Indenture between Patrick and Mary Burns and Samuel DeVeaux Woodruff

Indenture of mortgage in fee with dower between Patrick and Mary Burns of the Township of Grantham and Samuel DeVeaux Woodruff of St. Catharines regarding parts of Lots no. 19 and 23 in the 5th Concession in the Town of Grantham - instrument no. 14820. Listed in Book E, folio 339, October 3, 1864.

Indenture between Patrick and Mary Burns to Samuel DeVeaux Woodruff

Indenture of bargain and sale between Patrick and Mary Burns of Grantham to Samuel DeVeaux Woodruff of St. Catharines regarding part of Lot 23 in the 5th Concession in the Township of Grantham - instrument no. 491, December 10, 1868.

Estimate of work done by Alexander Cook, Andrew Mains, Frederick Holmes, Louis Clement, Patrick Roche and Thomas Baird

Estimate of work done by Alexander Cook, Andrew Mains, Frederick Holmes, Louis Clement, Patrick Roche and Thomas Baird, signed by S.D. Woodruff, Feb. 26, 1855.

Usages de la photographie chez Patrick Modiano

Mémoire numérisé par la Division de la gestion de documents et des archives de l'Université de Montréal

PowerPoint and skeleton notes - Patrick Doncaster

This is one of a series of short case studies describing how academic tutors at the University of Southampton have made use of learning technologies to support their students.

Pearson e-book to support students - Patrick Doncaster

This is one of a series of short case studies describing how academic tutors at the University of Southampton have made use of learning technologies to support their students.

Patrick Moore's astronomy.

Guía que proporciona todo lo que se necesita saber para investigar el Sol, Luna, cometas, planetas y estrellas, y aprender a observarlos. Cada capitulo se inicia con información sobre lo que se va a aprender, y termina con lo que se debe recordar.

Festivals : St Patrick' s-Thanksgiving : unidades did??cticas de Ingl??s : primer ciclo de Educaci??n Primaria

Contiene dos unidades did??cticas de Ingl??s, que pretenden proporcionar al profesorado modelos de programaci??n y materiales did??cticos de apoyo a su pr??ctica docente. La primera unidad, St Patricks, trata sobre la fiesta y la leyenda de San Patricio, patr??n de Irlanda, y consta de cuatro sesiones. La segunda unidad, Thanksgiving, est?? dedicada a una celebraci??n t??pica de Estados Unidos, la fiesta de Acci??n de Gracias, y consta de cinco sesiones. Ambas unidades incluyen una introducci??n, la explicaci??n detallada de cada sesi??n y tres anexos con material fotocopiable, fichas de evaluaci??n y juegos.

The Place of Writing in the Poetry of W. B. Yeats and Patrick Kavanagh

Abstract This article addresses the theme of place in the poetry of W. B. Yeats and Patrick Kavanagh, focusing on the concept of place as a physical and psychological entity. The article explores place as a creative force in the work of these two poets, in relation to the act of writing. Seamus Heaney, in his essay “The Sense of Place,” talks about the “history of our sensibilities” that looks to the stable element of the land for continuity: “We are dwellers, we are namers, we are lovers, we make homes and search for our histories” (Heaney 1980: 148-9). Thus, in a physical sense, place is understood as a site in which identity is located and defined, but in a metaphysical sense, place is also an imaginative space that maps the landscapes of the mind. This article compares the different ways in which Yeats and Kavanagh relate to their place of writing, physically and artistically, where place is understood as a physical lived space, and as a liberating site for an exploration of poetic voice, where the poet creates his own country of the mind.

The place of writing in the poetry of W.B Yeats and Patrick Kavanagh

This article addresses the theme of place in the poetry of W. B. Yeats and Patrick Kavanagh, focusing on the concept of place as a physical and psychological entity. The article explores place as a creative force in the work of these two poets, in relation to the act of writing. Seamus Heaney, in his essay “The Sense of Place,” talks about the “history of our sensibilities” that looks to the stable element of the land for continuity: “We are dwellers, we are namers, we are lovers, we make homes and search for our histories” (Heaney 1980: 148-9). Thus, in a physical sense, place is understood as a site in which identity is located and defined, but in a metaphysical sense, place is also an imaginative space that maps the landscapes of the mind. This article compares the different ways in which Yeats and Kavanagh relate to their place of writing, physically and artistically, where place is understood as a physical lived space, and as a liberating site for an exploration of poetic voice, where the poet creates his own country of the mind.