923 resultados para Carlos IV, Duque de Lorena, 1604-1675.


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Introduction: The literature has shown that musical stimulation can influence the cardiovascular system, however, the neurophysiological aspects of this influence are not yet fully elucidated. Objective: This study describes the influence of music on the neurophysiological mechanisms in the human body, specifically the variable blood pressure, as well as the neural mechanisms of music processing. Methods: Searches were conducted in Medline, PEDro, Lilacs and SciELO using the intersection of the keyword “music” with the keyword descriptors “blood pressure” and “neurophysiology”. Results: There were selected 11 articles, which indicated that music interferes in some aspects of physiological variables. Conclusion: Studies have indicated that music interferes on the control of blood pressure, heart and respiratory rate, through possible involvement of limbic brain areas which modulate hypothalamic-pituitary functions. Further studies are needed in order to identify the mechanisms by which this influence occurs.

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1792, Madri. After years of inactivity, the Spanish Inquisition is born again with the mission of containing the laic winds that blow from the revolutionary France. Inês Bilbatúa, a rich merchant’s daugther, is victim of the inquisitorial machinery which tortures and violates her, through one of their abetters, the Dominican monk Lorenzo. Before being arrested, the young lady had served as model for the painter Francisco of Goya, who had also portrayed the monk Lorenzo. The Aragonese painter’s figure serves as narrative conductor of a history that narrates the young Inês’ via crucis and, at the same time, it recreates the historical scenery of the Napoleonic invasion (1808), through a basic element, the painting. Our work intends to analyze the relationships among movie, painting and history present in “Goya’s ghosts” (2006), of the Czech director Milos Forman (1932) - whose script was adapted to a homonymous book in 2007 -, a movie that is based on the artistic production of Francisco of Goya y Lucientes (1746 -1828), official painter of Carlos’ IV (1788 -1808) court and the most lucid columnist of his time, that knew how to capture in his works the religious fanaticism, the populist fervour, the governor’s hypocrisy and the horror and the violence of the war.

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1 h. de lám. con esc. de armas pintado a mano

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Palau XXIII, 329961 da como fecha de impresión 1789

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Segun Palau V, 91265, la fecha de impresión es 1802

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Cedula fechada en Madrid el 15 de Marzo de 1791

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Índice a dos col.

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Sign. : []3

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Port. con esc. real xil

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Certifica la copia Vicente Esteve

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Los dos docs. fueron firmados en Aranjuez en marzo de 1794

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Contiene : Humilde suplica que hacen los comerciantes de vara a nuestra excelsa patrona y Madre de Desamparados, al pasar la procesion por debaxo del altar triunfal que han erigido en el mercado ; Memorial que a favor del comercio presentan a S. M. los mercaderes de vara ..

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El año de proclamación de Carlos IV fue 1788

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Contiene: Memòria dels obsèquis fets per Valencia a sos Reys y Real Familia en 1802