La Seguridad Energética y la Estrategia Global de Seguridad de la Unión Europea

El presente artículo plantea una definición ampliada del concepto de seguridad energética, yendo más allá del concepto clásico establecido por la Agencia Internacional de la Energía, incorporando cuestiones relativas a la eficiencia energética, la aceptabilidad del modelo energético y los retos que impone el cambio climático, pero sin perder de perspectiva las exigencias y las dinámicas competitivas económicas globales. Sobre la base de este concepto ampliado, se examina la evolución de la seguridad energética en el marco de la Unión Europea, con una atención particular a cómo se concibe la seguridad energética en la Estrategia Global de Seguridad de 2016.

Universities and Welfare States Coping with Permanent Financial Austerity: Pressures on (Competing) Public Institutions

A chapter linking universities and welfare states to permanent financial austerity can take a shorter or a longer historical perspective. This chapter looks further back (to the postwar expansion of European welfare states) to better understand future transformations of both public institutions. Their long-term sustainability problems did not start with the financial crisis of 2008 but have been growing since the 1970s (Schäfer and Streeck 2013; Bonoli and Natali 2012; Hay and Wincott 2012). Financial austerity is not a post-crisis phenomenon. As a concept, it was used in welfare state research at least a decade earlier, although it does not seem to have been used in higher education studies until recently. Two quotations bring us to the heart of the matter: welfare states and universities are currently changing under adverse financial conditions caused by an array of interrelating and mutually reinforcing forces and their long-term financial sustainability is at stake across Europe. The welfare state is a “particular trademark of the European social model” (Svallfors 2012: 1), “the jewel in the crown” and a “fundamental part of what Europe stands for” (Giddens 2006: 14), as are tuition-free universities, the cornerstone of intergenerational social mobility in Continental Europe. The past trajectories of major types of welfare states and of universities in Europe tend to go hand in hand: first vastly expanding following the Second World War, and especially in the 1960s and 1970s, and then being in the state of permanent resource-driven and legitimacy-based “crisis” in the last two decades. Welfare states and universities, two critically important public institutions, seem to be under heavy attacks from the public, the media and politicians. Their long-term sustainability is being questioned, and solutions to their (real and perceived) problems are being sought at global, European, and national levels.

A primeira tradução de o leão e a joia, de Wole Soyinka, para o português do Brasil : análise descritiva da oralidade

Dissertação (mestrado)—Universidade de Brasília, Instituto de Letras, Departamento de Línguas Estrangeiras e Tradução, Programa de Pós-Graduação em Estudos da Tradução, 2016.

Iron country : unlocking the Pilbara

Australia’s largest export earner, the iron ore industry has moved to the centre of our national economic life. In Iron country: Unlocking the Pilbara, historian David Lee charts Australia’s modern iron age from the lifting of the iron ore export embargo in the early 1960s to the China boom of the early twenty-first century.As this timely and carefully-researched study demonstrates, there was nothing inevitable about the rise of the Pilbara to become the jewel in the crown of Australia’s mining industry. A daunting series of political, commercial, financial, engineering and infrastructure challenges all had to be overcome. Later on, the foundation Pilbara projects endured long years of low iron ore prices. Those who fall back on the providential nature of Australia’s resource endowment or mere ‘luck’ to understand the modern success of this vital industry obscure much more than they explain.

Subsídios para a joalharia contemporânea em Portugal

Para se efectuar a investigação sobre a joalharia portuguesa contemporânea, a partir de 1950, procedeu-se ao seu enquadramento histórico e geográfico. À semelhança do que se verificava resto do mundo, constata-se uma interdisciplinaridade com as restantes artes plásticas (em especial com o design). E consequente alteração das formas, materiais e técnicas anteriormente usadas. Também ao nível da função da jóia se observaram alterações. Foi, então, estudada a relação da joia com o corpo. Portugal conta com um conjunto de artistas joalheiros em plena produção. Existem estruturas de ensino e profissionais, sem, contudo, haver um museu de joalharia contemporânea. Mesmo assim, é de notar o elevado número de exposições e projectos relacionados com esta temática. Neste panorama, surge uma joalharia contemporânea liberta de uma identidade, que permite que o trabalho de cada artista seja singular, sem obedecer a regras limitativas ou castradoras da criatividade. /ABSTRACT: It was during the 50s that in order to carry out the research on the contemporary portuguese jewellery, one had to establish its historical and geographical approach. As it happened in the rest of the world, one may say there was an interdisciplinary with the other fine arts (specially with the design) and the consequent change in the shapes, materials and techniques previously used. The jewel was not an exception to these changes as far its function is concerned. Due to these factors, the relationship between the jewel and the body started to be studied. Nowadays Portugal counts a set of jewelers in full production. There are specialized schools in this area as well as professionals although there isn't a museum of contemporary jeweler. ln spite of this, a huge number of exhibitions and projects concerning this area, take place in Portugal. Taking all these aspects into consideration, a free contemporary jewelry is emerging, allowing the work of each artist may be unique without obeying to any strict or limitative rules that could work as a barrier to their creativity.