996 resultados para Art, Renaissance.


Relevância:

30.00% 30.00%

Publicador:

Resumo:

"This paper explores Warhol’s final and largest series entitled the Last Supper series in which the artist appropriated the work of Leonardo da Vinci’s original fifteenth century painting, replicating the image through repetition, radical cropping, and washes of neon color. While many scholars conclude this group of works is inspired by Warhol’s religious beliefs, others interpret these paintings as typical Warhol appropriation without religious association, but consistent with the artist’s interest in the cultural commodity of famous images"

Relevância:

30.00% 30.00%

Publicador:

Resumo:

The Camposanto of Pisa is an extraordinarily complex and evocative monument, which has captured the imagination of pilgrims, both religious and secular, for centuries. The late Medieval and early Renaissance wall paintings that line the perimeter of the portico surrounding a vast inner courtyard, are unparalleled in early Italian art, not only for their striking variety of composition and narrative complexity, but also for the sheer grandeur of their proportion. However, the passage of time has scarred the structure of the Camposanto and inflicted terrible damage on its wall paintings. This thesis explores the material reality of the Camposanto as experienced over three centuries through the eyes of British travelers. In order to situate the Camposanto mural cycle within an historical and cultural context, the first chapter provides an overview of the construction and decoration of the monument. Notably, Giorgio Vasari (1511-1574), the Italian Humanist often recognized as the father of art history, included numerous descriptions of the Camposanto murals in his highly influential text Vite de' più eccellenti pittori, scultori, ed architettori. Accordingly, the second chapter provides an analysis of Vasari’s descriptions and reflects upon the influence that the Renaissance author may have had upon the subsequent British reception of the Camposanto murals. The third chapter utilizes three centuries of travel writing in order to investigate the aesthetic impact of the Camposanto mural cycle upon British tourists from the seventeenth through to the nineteenth century.

Relevância:

30.00% 30.00%

Publicador:

Resumo:

Reprinted from various periodicals.

Relevância:

30.00% 30.00%

Publicador:

Resumo:

Contains bibliographies.

Relevância:

30.00% 30.00%

Publicador:

Resumo:

Mode of access: Internet.

Relevância:

30.00% 30.00%

Publicador:

Resumo:

Introduction.--The dome of Florence.--Church architecture of the Florentine renaissance.--The dome of St. Peter's.--Church architecture of the Roman renaissance.--Palace architecture of the Florentine renaissance.--Palace architecture of the Roman renaissance.--Church architecture of the renaissance in north Italy.--Palace architecture of the renaissance in north Italy.--Architectural carving of the renaissance.--Architecture of the early renaissance in France.--Lescot and De l'Orme.--Architecture of the renaissance in England. I. Elizabethan art.--Architecture of the renaissance in England. II. Jones and Wren.--Conclusion.

Relevância:

30.00% 30.00%

Publicador:

Resumo:

Includes bibliographical references and index.

Relevância:

30.00% 30.00%

Publicador:

Resumo:

Mode of access: Internet.

Relevância:

30.00% 30.00%

Publicador:

Resumo:

"Extrait de La Revue de l'art, ancien et moderne."