808 resultados para Strange Attractor
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Captain Dreams, by Capt. C. King.--The ebb-tide, by Lieut. A.H. Sydenham.--White lilies, by A.K. Hamilton.--A strange wound, by Lieut. W.H. Hamilton.--The story of Alcatraz, by Lieut. A.H. Sydenham.--The other fellow, by R. Monckton-Dene.--Buttons, by Captain J.G. Leefe.
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The legend of Saint Nicholas. - The little Dutch sentinel of the Manhadoes. - Cobus Yerks. - A strange bird in Niew-Amsterdam. - Claas Schlaschenschlinger. - The revenge of Saint Nicholas. - The origin of the bakers' dozen. - The ghost. - The nymph of the mountain. - The ride of Saint Nicholas on Newyear's eve.
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Mode of access: Internet.
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Printed in Great Britain.
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The only girl at Overlook / Franklin Fyles -- A thing that glistened / Frank R. Stockton -- A lion and a lioness / Joaquin Miller -- The cheated Juliet / Q -- The mystic Krewe / Maurice Thompson --Strange adventures of a million dollars / Ingersoll Lockwood -- A lost day / Edgar Fawcett -- A tragedy of high explosives / Brainard Gardner Smith -- The bushwhacker's gratitude / Kirke Munroe -- The end of all / Nym Crinkle -- Shall he marry her? / Anna Katharine Green.
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The Anecdotes of painting and Catalogue of engravers were compiled from manuscripts of George Vertue.
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Blank pages for notes included in paging.
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Beauty and the beast [a story of old Russia]--Tales of home: The strange friend. Jacob Flint's journey. Can a life hide itself? Twin love. The experiences of the A.C. Friend Eli's daughter. Miss Bertram's trouble. Mrs. Stongitharm's report.
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Includes bibliographies: A bibliography of John Evelyn, by H. B. Wheatley: v.1, 77-90 -- Incunabula Virgiliana, comp. by W. A. Copinger: v.2, p.[123]-226. A list of books and papers on printers and printing, under the countries and towns to which they refer. Comp. by T. B. Reed: v.3, p.[81]-152 -- List of manuscripts and examples of metal and ivory bindings from the Bibliotheca Lindesiana: v.4. p.[213]-232 -- Bibliography of printing in Sicily, by R. S. Faber: v.5, p.209-211 -- A bibliography of the writings of Christopher Smart, with biographical references. By G. J. Gray: v.6, p.[269]-303 -- List of lace books, by E. F. Strange: v.7, p.219-246 -- Handlist of books in the library of the Bibliographical society: v.8, li p -- A bibliography of the Thoughts of Marcus Aurelius Antoninus, by J. W. Legg: v.10, p.[15]-81 -- The bibliography of Petronius, by S. Gaselee, with a Short-title handlist: v.10, p.[141]-233 -- A list of bibliographical books published since 1893. Comp. by R. A. Peddie: v.10, p.[235]-311 -- Richard Schilders and the English Puritans, by J. D. Wilson: v.11, p.[65]-134 -- The Schotts of Strassburg and their press, by S. H. Scott: v.11, p.[165]-188 -- Notes on English books printed abroad, 1525-48, by R. Steele: v.11, p.[189]-236 -- The romance of Amadis of Gaul, by H. Thomas: v.11, p.[251]-297 -- Notes on the bibliography of Pope, by G. A. Aitken: v.12, p.[113]-143 -- Road-books and itineraries bibliographically considered, by Sir H. G. Fordham: v.13, p.[29]-68 -- The Palmerin romances, by H. Thomas: v.13, p.[97]-144 -- Books on accountancy, 1494-1600, by C. Gordon: v.13, p.[145]-170 -- An agreement for bringing out the second Quignon breviary. Ed. by J.W. Legg: v. 13, p. [323]-348 -- Notes on the bibliography of Matthew Prior, by G. A. Aitken: v.14, p.[39]-68 -- The City printers [with partial list of titles of City official literature] by C. Welch: v.14, p.[175]-241.
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Mode of access: Internet.
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How can the modern individual control his or her self-representation when the whole world seems to be watching? This question is a familiar one amid the the twenty-first century's architecture of 24-hour newsrooms, chat rooms and interrogation rooms, but this book traces this question back to the stages, the pages, and the streets of eighteenth-century London--and to the strange and spectacular self-representations performed there by England's first modern celebrities. These self-representations include the enormous wig that the actor, manager, and playwright Colley Cibber donned in his most famous comic role as Lord Foppington--and that later reappeared on the head of Cibber's cross-dressing daughter, Charlotte Charke. They include the black page of 'Tristram Shandy,' a memorial to the parson Yorick (and his author Laurence Sterne), a page so full of ink that it cannot be read. And they include the puffs and prologues that David Garrick used to hiehgten his publicity while protecting his privacy; the epistolary autobiography, modeled on the sentimental novel, of Garrick's protégée George Anne Bellamy; and the elliptical poems and portraits of the poet, actress, and royal courtesan Mary Robinson, known throughout her life as Perdita. Linking all of these representations is a quality that Fawcett terms "over-expression." 'Spectacular Disappearances' theorizes over-expression as the unique quality that allows celebrities to meet their spectators' demands for disclosure without giving themselves away. Like a spotlight so brilliant it is blinding, these exaggerated but illegible self-representations suggest a new way of understanding some of the key aspects of celebrity culture, both in the eighteenth century and today. They also challenge many of the disciplinary divides between theatrical character and novelistic character in eighteenth-century studies, or between performance studies and literary studies today. Drawing on a wide variety of materials and methodologies, 'Spectacular Disappearances' provides an overlooked but indispensable history for scholars and students of celebrity studies, performance studies, and autobiography--as well as to anyone curious about the origins of the eighteenth-century self.
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Mode of access: Internet.
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Vol. 2 is an appendix with half-title: Responsa prudentûm; or, Opinions of pundits attached to the courts established throughout the interior of the territories dependant upon the government of Madras ...
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"Founded upon the story of Letitia in the second series of Tales of a voyager [by Gillies]"
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Mode of access: Internet.