997 resultados para Difusió cultural -- Catalunya


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Discussions about human origins, both scientific and pre-scientific, have frequently been freighted with the cultural politics of race relations and questions about human equality. In one way or another, maps have played a critical role in these enterprises by presenting in visual form narratives of human genesis and patterns of human ancestral lineages. In this paper I discuss how a sequence of cartographic representations of human beginnings have transacted racial power from the middle ages to the present day.

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Introduction<br/><br/>Since the 1980s there have been major policies and projects for the redevelopment of Dublin Docklands. These projects were mainly aimed at profitable development of office, commercial and residential space, without a sound plan that would preserve the identity or community of the area. The recent shift in policies and urban design principles in the Dublin Docklands Area Master Plan 2008 shows that policy makers have acknowledged that mistakes were made in the last decades of the 20th century. The current map of the Dublin Docklands Area Master Plan 2008 gives us useful information about these changes. The Ringsend/ Irishtown area, which has kept a great part of its urban form and community identity throughout centuries, is described as an area of protection of residential and services amenities (DDDA, 2008, map A). Meanwhile, the area of the Grand Canal Docks, recently developed, is described with the objective to seek the social, economic and physical development or rejuvenation<br/>within an area of mixed use of which residential and enterprise facilities would be the predominant uses (DDDA, 2008, map A). This classification shows that recent development has been unable to achieve the cohesion and complexity of existing neighbourhoods, revealing flaws not only in policy, but also in the built environment and approaches to urban design.<br/><br/>The shift towards the consideration of more community participation reveals a need to understand the tradition and past of these communities, while the urban fabric of small plots in the existing neighbourhoods, therefore, seems to have a very important role in the conservation of identity of place and providing the opportunity for difference within regularity. On the other hand, the new fabric of residential block developments in the docklands denies the possibility of developing a sense of community, and by providing only regularity, does not leave space for difference.<br/><br/>This paper will address questions related to urban morphology and town analysis in the case of Ringsend and Irishtown. This will provide a tool to learn from the past and perhaps find new models of development that might be less detrimental for the heritage of cities and urban communities. One of the ideas of this paper is to adhere to the new tendency in conservation policies to provide a broader analysis of urban areas, not only considering individual monuments in cities, but also analysing the significance of urban morphology and intangible heritage. It forms part of an OPW Post- Doctoral Fellowship in Conservation Studies and Environmental History.1 Research has been carried out in different areas of urban history of Dublins southern waterfront, including infrastructure history and a thorough analysis of the letters of the Pembroke Estate of the 19th century, which included the areas of Ringsend and Irishtown. However, this paper focuses on the study of urban form of the area and its significance to Dublins heritage.

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Major cultural events are increasingly seen by local stakeholders as important opportunities to stimulate urban regeneration, city branding and economic development. The European Capital of Culture programme is a prominent example. Since 1985 over thirty cities have hosted the title and today it remains a highly sought-after prize. This paper analyses competing interpretations of the success of Liverpool's hosting of the European Capital of Culture in 2008. It unpacks contrasting views of Liverpool08, from the official triumphant message of urban regeneration and economic renaissance to more critical analyses that problematise important elements of the event and its social and spatial impacts. In so doing, it challenges the hyperbole of culture-led transformation to reveal different geographies of culture, different cultural experiences and different socio-economic realities; it also offers an additional cultural reading of Liverpool in 2008. Through the example of Liverpool this paper shows how local culture is politicised, manipulated and sanitised in order to stimulate urban regeneration and construct a spatial re-branding of the city.<br/><br/>De grands vnements culturels sont de plus en plus perus par les rentiers locaux comme des opportunits importantes pour stimuler la rgnration urbaine, produire la devise des villes et le dveloppement conomique. L'initiative La Capitale Europenne de la Culture est un exemple prominent. Depuis 1985, plus de trente villes ont accueilli le titre et maintenant il reste un prix largement recherch. Cet article analyse des interprtations en concurrence du succs de l'accueil de Liverpool de la Capitale Europenne de la Culture en 2008. Il dballe des vues contrastes de Liverpool08, du message officiel et triomphal de la rgnration urbaine et de la renaissance conomique des analyses plus critiques qui problmatisent des lments importants de l'vnement et ses impacts sociaux et spatiaux. De cette faon, il conteste l'hyperbole de la transformation mene par la culture pour rvler des gographies diffrentes de la culture, des expriences diffrentes de la culture et des ralits socioconomiques diffrentes; il offre aussi une interprtation culturelle diffrente de Liverpool en 2008. Au travers de l'exemple de Liverpool cet article montre comment la culture locale est politise, manipule et aseptise pour stimuler la rgnration urbaine et construire un relookage spatial de la ville.<br/><br/>Cada vez ms, los inversores locales vean a los eventos culturales como oportunidades importantes para estimular regeneracin urbana, el desarollo econmico y la branding a una ciudad. El Capital Europeo de Cultura es un ejemplo prominente. Desde 1985, ms que treinta ciudades han presentado el ttulo y hoy sigue siendo un premio deseable. Este papel se analiza interpretaciones competitivos del xito del Capital Europea de Cultura 2008 en Liverpool. Se deshace las perspectivas opuestas del Liverpool08, del mensaje triunfante de regeneracin urbana y renacimiento econmico, a analices crticos que problematizan elementos importantes del evento y sus impactos sociales y espaciales. Al hacer esto, se cuestiona el hiprbole de la transformacin cultural para revelar geografas diferentes de cultura, experiencias culturales diferentes y realidades diferentes socio-econmicas; tambin ofrece un entendimiento cultural adicional de Liverpool en el 2008. Atravs el ejemplo de Liverpool, este papel demuestra como la cultura local est politizada, manipulada, y desinfectado para estimular regeneracin urbana y construir una nueva branding de la ciudad.

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