Der praktische Gemüsegärtner.

Mode of access: Internet.

Erinnerungen aus dem Leben des General-Feldmarschalls Hermann von Boyen /

1. T. Der Zeitraum von 1771-1809 -- 2. T. Der Zeitraum von Ende 1809 bis zum Bündniss von Kalisch -- 3. T. Der Zeitraum vom Bündniss von Kalisch bis zur Leipziger Schlacht.

The new readings contained in Hermann's posthumous edition of Aeschylus translated and considered by George Burges. : forming an appendix to the prose translation. of Aeschylus.

Mode of access: Internet.

Handbuch der blütenbiologie : unter zugrundelegung von Hermann Müllers werk: "Die befruchtung der blumen durch insekten" /

"Systematisch-alphabetisches verzeichnis der im zweiten[-dritten] bande dieses handbuches aufgeführten blumenbesuchenden tierarten nebst angabe der von jeder art besuchten blumen": v.2, pt.2, p. [559]-672 ; v.3, pt.2, p. [359]-470.

Das kassen- und rechnungswesen bei den preussischen staats- und unter staats-verwaltung stehenden privateisenbahnen .. nebst einschlägigen bestimmungen und einem anhange ... ausgearb. und zusammengestellt von Hermann Kosub ...

Mode of access: Internet.

Hermann Kaulbach Bilderbuch. Mit 45 Bildern von Hermann Kaulbach und einem Porträt des Künstlers.

Illus. on p.[68] dated: 1906.

Hermann und Dorothea

von J. W. von Goethe

Sociedad posindustrial, memoria e identidad. Sobre Marcelo Cohen

Fil: Chiani, Miriam Neri. Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación; Argentina.

Country escapes and designs for living:Christa Wolf, Sarah Kirsch and Judith Hermann

Country escapes and designs for living in the Works of Two Generations of (East) German Women Writers: Christa Wolf’s Sommerstück and Sarah Kirsch’s Allerlei-Rauh as Precursors to Judith Hermann’s Sommerhaus, später

Die Behandlung englischen Kulturgutes im Wiener fin de siècle:am Beispiel von Hugo von Hofmannsthal, Hermann Bahr und Peter Altenberg

This study explores the fascination which English culture represented in turn-of-the-century Vienna. The writers that are going to be discussed are the renowned Anglophile Hugo von Hofmannsthal, the more ambivalent Hermann Bahr and the idealizing, but Janus-faced Peter Altenberg. With the more widely known poet, prose writer and playwright, Hofmannsthal, individual aspects of his engagement with English culture have already been well researched; the same, however, cannot be said in the case of Hermann Bahr, whose extensive literary oeuvre has now largely been forgotten, and who has, instead, come to be valued as a prominent figure in the culture life of modernist Vienna, and Peter Altenberg, whose literary fame rests mainly on his prose poems and who, a legend in his life-time, has in recent years also increasingly attracted research interest as a phenomenon and ‘embodiment’ of the culture of his time: while their engagement with French literature, for example, has long received its due share of attention, their debt to English culture has, until now, been neglected. This thesis, therefore, sets out to explore Hofmannsthal’s, Bahr’s and Altenberg’s perception and portrayal of English civilization – ranging from English character and stereotypes, to what they saw as the principles of British society; it goes on to investigate the impulses they derive from Pre-Raphaelite art (Rossetti, Burne-Jones, Whistler) and the art and crafts-movement centred around William Morris, as well as their inspiration by the art criticism of John Ruskin and Walter Horatio Pater. In English literature one of the focal points will be their reading and evaluation of aestheticism as it was reflected in the life and writings of the Dubliner Oscar Wilde, who was perceived, by these Austrian authors, as a predominant figure of London’s cultural life. Similarly, they regarded his compatriot George Bernard Shaw as a key player in turn-of-the-century English (and European) culture. Hermann Bhar largely identified with him. Hofmannsthal, on the other hand, while having some reservations, acknowledged his importance and achievements, whereas Peter Altenberg saw in Shaw a model to reassure him, as his writings were becoming more openly didactic and even more miniaturistic than they had already been. He turned to Shaw, too, to explain and justify his new goal of making his texts more intelligent to a wider circle of readers.

(Table 1) Granulometry of sediments obtained during research cruises of Tender Ems and Hermann Wattenberg in Kiel Bay, Baltic Sea

Sediment cores, mainly push-box samples, from a channel system of the Kiel Bay are described. The channel system, of glacial and fluviatile origin, is important for the distribution of heavy, salt-rich water entering from the North Sea through the Great Belt, Sediment erosion and transport in the channels is due entirely to currents, because the bottom lies too deep for wave action. The sediments of these channels proude information about current velocities and their frequencies. Grain-size, minor sediment structures and thickness of the sediments vary remarkably. Nevertheless, for those parts of the channels where stronger currents occur, some typical features can be shown. These include: small thickness of the marine sediments, erosional effects upon the underlying sediments, and poor sorting of the sediments, whereby fine and coarse fractions are mixed very intensively. Besides strong currents which effect the bottom configuration and deposits in the Fehmarn Belt, there must exist longer periods of low current action upon the bottom, although current measurements show that current velocities higher than 50 cm/sec at some meters above the bottom occur frequently during the year. In the channel to the west of the southern mouth of Great Belt, coarse sediments were found only in elongate, deep throughs within the channels. This is believed to be due to an acceleration of the entering tongues of heavy water as they flow downslope into the throughs. Minor structures of two sediment cores were made visible by X-ray photographs. These showed that the mixing of sand and clayey material is due partly to bottom organisms and that the mud, which appears 'homogeneous' to the bare eye, is built up of fine wavy laminae which are also partly destroyed by boring animals. At another location in the channel system, there was found a thin finegrained layer of marine sediment resting upon peat. Palynological dating of the peat shows that very little older sediment could have been eroded. The current velocities, therefore, must be too low for the movement of coarse material and erosion, but too high to allow the Sedimentation of a lot of fine-grained material.