994 resultados para Ashanti War, 1873-1874.


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This is the Census of Iowa as returned in the year 1873, showing in detail, the population, agricultural statistics, and other items of interest

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Contains primarily correspondence and published material in English, German and Russian relating to anti-Semitism in Russia and Roumania, the Russian passport question, loans from Jewish bankers to the Russian government and immigration from Eastern Europe, especially Russia, to the United States. Includes also correspondence concerning Jewish welfare institutions and agricultural colonies in the United States and the National Farm School in Doylestown, Pa. Also contains correspondence relating to and drafts of articles for the American Hebrew, particularly the Emma Lazarus memorial number, and correspondence relating to the publication of the Jewish encyclopedia and to survey on anti-Semitism conducted in 1890, as well as information on the Jews in China and material relating to Count Arthur Cherep-Spiridovich.

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Arguably, in a time of war literature, and indeed all writing, is saturated with deep psychic responses to conflict. So that not only in literary genres such as epic and tragedy, but also in the novel and comedy, can writing about war be discerned. C.G. Jung, Shakespeare and Lindsay Clarke are fundamentally writers of war who share allied literary strategies. Moreover, they diagnose similar origins to the malaise of a culture tending to war in the neglect of aspects of the feminine that patriarchy prefers to ignore. In repressing or evading the dark feminine, cultures as dissimilar as ancient Greece, the 21st century, Shakespeare's England and Jung's Europe prevent the healing energies of the conjunctio of masculine and feminine from stabilising an increasingly fragile consciousness. In the Troy novels of Clarke, Answer to Job by Jung and Much Ado About Nothing by Shakespeare, some attempt at spiritual nourishment is made through the writing. [From the Publisher]

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¿Puede un retrato pictórico suscitar un ejercicio de microhistoria? Nuestra investigación tratará de aportar una respuesta positiva a esta cuestión, analizando para ello uno de los pocos retratos del pintor postimpresionista Joaquim Mir Trinxet, fechado en 1926. El protagonista representado no es otro que el suegro del pintor, Antoni Estalella i Trinxet, un insigne personaje de Vilanova y la Geltrú (Barcelona) que vivió entre dos siglos. La obra está ambientada en la tienda de juguetes de la familia, convirtiéndose así en una de las escasas pinturas que han captado el interior de una juguetería en la España anterior a la Guerra Civil. Gracias a los trabajos de archivo realizados, este artículo reúne diversos documentos inéditos que permiten reconstruir no sólo la vida del retratado, que llegó a ser corresponsal de Francisco Pi y Margall, sino también el ambiente social, artístico y comercial de Vilanova, en un período que abarca desde la década de 1870 a la primera mitad del siglo XX, en plena “Edad de Oro” de la industria juguetera. Es esta una propuesta de metodología historiográfica cuyo recorrido comienza en el oficio arcaico de la tonelería para desembocar al fin en los albores del comercio moderno de juguetes.

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A paperback "List of Voters for the Town of St. Catharines, 1874" by Journal Steam Print. Richard Woodruff is listed as an owner on St. Paul Street in St. Thomas' Ward (p.8) and Samuel D. Woodruff is also listed as an owner in St. Thomas' Ward (p.8). Richard Woodruff is listed as an owner in St. George's War (p.16). There is an extra front cover included which is badly wrinkled and stained. There is a handwritten list within the back of the book which tallies the number of people in each ward.

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El presente documento es una revisión detallada de la formación y cambios de la deuda pública colombiana desde la Constitución de Cúcuta hasta 1821, cuando se reconvierte toda la deuda pública externa bajo la ley de 21 de mayo de 1873. Este documento busca señalar los componentes de la deuda a lo largo del periodo señalando cambios importantes por causas externas (guerras) o causas internas (insolvencia y necesidad de recomponer la deuda y sus pagos). Este documento está principalmente basado en la codifi cación nacional de todas las leyes de Colombia a partir del año 1821 y la revisión de otras fuentes secundarias.