999 resultados para Costume -- Espagne -- 16e siècle


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Illegible handwriting bottom right

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Digital Image

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Mobile WiMAX is a burgeoning network technology with diverse applications, one of them being used for VANETs. The performance metrics such as Mean Throughput and Packet Loss Ratio for the operations of VANETs adopting 802.16e are computed through simulation techniques. Next we evaluated the similar performance of VANETs employing 802.11p, also known as WAVE (Wireless Access in Vehicular Environment). The simulation model proposed is close to reality as we have generated mobility traces for both the cases using a traffic simulator (SUMO), and fed it into network simulator (NS2) based on their operations in a typical urban scenario for VANETs. In sequel, a VANET application called `Street Congestion Alert' is developed to assess the performances of these two technologies. For this application, TraCI is used for coupling SUMO and NS2 in a feedback loop to set up a realistic simulation scenario. Our inferences show that the Mobile WiMAX performs better than WAVE for larger network sizes.

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[ES]El objeto de este artículo es saber hasta qué punto pudo emplearse la justicia penal como un instrumento más de la política de carácter antijudío desarrollada por las autoridades cristianas de la España medieval a finales del siglo XV, concretamente en los momentos previos a la expulsión. Para indagar sobre esta cuestión se tendrá presente el proceso penal por blasfemia al que fue sometido el judío de Vitoria (Álava) Jato Tello.

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Eguíluz, Federico; Merino, Raquel; Olsen, Vickie; Pajares, Eterio; Santamaría, José Miguel (eds.)

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Este ensaio de pensamento social brasileiro tem por objeto de análise as críticas literárias sobre a obra de Machado de Assis, publicadas em jornais e revistas imediatamente após o lançamento de cada um de seus livros. Portanto, são publicações de critica literárias escritas por contemporâneos do próprio Machado de Assis, e que, ao resenharem suas obras evidenciam o cenário e os modelos de interação vivenciados pelos artistas e intelectuais do período. Assim como expõem ainda as compreensões de literatura e de artista que fazem parte de seus repertórios analíticos. Este ensaio busca identificar, através das categorias mobilizadas para retratar Machado de Assis, as transformações ocorridas nestes modelos de interação social do período, e como a sociabilidade intelectual e artística, inicialmente vinculada ao padrão de gosto cortesão estabelecido no Rio de Janeiro, foi cedendo espaço para outros modelos de interação, e assim permitiu o desenvolvimento de diferentes compreensões de literatura e do papel da crítica literária, contribuindo diretamente para a alteração nos discursos retóricos das resenhas literárias. Portanto, este ensaio tenta identificar e entender os modelos retóricos inscritos na crítica, e como estes discursos estão correlacionados à transformações de ordem mais profunda, principalmente com o processo de modernização social e a construção da autonomia do universo intelectual e artístico no fim do século XIX e na primeira década do século XX

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William Hope Hodgson has generally been understood as the author of several atmospheric sea-horror stories and two powerful but flawed horror science fiction novels. There has been no substantial study analysing the historical and cultural context of his fiction or its place in the Gothic, horror, and science fiction literary traditions. Through analysing the theme of borderlands, this thesis contextualises Hodgson’s novels and short stories within these traditions and within late Victorian cultural discourse. Liminal other world realms, boundaries of corporeal monstrosity, and the imagined future of the world form key elements of Hodgson’s fiction, reflecting the currents of anxiety and optimism characterising fin-de-siècle British society. Hodgson’s early career as a sailor and his interest in body-building and physical culture colour his fiction. Fin-de-siècle discourses of evolution, entropy, spiritualism, psychical research, and the occult also influence his ideas. In The House on the Borderland (1908) and The Night Land (1912), the known world brushes against other forms of reality, exposing humanity to incomprehensible horrors. In The Ghost Pirates (1909), the sea forms a liminal region on the borderland of materiality and immateriality in which other world encounters can take place. In The Night Land and The Boats of the ‘Glen Carrig’ (1907), evolution gives rise to strange monstrous forms existing on the borderlines of species and identity. In Hodgson’s science fiction—The House on the Borderland and The Night Land—the future of the earth forms a temporal borderland of human existence shaped by fin-de-siècle fears of entropy and the heat-death of the sun. Alongside the work of other writers such as H. G. Wells and Arthur Machen, Hodgson’s four novels respond to the borderland discourses of the fin de siècle, better enabling us to understand the Gothic literature of the period as well as Hodgson’s position as a writer who offers a unique imaginative perspective on his contemporary culture.

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Première edition revue, corrigée, et précédée d'une Préface à la Mosaïque, dans le plus nouveau goût.

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info:eu-repo/semantics/published

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info:eu-repo/semantics/nonPublished