A crítica de Siegfried Kracauer ao romance-reportagem ou o 'caso Brecht'

This article seeks to historically contextualize Kracauer’s aesthetic-political position regarding this successful literary genre among German writers in the early 1930s: the novel report. It is inevitable the reference to the Berlin journal, Die Linkskurve, and to Lukács’s critiques developed in the period – when he resumes aesthetic questions on the novel as a literary genre in a Marxist interpretation and outlines his thesis on “critical realism”. Kracauer wrote a critique about the film Kuhle Wampe, directed by S. Dudow with a script by B. Brecht and E. Ottwald and music by H. Eisler, which engendered a discussion full of misunderstandings, but extremely interesting, between E. Bloch and Kracauer and between Kracauer and Brecht. Finally, I comment the journal project Krise und Kritik, which failed with the rise of Hitler.

Na 50 Nachlass Arthur Schopenhauer - 'Schopenhauer-Archiv', 42 - Bericht von Gustav Brecht zum aktuellen Stand der geplanten Fotografie

u.a.: Bürgermeisterwahl in Quedlinburg; "Welt als Wille und Vorstellung"; erbetene Unterstützung bei der Veröffentlichung einer Publikation von Robert Schellwien;

Franz Kutschera als Jonathan Jeremiah Peachum, Rollenbild, Brustbild, in: Bertholt Brecht: Die Dreigroschenoper

Signatur des Originals: S 36/F05097

De las utopías en el teatro setentista : circulación y recepción del repertorio brechtiano y de la creación colectiva en Mendoza (1968-1976)

En el presente trabajo, nos proponemos la reconstrucción de la realidad cultural generada en la provincia por las instituciones y agentes legitimantes del campo teatral (Bourdieu:135) y el posterior abordaje de la circulación y recepción "productiva" y "reproductiva" (Gimm, 1977:142) de las textualidades brechtianas y del teatro barrial de creación colectiva mediante una perspectiva metodológica comparatistica. Para ello analizaremos el discurso metateatral de la critica periodística y las puestas escénicas de Cristóbal Arnold y Ernesto Suárez, con la pretensión de destacar los rasgos de apropiación originales.

Los establos de su majestad : Fernando Lorenzo y Alberto Rodríguez(h) : reconstrucción histórica de la puesta en escena

Recuperar las raíces artísticas y teatrales es valorar y consolidar la esencia de nuestras formas y necesidades de expresión. La reconstrucción histórica de Los establos de su Majestad, respondió al propósito de investigar los parámetros ideológicos, estructurales y metodológicos de un espectáculo local, inmerso en una época determinada por la presencia de fuertes y fieles ideales políticos y sociales. Se decidió entonces estudiar especialmente los procesos de búsqueda y gestación de la puesta en escena realizada por un grupo de hacedores teatrales que bregaron, en esta ocasión, por la denuncia y el desenmascaramiento de la verdad a través de su creación artística. Considerando siempre al hecho teatral como síntesis y reflejo de un hecho social.

Montagem narrativa não dramática ou quando a montagem toma posição

Acompanha um CD com a Cota CDA 185, contendo um filme intitulado: A arte do não-retrato, apenas consultável na Biblioteca da FBAUL

Real-time 3D interactive segmentation of echocardiographic data through user-based deformation of B-spline explicit active surfaces

Image segmentation is an ubiquitous task in medical image analysis, which is required to estimate morphological or functional properties of given anatomical targets. While automatic processing is highly desirable, image segmentation remains to date a supervised process in daily clinical practice. Indeed, challenging data often requires user interaction to capture the required level of anatomical detail. To optimize the analysis of 3D images, the user should be able to efficiently interact with the result of any segmentation algorithm to correct any possible disagreement. Building on a previously developed real-time 3D segmentation algorithm, we propose in the present work an extension towards an interactive application where user information can be used online to steer the segmentation result. This enables a synergistic collaboration between the operator and the underlying segmentation algorithm, thus contributing to higher segmentation accuracy, while keeping total analysis time competitive. To this end, we formalize the user interaction paradigm using a geometrical approach, where the user input is mapped to a non-cartesian space while this information is used to drive the boundary towards the position provided by the user. Additionally, we propose a shape regularization term which improves the interaction with the segmented surface, thereby making the interactive segmentation process less cumbersome. The resulting algorithm offers competitive performance both in terms of segmentation accuracy, as well as in terms of total analysis time. This contributes to a more efficient use of the existing segmentation tools in daily clinical practice. Furthermore, it compares favorably to state-of-the-art interactive segmentation software based on a 3D livewire-based algorithm.

Piscator e o conceito de "teatro épico"

O encenador alemão Erwin Piscator (1893-1966) desenvolveu uma actividade sistemática no teatro imediatamente depois da I Guerra Mundial. Ainda que não tenha produzido uma dramaturgia própria, promoveu e desenvolveu processos de escrita cénica nova e processos de produção – nos já então celebrados ateliers de dramaturgia (com base histórica em Lessing) em que figurou Brecht – para um teatro de futuro.

O papel do poema «Correspondances» no Teatro de Vanguarda dos séculos XIX e XX

Ensaio produzido no quadro do Colóquio Internacional "Baudelaire (1821-867) e as Posteridades do Moderno", organizado por Jorge Fazenda Lourenço, Faculdade de Ciências Humanas, Universidade Católica Portuguesa, 2007.