História e guerrilha: entre a tradição rural e a prática urbana. O Brasil das décadas de 60 e 70 do século XX

Pós-graduação em História - FCHS

Estudo de características familiares de usuários de uma associação civil para a reabilitação psicossocial

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

A participação da sociedade civil organizada na gestão do patrimônio cultural de Ribeirão Preto: o CONPPAC/RP

Pós-graduação em Serviço Social - FCHS

Releituras da história franquista nos romances Galíndez e Autobiografía del general Franco de Manuel Vázquez Montalbán

Pós-graduação em Letras - FCLAS

O golpe de 1964 e a instauração da ditadura civil-militar no Pará: apoios e resistências

Este artigo, inserido nos debates historiográficos sobre a ditadura civil-militar no Brasil (1964-1985), pretende contribuir para o conhecimento da história política do estado do Pará antes, durante e após o golpe de estado de 1964. Examinamos preferencialmente a participação dos militares e o apoio de setores da sociedade civil ao golpe militar, e a repressão que sofreram os estudantes e organizações de esquerda e políticos "populistas". Na perspectiva metodológica dos estudos de história local e regional, as principais fontes utilizadas foram os jornais de Belém, livros de memórias, trabalhos acadêmicos e fontes orais.

A reconstrução histórica da cabanagem em “Lealdade” e da guerra civil moçambicana em “As Duas sombras do rio”

Nesta tese, pretendemos analisar comparativamente a reconstrução histórica da Cabanagem e da Guerra Civil Moçambicana nos romances Lealdade (1997), de Márcio Souza e As duas sombras do rio (2003), de João Paulo Borges Coelho. Para tanto, apresentaremos um breve percurso histórico da colonização brasileira e moçambicana, bem como o período da independência e pós-independência, além do percurso teórico sobre o romance histórico, resistência, memória, bem como a teoria sobre o espaço, nesse caso o rio, que utilizamos como ferramenta de análise. Utilizando o rio como fio condutor de nossa análise. Na obra de Borges Coelho, a análise foi feita a partir das travessias das personagens pelos rios que foram desencadeadas pela chegada da guerra civil. Fixamos nossa leitura em Leónidas Ntsato personagem que metaforiza Moçambique dividido em dois pela guerra civil e destacamos o papel do narrador neste romance. Na narrativa de Márcio Souza acompanhamos as viagens de Fernando, narrador do romance, que tem sua biografia entrelaçada aos acontecimentos que desencadearão a Cabanagem anos mais tarde. Cada um com seu estilo, os dois romancistas revisitam as agruras das duas guerras que tem como palco o Norte do Brasil e de Moçambique que são espaços periféricos desde os tempos coloniais.

Releituras da história franquista: uma análise dos romances Galíndez e autobiografía del General Franco, de Manuel Vázquez Montalbán

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

A história do ensino de física no Brasil n o século XIX: as academias militares e o colégio Pedro II

Pós-graduação em Educação para a Ciência - FC

A Rechtslehre e a filosofia da história

The text is divided in two phases. In the first phase, consisting of three parts, the main concepts of Kant’s Doctrine of Right are considered in a comprehensive approach related to: the issue of the relations between natural right and positive right, problem closely connected to that of the relations between natural state and civil state, private right and public right; to the doctrine of property and its connection with political right. On treating the right in its several types, we intend to appoint the practical reasoning as a background of the Doctrine. In the second phase, concerning its last section, the consideration on the presence of the practical reasoning into the right is placed before some speci!cities of Kant’s phylosophy of history, with the intent of establishing the possible relation between Rechtslehre and that philosophy.

Ordem social, Polícia Civil e justiça criminal na cidade de São Paulo (1889-1930)

The article aims to review the discussion on police role within institutional reform in São Paulo First Republic implementation. The main argument refers to the formation of brazilian judicial system and to the continuity of the debate on public policies reforms, administration of justice and police control over lower social classes, by means of a criminalization of the poverty. The judicial administration was reformed, but that opened space for police institutions to act without constraints. Despite theses changes, state institutions were also used by tradicional social elites in neo-patrimonial ways, allowing the maintenance of unlawful practices within the system.

Identidades e diferenças: o caso da guerra civil na antiga Iugoslávia

Abstract: The civil war in the former Yugoslavia (1991 - 1995) had a strong ethnicreligious component. In an attempt to maintain the cohesion of an artificially created state post-first World War, identities were sought and accepted - and institutionalized - the differences between the various peoples that constituted the "land of the South Slavs". From the 1980s the differences were highlighted during the war and taken to the extreme, especially in the territories of Croatia and BosniaHerzegovina. From literature and the author's personal experience and using concepts of culture, ethnicity, identity, difference, belonging, nation and state, the text shows how the ethnic-religious differences were used during the civil war in Yugoslavia to claim possession of territories, strengthen discourse of the impossibility of coexistence, overvalue potential threats and fear and justify the perpetration of crimes against humanity.

Aspectos do mercado de trabalho em Angola: o período colonial, após a independência e o período após o fim da guerra civil década de 2010

Não disponível

De uma cultura política à Teologia da Liberação: as cartas do cárcere de Frei Betto e a ditadura civil-militar no Brasil

Pós-graduação em História - FCLAS

A intersemiose texto-história-cinema na minissérie ROMA da HBO

From August 2005 to March 2007, the two seasons (with 12 and 10 episodes respectively) of the award winning miniseries HBO‟s ROME were aired by the Home Box Office (HBO) channel. With screenplay signed by various writers and directors, the TV series was a coproduction of HBO (USA) and BBC (UK) with support from RAI (Italy), and the show was filmed in multiple locations, but mainly in Cinecittà Film Studios in Rome, very famous for having been headquarters also for Federico Fellini‟s movies. In the first season, the miniseries depicts the conquest of Gaul, made by the military genius of Gaius Julius Caesar, and the political trajectory that made him accumulate power to such an extent that this divided Roman citizens into two factions, one supporting and the other opposing him, the latter focused mainly on the historic figure of General Gnaeus Pompey Magnus. The second season shows the period of civil war following the assassination of Caesar, and the future rise to power of his nephew, adopted son and sole heir, Gaius Octavian Augustus, who was destined to overcome his rivals as well as their allies in the triumvirate that had been formed to pursue and punish Caesar‟s assassins. These facts are well known and usually crowd the mind and imagination of every minimally educated person. The HBO series broke new ground not only for the talent of its writers, directors and actors, not only for its visual effects and locations nor for the vibrancy and grandeur of historical scenes – after all, “historical movies” in general do the same – but it has done so also by the (re)construction of historical events from the perspective of a pair of protagonists of whom too little is known: the centurions Titus Pullo and Lucius Vorenus, who are the only low-rank soldiers mentioned by Caesar in his book Commentaries on the Gallic War (Commentarii de Bello Gallico V.44). Thus, the fictionalization of events also took into account several Roman civilization data which were scattered through historical sources and also those that belong to the modern knowledge of material culture, resulting in a TV series whose filmic aesthetics has rare beauty and creativity. From the survey of textual, historical and cultural data put together in this film, as well as the distance featuring the creative space in the dimension of the gap between them, this paper aims to highlight two pivotal moments of visual and narrative strategies of the show: the opening credits footage and the final scenes of the first season of HBO's Rome.

Vozes de trabalhadores na ditadura civil-militar: ensaios sobre literatura, memória e testemunho

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)