Q.S. Florentis Tertulliani, Cypriani, M. Victoris, Juvenci, Hilarii, Victorini, Typherni, Damasi, Zovenzonii, Ambrosii, Paulini et Probae Falconiae opera.

Title on half t.p.: Poetae ecclesiastici, [3].

Delitiæ C. poetarum gallorum, huius superiorisque ævi illustrium.

Title vignette: device of Jonas Rosa.

Amoenitates poeticae : sive Theodore Bezae, Marc-Antonii Mureti, et Joannis Secundi Juvenilia ; tùm Joannis-Bonefonii Pancharis ; Joachimi-Bellaii Amores, &c. &c.

Signatures: a⁶, A-Q¹² , R⁶.

Poematum Jani Lernuti, Jani Gulielmi, Valentis Acidali.

Edited by Caspar Conrad.

Adami Widl e Societate Jesu Lyricorum libri III Epodon liber unus.

Signatures: )(¹⁰ A-Z¹² 2A².

Scripta in Academia Rostochiensi pvblice proposita : ab Anno Christi 1560 vsq[ue] ad Octobrem anni 1563, & inde ad initium anni 1567 : partes duae, cvm indice.

Errata: leaf [401].

Anagrammatographia Nicolai Revsneri Leorini, Comitis Palatini Caesarei : opus ob varios variorum nominum lusus anagrammaticos mirificè iucundum & festivum, melioris causâ in novem libros tributum : accessit Gvilielmi Blanci Albiensis Libellus de ratione anagrammatismi /

Title within ornamental woodcut border.

Corpus Christianorum.

Description based on: 98, published in 1991.

Sedulii Scotti collectaneum miscellaneum /

Includes indexes.

Suppletio defectuum : Carmina minora /

Abridged version of the editor's thesis (doctoral)--Universität Halle-Wittenberg, 2005.

A system of Latin prosody and metre, from the best authorities, ancient and modern.

Mode of access: Internet.

In search of a language textile and text in contemporary women's art

This research uses the textile/text axis concept as a conceptual tool to investigate the role of textile and text in contemporary women’s art practice and theorizing, investigating textile as a largely hitherto unacknowledged element in women’s art practice of the late 20th and early 21st centuries. Textile and text share a common etymological root, from the Latin textere to weave, textus a fabric. The thesis illuminates the pathways whereby textile and text played an important role in women reclaiming a speaking voice as creators of culture and signification during a revolutionary period of renewal in women’s cultural contribution and positioning. The methodological approach used in the research consisted of a comprehensive literature review, the compilation of an inventory of relevant women artists, developing a classificatory system differentiating types of approaches, concerns and concepts underpinning women’s art practice vis a vis the textile/text axis and a series of three in-depth case studies of artists Tracey Emin, Louise Bourgeois and Faith Ringgold. The thesis points to the fact that contemporary women artists and theorists have rounded their art practice and aesthetic discourse in textile as prime visual metaphor and signifier, turning towards the ancient language of textile not merely to reclaim a speaking voice but to occupy a ground breaking locus of signification and representation in contemporary culture. The textile/text axis facilitated women artists in powerfully countering a culturally inscribed status of Lacanian ‘no-woman’ (a position of abjection, absence and lack in the phallocentric symbolic). Turning towards a language of aeons, textile as fertile wellspring, the thesis identifies the methodologies and strategies whereby women artists have inserted their webs of subjectivities and deepest concerns into the records and discourses of contemporary culture. Presenting an anatomy of the textile/text axis, the thesis identifies nine component elements manifesting in contemporary women’s aesthetic practice and discourse. In this cultural renaissance, the textile/text axis, the thesis suggests, served as a complex lexicon, a system of labyrinthine references and signification, a site of layered meanings and ambiguities, a body proxy and a corporeal cartography, facilitating a revolution in women’s aesthetic praxis.

Emotion, Affect, Sentiment: The Language and Aesthetics of Feeling

Bringing together experts from linguistics, medieval and modern literary studies, this volume offers a transhistorical look at the language and cultural work of emotion in a variety of written, oral and visual texts. Contributors engage with the recent so-called affective turn, but also examine the language and use of emotion from a variety of perspectives, touching on issues such as Romantic and Modernist aesthetics, the history of emotions, melodramatic and the Gothic, reception aesthetics, rudeness, and medicine.

Making Space for Festival 1400-1700. Interactions of Architecture and Performance in Late Medieval and Early Modern Festivals

Las relaciones entre actos festivos y espacios arquitectónicos, y las modalidades con que las ceremonias cortesanas llegaban a modificar los centros urbanos y las residen- cias palaciegas, han sido los temas principales del congreso internacional Making Space for Festival, 14001700. Interactions of Architecture and Performance in Late Medieval and Early Modern Festivals, que tuvo lugar del 21 al 24 de marzo de 2013 en el Palacio Pesaro-Papafava de Venecia, residencia de la Universidad de Warwick en la Laguna. La Society for European Festivals Research (SEFR), entidad vinculada a esta universidad, ha promovido el encuentro junto con la Red PALATIUM financia- da por el Research Networking Programme de la European Science Fundation (ESF) (2010-2015), dedicada al estudio de las residencias palaciegas de la Edad Moderna como espacios de intercambios políticos y culturales. El tema de las jornadas nacía de la unión de los intereses científicos de los grupos organizadores, dejando lugar a temáticas diferentes como: la articulación de un mensaje festivo a lo largo del recorri- do de procesiones y entradas públicas, la financiación y los aspectos más prácticos de la puesta en escena de un evento festivo, la tipificación de ceremonias y decoraciones en determinados contextos, el intercambio cultural a través de la fiesta, o la recepción de las modificaciones de los espacios por parte de los espectadores