History of the Mongols, from the 9th to the 19th century.

First published in London, 1876-1927.

Children's books in England & America in the seventeenth century : a history and checklist, together with The young Christian's library, the first printed catalogue of books for children.

The young Christian's library is a facsimile reproduction of the Bodleian Library copy of the original ed. published in 1710.

A short bibliography on Scottish history and literature,

A list of books arranged by subject followed by an author list, with publisher, date, etc.

History of the Mongols, from the 9th to the 19th century ...

"Sources from which the history of the Mongols ... has been collected": pt. 1, p. xvi-xxvii.

The Virginia magazine of history and biography.

Reference sources

History of the Mongols, from the 9th to the 19th century ...

Reprint. Originally published by London, Longmans, Green, and Co., 1876-1927.

Shaw's new history of English literature; together with a history of English literature in America,

Mode of access: Internet.

History of physical astronomy, from the earliest ages to the middle of the 19th century.

Mode of access: Internet.

The history of materialism and criticism of its present importance /

v. 1. Materialism in antiquity.--The period of transition.--The seventeenth century.--v. 2. The eighteenth century.--Modern philosophy.--The natural sciences.--v. 3. The natural sciences (continued).--Man and the soul.--Morality and religion.

A grammar of rhetoric and polite literature : comprehending the principles of language and style, and the elements of taste and criticism. For the use of schools, or private instruction /

Mode of access: Internet.

A history of the French novel (to the close of the 19th century) /

Includes "bibliographical notes" (vol. 1, p. 479-482) and index.

Scottish history and literature to the period of the Reformation /

Includes bibliographical references and index.

Toxinology in Australia's colonial era: A chronology and perspective of human envenomation in 19th century Australia

The medical management of those envenomed by snakes, spiders and poisonous fish in Australia featured extensively in the writings 19th century doctors, expeditioners and anthropologists. Against the background of this introduced medical doctrine there already existed an extensive tradition of Aboriginal medical lore; techniques of heat treatment, suction, incision and the application of plant-derived pharmacological substances featured extensively in the management of envenomed victims. The application of a hair-string or grass-string ligature, suctioning of the bite-site and incision were practised in a variety of combinations. Such evolved independently of and pre-dated such practices, which were promoted extensively by immigrant European doctors in the late 19th century. Pacific scientific toxinology began in the 17th century with Don Diego de Prado y Tovar's 1606 account of ciguatera. By the end of the 19th century more than 30 papers and books had defined the natural history of Australian elapid poisoning. The medical management of snakebite in Australia was the focus of great controversy from 1860 to 1900. Dogmatic claims of the supposed antidote efficacy of intravenous ammonia by Professor G.B. Halford, and that of strychnine by Dr. Augustus Mueller, claimed mainstream medical attention. This era of potential iatrogenic disaster and dogma was brought to a conclusion by the objective experiments of Joseph Lauterer and Thomas Lane Bancroft in 1890 in Brisbane; and by those of C.J. Martin (from 1893) and Frank Tidswell (from 1898), both of Sydney. The modern era of Australian toxinology developed as a direct consequence of Calmette's discovery, in Paris in 1894, of immune serum, which was protective against snakebite. We review the key contributors and discoveries of toxinology in colonial Australia.

EXTENDED-RANGE OBOE: THE IMPACT OF TECHNICAL AND MUSICAL ADVANCEMENTS IN 19th-CENTURY AND CONTEMPORARY OBOE REPERTOIRE

I believe that the purpose of expanding the oboe’s repertoire is to not only create original compositions, but to also utilize technical advancements in order to achieve access to a wider range of repertoire through the art of transcription. This paper examines the various paths to achieving such expansion, including utilizing unique performer skills, use of auxiliary instruments, advancements in the instrument itself and musical developments that challenge the perception of the oboe’s solo role in a particular era of music history. The oboe need not be relegated to the confines of a compositionally limited stereotype. The goal of my “extended-range” dissertation project is to expand the “range” of programmable repertoire, with a focus on music in both the 19th and 21st-centuries, while simultaneously expanding the technical capabilities and expectations of the modern oboe—in part by exploiting the new possibilities of the recently invented low-A extension key.