Anne Blonstein : poesia como tradução?

Esta dissertação pretende dar a conhecer o trabalho de uma poeta, Anne Blonstein (1958-2011), que se move num “inbetween space” muito próximo ao do tradutor. No primeiro capítulo, damos a conhecer a autora e algumas das suas obras, fazendo um apanhado da sua actual recepção enquanto poeta. No segundo capítulo, olhamos para Anne Blonstein ‘ao microscópio’, apresentando uma leitura radial de um poema seu, so die Bindung ihrer Seele, seguida de uma versão em português analisada segundo o modelo hermenêutico de Venuti (2013). Depois de tecermos algumas considerações sobre o modelo desse autor, que também adoptamos para defender a escrita de Anne Blonstein como tradução, passamos ao terceiro capítulo, em que avançamos com uma reflexão final sobre se e como a poesia de Anne Blonstein poderá ser considerada uma forma de tradução. O trabalho termina com o “Início de uma experimentação” sobre so die Bindung ihrer Seele numa tradução não à letra nem pelo sentido mas letra-a-letra.

Al Berto : Pelas imagens que o espelho te devolve

Dissertação de Mestrado apresentada ao ISPA - Instituto Universitário

Aprender a gostar de poesia: contributos para uma didática do texto poético em contexto de Educação Pré-Escolar e Ensino do 1º Ciclo

Relatório de estágio de mestrado em Educação Pré-Escolar e Ensino do 1º Ciclo do Ensino Básico

Record of the freshwater stingrays Potamotrygon brachyura and P. motoro (Chondrichthyes, Potamotrygonidae) in the lower Uruguay river, South America

Freshwater stingrays, or potamotrygonids, are restricted to Neotropical river drainages. These elasmobranchs are well adapted to freshwater environments and the number of described species gradually increases as further research is carried out. Some of the first studies on their systematics and natural history were carried out in the 1960s and 1970s in southern South America. However, there is no new published data on potamotrygonids from Uruguayan waters since then (except for local journal reports from sportive fishermen and specimens deposited in Uruguayan collections). The present study aims to record the recent occurrence of two species of potamotrygonids caught by sport fishermen, with comments on other published historical records for the same area. As many other elasmobranchs, these species have an important, but not always well understood, role in the Uruguayan rivers ecosystems.

O autorretrato em literatura: ilustração e ruína

A aplicação ao caso literário do termo e do conceito de retrato, aqui incluindo a espécie mais tardia do autorretrato, não é hoje fluente, apesar da reconhecida permeabilidade do género a inúmeras linguagens artísticas e apesar de uma longa tradição de descrições de figura – particularmente no que toca a representação poético-retórica da beleza feminina – que recua à poesia clássica. Partindo de uma possível distinção entre autorretrato literário e variantes várias de escritas intimistas e autobiográficas com as quais delineia fronteiras nem sempre rigorosamente nítidas, é nosso propósito ilustrar, recorrendo a casos selecionados, modos de concretização verbal de autorretrato que se distanciam progressivamente de um paradigma representativo fundado na perceção e na semelhança, aproximando-se ao contrário de registos de rasura, apagamento, ruína, cegueira que questionam uma noção de identidade estabilizável em imagem (visual ou mental), encaminhando o gesto autorrepresentativo para uma meditação sobre a diferença e sobre o irreconhecimento; no limite, para uma condição fora do visível e porventura, arriscando os seus mais básicos pressupostos, para lá da representação.

Feeding ecology of Ozotoceros bezoarticus: conservation implicationsin Uruguay

The pampas deer (Ozotoceros bezoarticus Linnaeus, 1758) was in the recent past one of the most characteristic species in the Uruguayan grasslands. However, today the species is very rare, with small relict populations inhabiting in few ranches. To improve our understanding of pampas deer habitat use in modified ecosystems and propose management guidelines we analyzed the pampas deer feeding ecology at Los Ajos ranch. We performed an annual vegetation survey with the purpose to identify the main components of pampas's deer diet and the spatial overlap with livestock. Vegetation offer was characterized by predominance of monocotyledon plants; in three of the four sample periods. The preference values for the crops were positive for ryegrass in winter (0.24) and spring (0.54), the moments of greatest productivity of this pasture; while the rice crops values were negative all year round. The spatial overlap indexes with sheep show a complete exclusion, whereas with cattle the indexes gave values of 0.95 in spring to 0.14 in summer. The niche amplitude was significantly correlated with the spatial overlap levels with cattle. Pampas deer foraging behaviour is opportunistic, typical of mixed feeders. Conservation efforts should focus on implementation of management guidelines of agriculture and cattle breeding activities.

Of Coalition and Speed: Passage and Duration of Statutes in Uruguay's Parliament, 1985-2000

We report preliminary findings from analysis of a database under construction. The paper explores the legislative process in search for some of the alleged consequences of cabinet coalitions in a presidential system. Coalition effects should be less evident in the success of executive initiatives: strategic behavior hampers this intuitive measure of performance. Better measures, because less subject to strategic considerations, are the odds of passage of legislators' bills and the time proposals take to be approved. Thus measured, coalition effects are discernible. Analysis of the universe of proposals processed in the fragmented Uruguayan Parliament between 1985 and 2000 reveals that coalition, observed about half the period, swells success rates of coalition members by 60% on average (and by as much as 150% for those close to the president). Event history analysis shows that coalitions cut the wait for an executive bill by 3 months, 1/6th the average wait. The reverse effect is felt on the duration of legislators' bills.

“Un fol anar don es en fol venguz”: idas y venidas del desconocido Engles

Investigación elaborada a partir de una estancia en la Facoltà di Lettere e filosofia de la Università degli Studi dell'Aquila entre los meses de octubre del 2006 y marzo del 2007. Engles es uno de los trovadores occitanos de los siglos XII y XIII más misteriosos i desconocidos. Ante la falta de datos históricos o documentales, la única vía que queda es intentar descubrir las posibilidades comunicativas de los textos literarios que mencionan a Engles cuando son leídos en conjunto, como parte de un mismo grupo temático en torno a este personaje enigmático. De hecho, haciendo una lectura de este tipo, resulta evidente que parte de la información que podemos deducir hoy en día de Engles pudo haber sido, en cierto modo, alterada; o, como mínimo, leída erróneamente a lo largo del tiempo. Por ello resultan contradictorias las conclusiones que se derivan de la información que existe de él. Parte del problema es que a la falta de información archivística se suma la escasez del corpus de textos relacionados con Engles; y, sin embargo, a pesar de lo escaso en números, resulta de gran interés informativo. Partiendo del estudio de algunas de estas menciones, el artículo intenta establecer un diálogo coherente entre todos los textos, buscando dilucidar quién fue el misterioso Engles.

Ghosts in contemporary African diasporic literature : re-visioning history, memory and identity

Starting from the observation that ghosts are strikingly recurrent and prominent figures in late-twentieth African diasporic literature, this dissertation proposes to account for this presence by exploring its various functions. It argues that, beyond the poetic function the ghost performs as metaphor, it also does cultural, theoretical and political work that is significant to the African diaspora in its dealings with issues of history, memory and identity. Toni Morrison's Beloved (1987) serves as a guide for introducing the many forms, qualities and significations of the ghost, which are then explored and analyzed in four chapters that look at Fred D'Aguiar's Feeding the Ghosts (1998), Gloria Naylor's Mama Day (1988), Paule Marshall's Praisesong for the Widow (1983) and a selection of novels, short stories and poetry by Michelle Cliff. Moving thematically through these texts, the discussion shifts from history through memory to identity as it examines how the ghost trope allows the writers to revisit sites of trauma; revise historical narratives that are constituted and perpetuated by exclusions and invisibilities; creatively and critically repossess a past marked by violence, dislocation and alienation and reclaim the diasporic culture it contributed to shaping; destabilize and deconstruct the hegemonic, normative categories and boundaries that delimit race or sexuality and envision other, less limited and limiting definitions of identity. These diverse and interrelated concerns are identified and theorized as participating in a project of "re-vision," a critical project that constitutes an epistemological as much as a political gesture. The author-based structure allows for a detailed analysis of the texts and highlights the distinctive shapes the ghost takes and the particular concerns it serves to address in each writer's literary and political project. However, using the ghost as a guide into these texts, taken collectively, also throws into relief new connections between them and sheds light on the complex ways in which the interplay of history, memory and identity positions them as products of and contributions to an African diasporic (literary) culture. If it insists on the cultural specificity of African diasporic ghosts, tracing its origins to African cultures and spiritualities, the argument also follows gothic studies' common view that ghosts in literary and cultural productions-like other related figures of the living dead-respond to particular conditions and anxieties. Considering the historical and political context in which the texts under study were produced, the dissertation makes connections between the ghosts in them and African diasporic people's disillusionment with the broken promises of the civil rights movement in the United States and of postcolonial independence in the Caribbean. It reads the texts' theoretical concerns and narrative qualities alongside the contestation of traditional historiography by black and postcolonial studies as well as the broader challenge to conventional notions such as truth, reality, meaning, power or identity by poststructuralism, postcolonialism or queer theory. Drawing on these various theoretical approaches and critical tools to elucidate the ghost's deconstructive power for African diasporic writers' concerns, this work ultimately offers a contribution to "speciality studies," which is currently emerging as a new field of scholarship in cultural theory.

Traduccions cantables per a corals infantils catalanes: el repertori anglès-català del SCIC

En primer lloc els objectius que s’estableixen en aquest estudi són: Valorar la importància de la melodia, dels accents i la musicalitat del text en les cançons traduïdes analitzades. Plantejar la necessitat de la traducció de cançons infantils. Analitzar les traduccions existents de l’anglès al català del repertori de cançons infantils que es canten a les corals infantils. Relacionar poesia infantil i cançó. Visualitzar l’ús de la cançó infantil per a l’ensenyament dels infants, tant pel que fa a la transmissió de valors com per a l’ensenyament de llengües. La metodologia utilitzada fa referència a dos aspectes. El mètode qualitatiu amb la lectura d’articles i la bibliografia seleccionada i el mètode quantitatiu amb l’anàlisi de tres entrevistes i vint-i-una enquestes a responsables de corals infantils. En aquest estudi ofereixo l’estat de la qüestió sobre la traducció de cançons, amb especial atenció a la traducció de cançons per ser cantades. Després s’aborda la traducció de cançons infantils per ser cantades, per acabar especificant el tema d’aquest treball d’investigació en concret: la traducció de cançons infantils per ser cantades, amb l’estudi de traduccions de l’anglès al català de cançons cantades per corals infantils de Catalunya, i se n’ubica el context: el moviment coral infantil a Catalunya. Per a la confecció d’aquest estudi s’ha fet un recull de vint-i-set cançons traduïdes (anglès-català) que canten les corals infantils de Catalunya aplegades en el Secretariat de Corals Infantils de Catalunya (SCIC). Se n’ha seleccionat les cançons traduïdes de l’anglès al català, incloent-hi la partitura, la lletra original i la traducció. Aquest recull permet establir un lligam entre la traducció, la música i la pedagogia musical a Catalunya, els tres eixos principals d’aquest treball. D’aquestes cançons se n’han analitzat tres seguint els criteris establerts per autors com Peter Low, per la seva àmplia experiència en la traducció de música vocal. Els criteris són referents al ritme, rima, cantabilitat, naturalitat i sentit. Per tal de fer aquest estudi es van portar a terme tres entrevistes a traductors de cançons infantils: Enriqueta Anglada, Maria Martorell i Josep Vigo. Per valorar l’ús de cançons traduïdes dins del moviment coral infantil en l’actualitat i de manera més global, el treball inclou una enquesta, adreçada a directors de cors infantils, resposta per 21 cors. Aquestes enquestes palesen els canvis produïts amb el temps respecte a la necessitat de traduir cançons, ja que actualment la traducció no és tant important tot i que es continua valorant la seva importància, sobretot per afavorir la comprensió del que es canta. Però alhora es referma el desig de cantar en l’idioma original (especialment en el cas de l’anglès), quan aquest idioma l’entén qui dirigeix o interpreta la cançó, quan aquest fet es veu com a repte, o quan es prioritza la relació original entre música i text.

The Hindu Model of Social Organization and the bhakti Movement : the Example of Vallabha's sampradāya

(Résumé de l'ouvrage) This volume addresses research topics within the field of Bhakti literature, the devotional poetry and other compositions of devotional character in the earlier literature of the modern South Asian languages. Its papers range from the roots of the Bhakti tradition in the early history of Krsna to its modern adaptations in nineteenth- and twentieth-century culture. Geographically, they span Bengal to Sind, Panjab to Maharashtra. Contemporary study of the modern Indian languages has broadened the scope of scholarship to consider today's Hindu attitudes, and those of a mixed society, against the background of ancient culture. Here, materials in six modern Asian languages are discussed: Bengali, Gujarati, Hindi in its main literary forms, Marathi, Panjabi and Sindhi; with assessment also of material in Sanskrit, Arabic and Chinese. In addition to studies of literary (and orally transmitted) works in the Krsna or Rama traditions, and of Sufi compositions and their interpretation, there are papers on the early history of sacred sites, the emergence of the religion of Rama, later religious formulations throughout the subcontinent, and the interaction of the Islamic and the Hindu.

Anna Senyé, poeta

Anna Senyé, poeta és un treball que explora la vida i el treball literari d’una poeta catalana anònima. Anna Senyé Ramisa (Manlleu, 1881-Barcelona, 1956) fou una dona de caràcter aventurer que va tenir una vida poc convencional. Va escriure en diferents revistes i diaris catalans des de 1914 i durant la primera meitat del segle vint, tant com a poeta com a periodista i activista social, amb la publicació d’articles i manifestos en defensa dels drets dels animals. Senyé també participà en els Jocs Florals i va guanyar-hi premis en els celebrats a l’Escala i Molins de Rei. L’any 1922 va publicar el seu treball poètic en un volum, Remolinada. Els seus poemes mostren el seu amor pels animals i la natura, així com també el record de la infantesa a la seva vila natal. Presentem quatre retrats de l’escriptora: el ‘Retrat de la família’, el ‘Retrat de la dona’, el ‘de la poeta’ i finalment, el ‘Retrat de la viatgera’. Amb aquests retrats, els poemes d’Anna Senyé deixen de ser oblidats i la poeta passa a formar part de la genealogia d’escriptores catalanes. Paraules clau: Anna Senyé, poesia catalana, gènere i literatura.

Hay candombe : prácticas musicales dentro de las dinámicas sociales de la comunidad uruguaya de Barcelona

El presente trabajo plantea un acercamiento a las dinámicas sociales de las comunidades migradas mediante la observación de sus usos musicales. Este acercamiento se realizará mediante el estudio de un caso concreto: la comunidad uruguaya de Barcelona y su relación con el candombe, un tipo de música popular del Uruguay. Los objetivos que nos planteamos resolver a través de este estudio son poder entender el funcionamiento del candombe en sus distintas dimensiones (musical y social) y ver como éste se modifica en función del entorno donde se inserta. La metodología que utilizaremos será la observación directa de distintos espacios relacionados con el candombe, tanto en Barcelona como en el Uruguay, así como entrevistas a personas vinculadas con estos espacios. El análisis de los materiales recogidos en el campo se realizará a partir de los modelos teóricos de Josep Martí y los que ofrecen los estudios sobre comunidades diaspóricas y los enfoques transnacionales.