Pages & portraits from the past, being the private papers of Sir William Hotham

v.1. Concerning the writer. Early narrative. Under Hood and Nelson. The mutiny at the Nore. Camperdown and after. Life at the Cape. Portraits under George III. The days of Napoleon.--v.2. The days of Napoleon. Portraits after Waterloo. Portraits under George IV. Portraits under William IV. The days of Victoria.

Parisian portraits,

Mode of access: Internet.

Unequalled collection of engraved portraits of Napoleon Bonaparte and his marshals, and members of his family,

Mode of access: Internet.

Weltgeschichte, die Entwicklung der Menschheit in Staat und Gesellschaft, in Kultur und Geistesleben,

"Statistischer Atlas für die Aeit von 1870-1914. 8 Tafeln mit erklärenden Deckblättern. Zusammengestellt von Rudolf Barmm": [10] p. at end of v. 7, pt. 1.

De luxe illustrated catalogue of early American portraits collected by Mr. Thomas B. Clarke,

Mode of access: Internet.

An illustrated history of the state of Indiana : being a full and authentic civil and political history of the state from its first exploration down to 1875; including an account of the commercial, agricultural, and educational growth of Indiana; with historical and descriptive sketches of the cities, towns and villages ... together with biographical sketches and portraits of the prominent men of the past and present, and a history of each county separately /

Mode of access: Internet.

Bennie Oosterbaan, University of Michigan Football Captain, 1927; All-American, 1925,1926,1927, End

[sepia toning added]

Stripping Sight Bare : Alison Jones’ ‘Portraits by Proxy’

In this paper I analyse UK artist Alison Jones’ sonic interventions Portrait of the Artist by Proxy (2008), Voyeurism by Proxy (2008) and Art, Lies and Audio Tapes (2009). In Portrait of the Artist by Proxy, Jones – who, due to deteriorating vision, has not seen her reflection in a mirror in years – asks and trusts participants to audio-describe her own image back to her. In Voyeurism by Proxy, Jones asks participants to audio-describe erotic drawings by Gustav Klimt. In Art, Lies and Audio Tapes, Jones asks participants to audio-describe other artworks, such as W.F. Yeames’ And When Did You Last see Your Father?. In these portraits by proxy, Jones opens her image, and other images, to interpretation. In doing so, Jones draws attention to the way sight is privileged as a mode of access to fixed, fundamental truths in Western culture – a mode assumed to be untainted by filters that skew perception of the object. “In a culture where vision is by far the dominant sense,” Jones says, “and as a visual artist with a visual impairment, I am reliant on audio-description …Inevitably, there are limitations imposed by language, time and the interpreter’s background knowledge of the subject viewed, as well as their personal bias of what is deemed important to impart in their description” . In these works, Jones strips these background knowledges, biases and assumptions bare. She reveals different perceptions, as well as tendencies or censor, edit or exaggerate descriptions. In this paper, I investigate how, by revealing unconscious biases, Jones’ works renders herself and her participants vulnerable to a change of perception. I also examine how Jones’ later editing of the audio-descriptions allows her to show the instabilities of sight, and, in Portrait of the Artist by Proxy, to reclaim authorship of her own image.

Reproductive Biology and Spawning Periodicity of Endeavour Shrimps Metapenaeus endeavouri (Schmitt, 1926) and Metapenaeus ensis (de Haan, 1850) from a Central Queensland (Australia) Fishery

Metapenaeus endeavouri and M. ensis from coastal trawl fishing grounds off central Queensland, Australia, have marked seasonal reproductive cycles. Female M. endeavouri grew to a larger size than female M. ensis and occurred over a wider range of sites and depths. Although M. ensis was geographically restricted in distribution to only the shallowest sites it was highly abundant. Mating activity in these open thelycum species, indicated by the presence or absence of a spermatophore, was relatively low and highly seasonal compared with closed thelyeum shrimps. Seasonal variation in spermatophore insemination can be used as an independent technique to study spawning periodicity in open thelycum shrimps. Data strongly suggest an inshore movement of M. endeavouri to mature and spawn. This differs from most concepts of Penaeus species life cycles, but is consistent with the estuarine significance in the life cycle of Metapenaeus species. Monthly population fecundity indices suggest summer spawning for both species, which contrasts with the winter spawning of other shrimps from the same multispecies fishery.

Outdoor portrait of Jenny Gutman (left) and Erna Strasburger with unidentified young boy Portraits Groups

Digital Image

Unidentified nurses and injured World War I soldiers celebrating with champagne and flowers Portraits Groups

Handwritten correspondence on verso covered over with pasted black paper