268 resultados para Johnny Guitar
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Concert Program
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12 Suppl 1
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A 14-year-old patient had a low-energy facial blunt trauma that evolved to right facial paralysis caused by parotid hematoma with parotid salivary gland lesion. Computed tomography and angiography demonstrated intraparotid collection without pseudoaneurysm and without radiologic signs of fracture in the face. The patient was treated with serial punctures for hematoma deflation, resolving with regression and complete remission of facial paralysis, with no late sequela. The authors discuss the relationship between facial nerve traumatic injuries associated or not with the presence of facial fractures, emphasizing the importance of early recognition and appropriate treatment of such cases.
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We study the continuous problem y"=f(x,y,y'), xc[0,1], 0=G((y(0),y(1)),(y'(0), y'(1))), and its discrete approximation (y(k+1)-2y(k)+y(k-1))/h(2) =f(t(k), y(k), v(k)), k = 1,..., n-1, 0 = G((y(0), y(n)), (v(1), v(n))), where f and G = (g(0), g(1)) are continuous and fully nonlinear, h = 1/n, v(k) = (y(k) - y(k-1))/h, for k =1,..., n, and t(k) = kh, for k = 0,...,n. We assume there exist strict lower and strict upper solutions and impose additional conditions on f and G which are known to yield a priori bounds on, and to guarantee the existence of solutions of the continuous problem. We show that the discrete approximation also has solutions which approximate solutions of the continuous problem and converge to the solution of the continuous problem when it is unique, as the grid size goes to 0. Homotopy methods can be used to compute the solution of the discrete approximation. Our results were motivated by those of Gaines.
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Dissertação apresentada na Faculdade de Ciências e Tecnologia da Universidade Nova de Lisboa para a obtenção do grau de Mestre em Engenharia Informática
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Report for the scientific sojourn carried out at the Music Technology Area (Sound Processing and Control Lab), Faculty of Music, McGill University, Montreal, Canada, from October to December 2005.The aim of this research is to study the singing voice for controlling virtual musical instrument synthesis. It includes analysis and synthesis algorithms based on spectral audio processing. After digitalising the acoustic voice signal in the computer, a number of expressive descriptors of the singer are extracted. This process is achieved synchronously, thus all the nuance of the singer performance have been tracked. In a second stage, the extracted parameters are mapped to a sound synthesizer, the so-called digital musical instruments. In order achieve it, several tests with music students of the Faculty of Music, McGill University have been developed. These experiments have contributed to evaluate the system and to derive new control strategies to integrate: clarinet synthesis, bass guitar, visual representation of voice signals.
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Thirty-four Leishmania isolates obtained from Costa Rican patients, from different geographical areas, were characterized by isoenzyme electrophoresis and indirect immunofluorescense with monoclonal antibodies. Thirty-two were characterized as L. panamensis strains and two were L. braziliensis variants. We confirm the evident predominance of L. panamensis as the main etiological agent of leishmaniasis in Costa Rica and the existence of L. braziliensis in the country.
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El present treball tracta sobre els diferents tipus de relacions que poden establir-se entre poesia i música, a partir de l’estudi d’obres del repertori guitarrístic. Les obres elegides tenen la particularitat d’haver estat creades a partir de uns textos poètics concrets, els quals són motiu d’inspiració pel compositor. Cadascuna de les obres objecte d’estudi és contextualitzada i analitzada segons diferents paràmetres, segons com aquests es relacionen amb els textos. L’objectiu final és poder utilitzar les conclusions derivades del treball com a eina a l’hora de crear i defensar la interpretació d’obres vinculades a textos poètics.
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L'univers sonor de la guitarra amplificada és la culminació d'un procés d'anys de recerca, experimentació i depuració de coneixements tècnics i teòrics sobre l'enorme paleta de possibilitats timbriques que ens ofereix la guitarra, ja sigui elèctrica, clàssica, acústica o flamenca. L'objectiu principal d'aquest treball és el d'atorgar al lector una gamma el més completa possible d'eines que li ajudin a comprendre les condicionants del so de l'instrument, per així ajudar‐ho en la cerca personal d'aquesta guitarra “perfecta” o en defecte d'això, per orientar‐ho per trobar i personalitzar la que més se li apropi.
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El treball de fi de carrera "Estudi digital per a guitarra" fa una anàlisi d'un tipus de programari dedicat a la música, i més concretament a l'instrument de la guitarra. En ell s'analitzen programes per gravar àudio, editors de partitures, estudis d'àudio digital, efectes, emuladors, etc., tot muntat sobre un sistema GNU/Linux.
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Soitinnus: oktetti.
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Kirjallisuusarvostelu