899 resultados para Civilization, Baroque -- Italy -- Sources


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This layer is a georeferenced raster image of the historic paper map entitled: Nuova pianta di Roma Moderna, estratta dalla grande del Nolli corretta ed accresciuta de nomi delle contrade indicati al loro rispettivo sito in Roma; Pietro Ruga incise. It was published by Venanzio Monaldini Libraio e Cartolaro in 1823. Scale [ca. 1:9,120]. Covers Rome, Italy and Vatican City. The image inside the map neatline is georeferenced to the surface of the earth and fit to the "European Datum 1950 UTM Zone 33N" coordinate system. All map collar and inset information is also available as part of the raster image, including any inset maps, profiles, statistical tables, directories, text, illustrations, index maps, legends, or other information associated with the principal map. This map shows features such as roads, drainage, city districts, walls, gates, and fortifications, selected buildings, and more. Relief is shown by hachures. Includes index and inset plans: Pianta della Chiesa di S. Lorenzo fuori le mura -- Mausoleo di S. Costanza -- Pianta della Basilica di S. Paolo -- Pianta del Pantheon, degli avanzi delle Terme di Agrippa, e dé ruderi scoperti recentemente. This layer is part of a selection of digitally scanned and georeferenced historic maps from The Harvard Map Collection as part of the Imaging the Urban Environment project. Maps selected for this project represent major urban areas and cities of the world, at various time periods. These maps typically portray both natural and manmade features at a large scale. The selection represents a range of regions, originators, ground condition dates, scales, and purposes.

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This layer is a georeferenced raster image of the historic paper map entitled: Pianta della citta di Roma : con la indicazione di tvtte le antichita e nvovi abbellimenti nell anno MDCCCXXXII, Pietro Ruga incise. It was published by Venanzio Monaldini libraio e cartolaro in 1832. Scale [ca. 1:5,066]. Covers Rome, Italy and Vatican City.The image inside the map neatline is georeferenced to the surface of the earth and fit to the "European Datum 1950 UTM Zone 33N" coordinate system. All map collar and inset information is also available as part of the raster image, including any inset maps, profiles, statistical tables, directories, text, illustrations, index maps, legends, or other information associated with the principal map. This map shows features such as roads, drainage, city districts, walls, gates, and fortifications, selected buildings, and more. Relief is shown by hachures. Includes indices and architectural engravings at left and right margins: Basilica di S. Giovanni -- Interno di S. Giovanni -- Basilica di S. Paolo -- Interno di S. Paolo -- Campidoglio Moderno -- Anfiteatro Favio -- Primaide di C. Cestio -- Foro Trajano -- Basilica di S. Pietro -- Interno di S. Pietro -- Basilica di S. M.a Maggiore -- Interno di S. M.a Maggiore -- Pantheon di Agrippa -- Interno del Pantheon -- Monte Cavallo -- Foro Romano. This layer is part of a selection of digitally scanned and georeferenced historic maps from The Harvard Map Collection as part of the Imaging the Urban Environment project. Maps selected for this project represent major urban areas and cities of the world, at various time periods. These maps typically portray both natural and manmade features at a large scale. The selection represents a range of regions, originators, ground condition dates, scales, and purposes.

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This layer is a georeferenced raster image of the historic paper map entitled: Pianta topografica di Roma, disegnata ed incisa Giacinata Vedova Piale. It was published by Giacinta Vedova Piale in 1846. Scale [ca. 1:6,000]. Covers Rome, Italy and Vatican City. Map in Italian. The image inside the map neatline is georeferenced to the surface of the earth and fit to the "European Datum 1950 UTM Zone 33N" coordinate system. All map collar and inset information is also available as part of the raster image, including any inset maps, profiles, statistical tables, directories, text, illustrations, index maps, legends, or other information associated with the principal map.This map shows features such as roads, drainage, built-up areas and selected buildings, walls, gates, fortification, ground cover, and more. Relief is shown by hachures. Includes notes, indexes, illustrations, and inset: Pianta della compagna Romana e sua vicinanze.This layer is part of a selection of digitally scanned and georeferenced historic maps from The Harvard Map Collection as part of the Imaging the Urban Environment project. Maps selected for this project represent major urban areas and cities of the world, at various time periods. These maps typically portray both natural and manmade features at a large scale. The selection represents a range of regions, originators, ground condition dates, scales, and purposes.

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This layer is a georeferenced raster image of the historic paper map entitled: Pianta di Roma, Giovanni Montiroli inv. e dis. le vedute; Augusto Fornari incise; Domenico Feltrini scrisse. It was published by Luigi Piale in nell' anno MDCCCLXII [i.e., 1862]. Scale [ca. 1:8,500,000]. Covers Rome, Italy and Vatican City. The image inside the map neatline is georeferenced to the surface of the earth and fit to the "European Datum 1950 UTM Zone 33N" coordinate system. All map collar and inset information is also available as part of the raster image, including any inset maps, profiles, statistical tables, directories, text, illustrations, index maps, legends, or other information associated with the principal map. This map shows features such as roads, drainage, city districts, walls, gates, and fortifications, selected buildings, and more. Relief is shown by hachures. Includes indices and inset: Controni di Roma.This layer is part of a selection of digitally scanned and georeferenced historic maps from The Harvard Map Collection as part of the Imaging the Urban Environment project. Maps selected for this project represent major urban areas and cities of the world, at various time periods. These maps typically portray both natural and manmade features at a large scale. The selection represents a range of regions, originators, ground condition dates, scales, and purposes.

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This layer is a georeferenced raster image of the historic paper map entitled: Pianta della città di Roma, 1881. It was published by Libreria Spithöver in 1881. Scale 1:8,800. Covers also Vatican City.The image inside the map neatline is georeferenced to the surface of the earth and fit to the "European Datum 1950 UTM Zone 33N" coordinate system. All map collar and inset information is also available as part of the raster image, including any inset maps, profiles, statistical tables, directories, text, illustrations, index maps, legends, or other information associated with the principal map. This map shows features such as roads, drainage, aqueducts, city walls, gates, and fortifications, selected buildings, villas, and points of interest, and more. Relief is shown by hachures. Indices at margins.This layer is part of a selection of digitally scanned and georeferenced historic maps from The Harvard Map Collection as part of the Imaging the Urban Environment project. Maps selected for this project represent major urban areas and cities of the world, at various time periods. These maps typically portray both natural and manmade features at a large scale. The selection represents a range of regions, originators, ground condition dates, scales, and purposes.

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This layer is a georeferenced raster image of the historic paper map entitled: Disegno dimonstrativo del piano regolatore e di ampliamento della città di Roma : in relazione alla legge sul concorso della stato nelle spese edilizie della capitale : approvato dal consiglio comunale nella seduta del 20 Giugno 1882, proprietà della lit. Martelli. It was published by Comune di Roma in 1883. Scale 1:8,000. Covers Rome, Italy and Vatican City. Map in Italian.The image inside the map neatline is georeferenced to the surface of the earth and fit to the "European Datum 1950 UTM Zone 33N" coordinate system. All map collar and inset information is also available as part of the raster image, including any inset maps, profiles, statistical tables, directories, text, illustrations, index maps, legends, or other information associated with the principal map.This map shows features such as roads, railroads, drainage, built-up areas and selected buildings, walls, gates, fortification, ground cover, and more.This layer is part of a selection of digitally scanned and georeferenced historic maps from The Harvard Map Collection as part of the Imaging the Urban Environment project. Maps selected for this project represent major urban areas and cities of the world, at various time periods. These maps typically portray both natural and manmade features at a large scale. The selection represents a range of regions, originators, ground condition dates, scales, and purposes.

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This layer is a georeferenced raster image of the historic paper map entitled: Pianta delle vestigia di Roma, secondo le osservazioni di Antonio de Romanis, ach. e socio dell' accad. di archeol. e di Antonio Nibby profess. di archeologia nell Vniv. di Roma e Socio della Stessa Accademia dallo stesso corretta ed amliata seconodo le vltime scoperte. data in lvce da Venanzio Monaldini Libraio L Anno MDCCCXXVI; Gio Acquaroni dis. e inc. It was published by presso Veanzio Monaldini ... con approvazione e privilegio Pontificio in 1826. Scale [ca. 1:8,769]. Covers area including portion of the modern city of Rome and Vatican City. The image inside the map neatline is georeferenced to the surface of the earth and fit to the "European Datum 1950 UTM Zone 33N" coordinate system. All map collar and inset information is also available as part of the raster image, including any inset maps, profiles, statistical tables, directories, text, illustrations, index maps, legends, or other information associated with the principal map. This map shows features of Ancient Rome such as roads, drainage, selected buildings, city walls, gates, and fortifications, arches, and sepulchres. Relief is shown by hachures. Includes index, notes, and insets showing floor plans of selected historical sites.This layer is part of a selection of digitally scanned and georeferenced historic maps from The Harvard Map Collection as part of the Imaging the Urban Environment project. Maps selected for this project represent major urban areas and cities of the world, at various time periods. These maps typically portray both natural and manmade features at a large scale. The selection represents a range of regions, originators, ground condition dates, scales, and purposes.

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This layer is a georeferenced raster image of the historic paper map entitled: Pompeii, drawn by W.B. Clarke, Arch.; engraved by T.E. Nicholson. It was published under the superintendence of the Society for the Diffusion of Useful Knowledge [by] Baldwin & Cradock, July 1, 1832. Scale [ca. 1:3,450]. Covers Pompei, Italy. The image inside the map neatline is georeferenced to the surface of the earth and fit to the 'European Datum 1950 UTM Zone 33 North' coordinate system. All map collar and inset information is also available as part of the raster image, including any inset maps, profiles, statistical tables, directories, text, illustrations, index maps, legends, or other information associated with the principal map.This map shows features such as roads, drainage, built-up areas, selected buildings, excavation sites, ancient sites, gates, original shoreline, and more. Relief shown by hachures. Includes index, ill. of principal buildings and sites, a view of Pompeii, "Plan of the coast in the vicinity of Vesuvius", and "Domus Pansae."This layer is part of a selection of digitally scanned and georeferenced historic maps from The Harvard Map Collection as part of the Imaging the Urban Environment project. Maps selected for this project represent major urban areas and cities of the world, at various time periods. These maps typically portray both natural and manmade features at a large scale. The selection represents a range of regions, originators, ground condition dates, scales, and purposes.

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This layer is a georeferenced raster image of the historic paper map entitled: Plan of Rome 1887 : the ancient monuments, the gates, and the other important places are coloured red; the numbers correspond with those in the accompanying lists. It was published in [1887]. Scale [1:9,000]. Covers Rome, Italy and Vatican City. Map in English with Italian place names.The image inside the map neatline is georeferenced to the surface of the earth and fit to the "European Datum 1950 UTM Zone 33N" coordinate system. All map collar and inset information is also available as part of the raster image, including any inset maps, profiles, statistical tables, directories, text, illustrations, index maps, legends, or other information associated with the principal map.This map shows features such as roads, railroads, drainage, built-up areas and selected buildings, walls, gates, fortification, ground cover, and more. Relief is shown by hachures. Includes indexes.This layer is part of a selection of digitally scanned and georeferenced historic maps from The Harvard Map Collection as part of the Imaging the Urban Environment project. Maps selected for this project represent major urban areas and cities of the world, at various time periods. These maps typically portray both natural and manmade features at a large scale. The selection represents a range of regions, originators, ground condition dates, scales, and purposes.

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A guide to information sources on the Italian Republic, with hyperlinks to information within European Sources Online and on external websites (For other language versions of this record click on the original url)

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No abstract.

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Translation of Er krig kultur?

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While Italian art of the twentieth century is usually associated with either the avant-garde practices of Futurism or the classicism of Fascist visual culture, the Italian modernists' complex engagement with concepts of the ‘Baroque’ has yet to be explored. Through an extensive analysis of paintings, sculptures, publications, collecting practices, and exhibitions, my dissertation addresses this lacuna by investigating how the Baroque was discursively constructed and visually represented in Italian modernist artistic and cultural debates between 1880 and 1945. I study how artists and critics such as Umberto Boccioni, Giorgio De Chirico, Adolfo Wildt, Lucio Fontana, and Roberto Longhi championed or disparaged the Baroque in the context of heated debates over the import of Italy’s rich cultural heritage, its status in modern Europe, and the potential role of avant-garde art as a catalyst for national regeneration. In contrast to previous scholars I argue that the development of modern art in Italy was actively shaped by cultural perceptions about the Baroque. My dissertation therefore sheds new light on the role of style in the cultural politics of Italy, which in turn will transform our understanding of visual culture in modern Italy, and of twentieth-century representations of the Baroque in art, literature, and aesthetics.

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La dynastie des Flaviens est souvent mal connue et appréciée en raison de sa situation chronologique, « coincée » entre la famille des descendants de César et d’Auguste et celle allant de Trajan à Marc Aurèle. Elle passe parfois pour une simple dynastie de « transition » qui aurait uniquement servi de passerelle entre deux familles considérées comme plus brillantes qui ont par ailleurs laissé un souvenir plus durable. En un peu plus d’un quart de siècle (69-96), Vespasien, Titus et Domitien ont pourtant davantage fait pour la stabilité de Rome et de l’Empire que certains de leurs prédécesseurs ou successeurs. Sorti vainqueur des troubles civils de l’année des quatre empereurs (68-69), Vespasien ramena la paix en Orient et en Italie en plus de s’attacher à stabiliser les institutions et de reconstituer les finances de l’État, passablement écornées par les dernières années du Principat de Néron (54-68) et la guerre civile elle-même. Plus que la paix et la stabilité à l’intérieur et aux frontières de l’Empire, il fit cependant en sorte de refonder les bases institutionnelles du Principat en assumant sa transformation en un régime monarchique et héréditaire. Un principe parfaitement admis puisque ses deux fils adultes, Titus et Domitien, lui succédèrent sans difficulté. Davantage peut-être que les récits laissés par les sources littéraires anciennes, les inscriptions romaines et italiennes ainsi que les monnaies émises par l’atelier de Rome sont probablement le meilleur témoignage permettant de saisir le plus précisément et le plus profondément l’idée que les Flaviens se faisaient d’eux-mêmes et du pouvoir dont ils étaient investis. Le contenu de leur titulature officielle comme leurs choix iconographiques permettent ainsi de dégager leurs différents thèmes de propagande qui laissent finalement apparaitre une vraie continuité dans leur idéologie du pouvoir et leur manière de gouverner. Vespasien a ainsi posé des fondations idéologiques et politiques que ses fils ont globalement poursuivies et respectées, ce qui renforce l’idée selon laquelle les Flaviens ont effectivement suivi un « programme » qui les distinguait de leurs prédécesseurs et de leurs successeurs. Malgré des différences parfois importantes dans leurs pratiques, les inscriptions et l’iconographie monétaire permettent ainsi de mettre en lumière le fait que Titus et Domitien ont finalement moins cherché à faire preuve d’originalité qu’à s’inscrire dans la continuité de l’œuvre de leur père afin de garantir le maintien de la paix et avec elle la prospérité et la stabilité de l’État, et avec elles la satisfaction et la tranquillité de l’ensemble de la société.

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La berenjena (Solanum melongena L.) es una planta solanácea de múltiples variedades, cuyos ancestros salvajes se sitúan en Indochina y el este de África. Su cultivo fue muy temprano en zonas de China e India. Aun así, no se extendió al Occidente antiguo ni apenas se conoció, de ahí su ausencia en los textos clásicos de botánica y farmacología. Fueron los árabes quienes llevaron el cultivo de la planta por el Norte de África y Al-Andalus, de donde pasó ya a Europa. Los primeros testimonios occidentales de la berenjena aparecen en traducciones latinas de textos árabes, para incorporarse luego a la literatura farmacológica medieval y, más tarde ya, a la del Renacimiento, que empezó a tratar de ella por su posible parecido con una especie de mandrágora. Pese a que se le reconocían algunas virtudes medicinales, siempre se la tuvo bajo sospecha por ser de sabor poco agradable, indigesta y causante de algunas afecciones. Solo los botánicos de finales del Renacimiento describirían la planta y sus variedades con criterios más «científicos» y botánicos, ya sin apenas intereses farmacológicos.