical arguments of Emmanuel Levinas. It will be argued here that the synthesis proposed by Douzinas is itself doomed to failure and that Douzinas' negative approach to human rights and to justice should be rejected in favour of a positive approach.

'It's a hungry home': postcolonial displacements, popular music and the sacred

This essay, through a theorized analysis of Australian popular song lyrics, investigates a range of understandings of “home”, including the exclusions and sacred connotations that inform the term. Against accusations of mere sentimentality or nostalgia regarding a desire for “home” as familiar and comforting and in response to Levinas's related arguments that a desire for home is at the root of splitting “humanity into natives and strangers”, it argues that it is necessary for postcolonial Australia to embrace “homelessness” at the heart of any understanding of “home”.

Metaphysics of love as moral responsibility in nursing and midwifery

This study used a qualitative research design incorporating principles of social constructionism, hermeneutic dialectic method, Neo-Socratic dialogue and philosophy for reporting the tacit and social knowledge constructions underlying particular ways of knowing that inform the experiential reality of love in the practice of nursing and midwifery. The philosophy of Emmanuel Levinas, that culminated in his magnum opus of the ‘metaphysics of otherness’, provided the theoretical underpinning for the interpretation of the experiences nurses and midwives believed were examples of love in their clinical practice in Australia, Singapore and Bhutan. What is love in nursing and midwifery? The answer is moral responsibility. The relational context has a nurse and midwife constantly exposed to patient situations that give rise to expressions of love as moral responsibility. It is a form of love that centres on the ability of our being, or at least the possibility of our being, to transcend its everyday form to a metaphysical state of being moral. It enables a nurse and midwife to transcend the isolation associated with their personal being as a self-project, to be ‘for’ the patient as a first priority. But while the ‘Goodness’ of the ‘Good’ assigns the nurse and midwife responsible and is expressed to their personal being in the form of the ‘urge to do’, ‘what to do’ in caring for the patient is a matter of living out the command to be responsible and will be different for each nurse and midwife. However, no matter the outcome, love as moral responsibility will always leave a nurse and midwife feeling there is still more to be done in being responsible.

Dialogical ethics in a global society : cultural difference and answerability

Debates about multiculturalism are common to many late-modern societies today. Globalization has triggered a massive flow of people across state borders, challenging and changing assumptions about national identities and cultural politics. How to deal with difference without reducing it to sameness is becoming one of the main issues discussed by policy-makers, researchers and educators. This paper argues for the importance of turning to dialogical ethics before developing and implementing largescale political strategies in managing differences. It draws on the ideas of Bakhtin and Levinas to transcend the notion of ‘caring at a distance’ that is embedded in the neo-liberal construction of moral selfhood. As an alternative, the emphasis is made on spatial proximity – on ‘face-to-face’ relations with alterity – to conceptualize the dialogical self who is both responsive to and responsible for the Other. Bakhtin’s philosophy of the act and Levinas’ ethics of responsibility are mutually enriching in thinking about the role of the dialogical self in building a pluralistic society. The paper concludes with the implications of dialogical ethics for multicultural education.

Encounters with 'strangers' : towards dialogical ethics in English language education

This article takes the inquiry into 'nativeness' and 'non-nativeness' to the level of developing an ethical framework for professional practice in English language education. In so doing, our aim is firstly to use the 'sociology of the stranger' as a framework to problematize discourses on the Other and Othering. We shall argue that these discourses are sedimented in the modernist project of perpetual purification in which "order making ... becomes indistinguishable from announcing ever new abnormalities, drawing ever new dividing lines, identifying and setting apart ever new strangers" (Bauman, 1997, p. 11). Our next step is to open up the possibility of transcending these discourses in education through a dialogical ethics of respecting the otherness in the Other. Pedagogy based on the ethics of dialogical recognition emphasizes the value of difference in learning through the 'surplus of vision' that the Other provides for constructing new meanings and new ways to mean (Bakhtin, 1981; Levinas, 1969). The recognition of 'the foreigner in the self' has significant pedagogical implications for language educators and marks the movement from ethics to politics.