Aischylou Hepta epi Thēbas = Aeschyli Septem contra Thebas /

Includes index.

The Alcestis of Euripides /

Mode of access: Internet.

C. Valerii Flacci Setini Balbi Argonauticon libri VIII /

"Index historicus et geographicus": p. [213]-[232]

Tales of ancient Greece.

"The tales collected in this volume have, with one exception, appeared in the 'Tales from Greek mythology', 'The gods and heroes', and 'Tales of Thebes and Argos'."--Pref.

Jason's quest /

Includes index.

Aglaophamus; sive,

Mode of access: Internet.

Homērou Ilias /

T.1. Rapsōdia A-Z.-- t.2. Rapsōdia H̄-M.-- t.3. Rapsōdia N-S.-- t.4. Rapsōdia T-Ō.

Ēlektra : tragōdia /

Mode of access: Internet.

Nouvelle mythologie illustrée /

Mode of access: Internet.

Odusseus' dood : gedicht /

Mode of access: Internet.

Das Polyphemmärchen in altfranzösischen gedichten.

Mode of access: Internet.

A study of the Argonautica of Valerius Flaccus /

Mode of access: Internet.

Les argonautes: symphonie dramatique

poême & musique par Augusta Holmès ; partition pour piano et chant.

Hermes, a Concerto for Violoncello and Orchestra

This thesis consists of a large composition for violoncello and orchestra, together with an analytical paper in which I discuss my compositional techniques and some of their historical antecedents. The composition draws on the genres of imaginary musical theater, the symphonic poem, and the concerto. It was also inspired by the story of Hermes, the messenger god from Greek mythology. While the myth partially informs the compositional structure, the work is ultimately meant to showcase the versatility of the cello, the coloristic range of the orchestra (in some cases emulating the orchestral styles of previous composers), the balance of cello and orchestra together, and the eclectic invocation of many compositional techniques separately and simultaneously. These techniques encompass set theory (the use of unordered pitch collections), polytonality, and serialism. It is composed in a post-romantic style.

Adesp. fr. 700 K.-Sn. y "Andrómeda" de Eurípides

adesp. fr. 700 Kn.-Sn. podría proceder de Andrómeda de Eurípides y no de una Níobe. Los siguientes elementos de los frs. (a) y (b) pueden responder a lo que se conoce de la tragedia de Eurípides: (a) la semejanza con una estatua; (b) la novia de Hades; (c) el silencio del personaje; (d) la colaboración con las Moiras; (e) el contraste entre la fortuna regia y la desgracia y el sufrimiento de los padres. No es, por tanto, necesario modificar el texto recibido para eliminar μάγους πάγας y la referencia a las trampas mágicas en el v. 5, que cuadra bien con Medusa y Perseo.