The production of active carbon from bituminous coal,

Mode of access: Internet.

History in Scott's novels; a literary sketch,

"The talisman": King Richard I.--"Ivanhoe": King Richard I.--"Fair maid of Perth": Robert III. in Scotland.--"Quentin Durward": Louis XI in France.--"Anne of Geierstein": Louis XI in France.--"The monastery": Mary Stuart in Scotland--"The abbot": The Earl of Murray's regency in Scotland.--"Kenilworth": Queen Elizabeth in England.--"Nigel": King James I. Great Britain--"Woodstock": The commonwealth, Great Britain.--"Peveril of the Peak": King Charles II.--"Old Mortality": Charles II. and William III.--"Rob Roy": King George I.--"Waverley": George II.--"Redgauntlet": George III.--Conclusion: Reception of George IV. in Scotland in 1822.

A collection of scarce and valuable tracts, on the most interesting and entertaining subjects: but chiefly such as relate to the history and constitution of these kingdoms.

Facsimile of illustrated t.-p. (v. 2): Trvth brought to light and discouered by time ... 1651.

The life, surprising adventures, and heroic actions of Sir William Wallace, general and governor of Scotland.

"This history of Sir William Wallace, with the other of the valiant King Robert Bruce, which followeth upon the end of it [not in UCLA copy] ... [was] written in Latin by Mr. John Blair, chaplain to Wallace, and turned into Scots metre by one called Blind Hary, in the days of King James IV, the other [was] written by Mr. John Barbour". - Introduction.

The historie of Scotland

Vol. 1 and part of vol. 2 edited by E. G. Cody; the editing of vol. 2 completed by William Murison. Published originally in four parts, 1885-95.

Smeeton's historical and biographical tracts.

Each tract has special t.-p.

Comparisons of some methods of running water-gas plant.

Mode of access: Internet.

Facing the twentieth century. Our country: its power and peril.

Mode of access: Internet.

Décoloniser Kateri Tekakwitha

Forum mondial théologie et libération, Montréal, 8 août 2016

Décoloniser Kateri Tekakwitha

Forum mondial théologie et libération, Montréal, 8 août 2016

Musically Consonant, Socially Dissonant: Orange Walks and Catholic Interpretation in West-Central Scotland

This article examines the music used by the Orange Order, in its public parades, more commonly referred to as “Orange Walks.” The Orange Order is an exclusively Protestant fraternal organization, which traces its roots to 1690 and the victory of the Protestant Prince William of Orange over the Catholic King James. Yet, as in Northern Ireland, many consider the group to be sectarian and view its public celebrations as a display of ethno-religious triumphalism. This article explores the extra-musical factors associated with Orangeism’s most iconic song, “The Sash My Father Wore,” how other groups have misappropriated the song, and how this has distorted its meaning and subsequent interpretation.

Recent statistics have shown that Glasgow hosts more Orange parades each year than in Belfast and Derry/Londonderry combined, yet while there have been many anthropological and ethnomusicological studies of Northern Ireland’s Orange parades, very little research has focused on similar traditions in Scotland. This article seeks to address that gap in the literature and is intended as a preparatory study, laying the groundwork for further analysis.

A king for the queene: Samuel Sheppard's the faerie king and his reception of Spenser's epic authority

This thesis is the study of the use and abuse of Edmund Spenser as an authority in native English epic literature of the early seventeenth century, within fifty years of his death. It focuses on attempts to emulate or adapt his seminal text, The Faerie Queene (1596), and offers a comparative analysis of two such approaches by the liminal authors, Ralph Knevet and Samuel Sheppard. The former, a tutor to the wealthy Norfolk Paston family, produced his A Supplement of the Ferie Queene in the pre-Civil War period (c.1630-1635), while the latter wrote The Faerie King at the very end of the social upheaval of the war (c.1648-54). The thesis privileges the study of the holograph manuscripts (Cambridge University Library, MS Ee.3.53 and Bodleian Library MS Rawl. Poet. 28 respectively) over the basic editions of these neglected texts. It argues for the need to re-evaluate the significance of such texts within the Spenserian canon and, through new readings of the texts' structures and contexts, the thesis questions the legitimacy of canon formation and continuation, as well as the influence editorial policies and decision making can have on subsequent readers and receptions of the text

Idylls of the king (selections) by Alfred Tennyson; ed. with introd. and notes by James E. Thomas

UANL