Renaissance und Reformation in Bildung, Kunst und Literatur; ein Beitrag zur Geschichte des menschlichen Geistes.

Mode of access: Internet.

Michelangelo und das Ende der Renaissance,

Includes index

The renaissance of the nineties.

Mode of access: Internet.

Conrad Ferdinand Meyer in seinen Verhaltnis zur italienischen Renaissance : Teil I, Kapitel 1-3.

Thesis (doctoral)--Friedrich-Wilhelms-Universitat zu Berlin.

Nova Solyma, the ideal city; or, Jerusalem regained; an anonymous romance written in the time of Charles I., now first drawn from obscurity, and attributed to the illustrious John Milton.

Ascribed to Samuel Gott by S. K. Jones (in the Library, 3d ser., no. 3, v. 1, July 1910)

La renaissance catholique en Angleterre au XIXe siècle ...

Vol.2,4.ed., vol.3,2.ed.

The early renaissance in England;

Mode of access: Internet.

The central Italian painters of the renaissance,

"Index to the works of the principal central Italian painters": p. 130-189.

Renaissance concepts of method.

Includes bibliography.

Recherches sur l'architecture, la sculpture, la peinture, la menuiserie, la ferronnerie, etc. dans les maisons du moyen-âge et de la renaissance à Lyon,

Letter accepting dedication dated 1854, preface, 1851.

The humanism of Italy : book I of Thought and expression in the sixteenth century /

Includes bibliographical references.

The later renaissance.

Mode of access: Internet.

Revue de la renaissance, organe international des amis du XVIe siècle et de la Pléiade.

Edited by Léon Séché.

Claudius Popelin et la Renaissance des Emaux peints.

Mode of access: Internet.

The Cuala Press: Women, publishing, and the conflicted genealogies of 'feminist publishing'

The Cuala Press, a fine art press run by Elizabeth Yeats around Dublin during the first half of the twentieth century, has long been recognised amongst scholars of Irish literature and history. But the press has been analysed almost exclusively through the interpretative lenses of poet W.B. Yeats, the Yeats family, and the Irish Renaissance. The article challenges such received understandings of Cuala by considering the press as a gendered publishing enterprise: one run by a woman, employing only women, and designed to create work and economic independence for Irish working girls. Through examining the origins of Cuala, the locus of editorial power within the press, and Cuala's complexly ambivalent relationship with modernist Irish suffrage and nationalist women's networks, the article situates the post-1970 feminist publishing boom within a historical trajectory. It suggests that scholarly knowledge of women's publishing history may be crucially dependent upon the health of contemporary feminist presses. (C) 2004 Elsevier Ltd. All rights reserved.