El uso de las opiniones de los predecesores en Sobre la Filosofía

En el presente trabajo, nos interesa analizar cómo Aristóteles utiliza las opiniones de los predecesores en una de sus obras fragmentarias: Sobre la filosofía. En relación con esta obra, nuestro análisis se centrará en la conexión que se puede establecer entre las concepciones de los predecesores, a las cuales Aristóteles califica de énnoiai, y la "metodología" implementada por él para llevar a cabo su propia indagación acerca de la verdad. A tales efectos, hemos optado dividir el trabajo en dos apartados. En el primero, nos detendremos en analizar la distinción entre lo que Aristóteles hace con la tradición filosófica y lo que él mismo cree estar haciendo. En el segundo apartado del trabajo, nos centraremos en examinar cómo en Sobre la filosofía Aristóteles integra las concepciones de los predecesores a su propia reflexión. El objetivo de esto último es demostrar que en los primeros libros de esta obra Aristóteles no pretende hacer una síntesis de lo que se ha dicho sobre lo divino y la sabiduría, sino tomar estas concepciones como un punto de partida que sirva para su propia indagación filosófica.

El uso de las opiniones de los predecesores en Sobre la Filosofía

En el presente trabajo, nos interesa analizar cómo Aristóteles utiliza las opiniones de los predecesores en una de sus obras fragmentarias: Sobre la filosofía. En relación con esta obra, nuestro análisis se centrará en la conexión que se puede establecer entre las concepciones de los predecesores, a las cuales Aristóteles califica de énnoiai, y la "metodología" implementada por él para llevar a cabo su propia indagación acerca de la verdad. A tales efectos, hemos optado dividir el trabajo en dos apartados. En el primero, nos detendremos en analizar la distinción entre lo que Aristóteles hace con la tradición filosófica y lo que él mismo cree estar haciendo. En el segundo apartado del trabajo, nos centraremos en examinar cómo en Sobre la filosofía Aristóteles integra las concepciones de los predecesores a su propia reflexión. El objetivo de esto último es demostrar que en los primeros libros de esta obra Aristóteles no pretende hacer una síntesis de lo que se ha dicho sobre lo divino y la sabiduría, sino tomar estas concepciones como un punto de partida que sirva para su propia indagación filosófica.

Una aproximación a la cosmovisión y a la historia de occidente en la obra ensayística de Czeslaw Milosz

This thesis aims to identify the world-view of Czesław Miłosz as it underlies his work; a world-view which comprises historical, philosophical and theological perspectives. With this aim an analysis has been made of the books of essays and the collections of articles of the Polish writer. These form a major part of his literary production: twenty seven of the thirty eight volumes. The work The Land of Urlo (1977) has a special relevance to this endeavour. Two principal hypotheses have been formulated: 1. The world-view of Czesław Miłosz grew out of the assimilation of a series of intellectual influences. The catholic education in his childhood. The encounter in his youth with the gnostic Christian Oskar Miłosz and with Marxism. His contact during the period of the Second Word War and at the beginning of its sequel with the hegelian philosopher Tadeusz Kroński. This world-view had crystalized during his exile. From then he completed his reading of Simone Weil, Emanuel Swedenborg, and William Blake. 2. The world-view of Czesław Miłosz is directly related to his understanding of the History of the West from the beginnings of Christianity to contemporary times. The difficulty in understanding the Weltanschauung of Czesław Miłosz is not of a technical nature (expression in an excessively complex language, dispersion of his work in multifarious archives, collections of letters, etc.). It arises – and only to a lesser degree in his political and philosophical-religeous and biographical essays – out of the author's use of a cryptic language with the intention of hiding a part of his message from view...

Managing large-enrollment courses in hybrid instruction mode

This essay addresses the hitches and glitches in the hybrid instruction system of teaching and learning for large-enrollment courses. This new instructional methodology asks facilitators to redesign their entire traditional teaching and learning practices. The nature of subject to be taught via the hybrid mode further affects the success rate of the modules from the time of inception to launch to actual delivery and completion of the course. The entire process involves undoing the old habits and methodologies and instructors picking up new skills, along with the right motivation to take up the task. The course planning and delivery require a substantial commitment in terms of hours from the instructors catering to large-enrollment courses, along with pursuing their routine roles at the campuses. From the pupil’s perspective, the response varies, as hybrid learning seeks self-discipline and time management skills from the learner. After the initial roadblocks, students enjoy hybrid learning if the course structure and instructions are simple and the course content flexible and varied. We will study the problems and possible solutions to the success of the hybrid teaching–learning system at each stage where large number of students enrolled for a specific course.

Essays on employment / education, investment in education and student achievement

Méthodologie: Modèle de régression quantile de variable instrumentale pour données de Panel utilisant la fonction de production partielle

Revisiting compressed air energy storage.

The use of renewable energies as a response to the EU targets defined for 2030 Climate Change and Energy has been increasing. Also non-dispatchable and intermittent renewable energies like wind and solar cannot generally match supply and demand, which can also cause some problems in the grid. So, the increased interest in energy storage has evolved and there is nowadays an urgent need for larger energy storage capacity. Compressed Air Energy Storage (CAES) is a proven technology for storing large quantities of electrical energy in the form of high-pressure air for later use when electricity is needed. It exists since the 1970’s and is one of the few energy storage technologies suitable for long duration (tens of hours) and utility scale (hundreds to thousands of MW) applications. It is also one of the most cost-effective solutions for large to small scale storage applications. Compressed Air Energy Storage can be integrated and bring advantages to different levels of the electric system, from the Generation level, to the Transmission and Distribution levels, so in this paper a revisit of CAES is done in order to better understand what and how it can be used for our modern needs of energy storage.

An analysis of migratory salmonid catch effort data, derived from anglers' log books, 1991

1000 log books were issued to anglers of which 236 were returned, those from the rivers Derwent, Kent, Lune and Ribble accounted for the vast majority. The Derwent had the highest catch rate of these rivers: one salmon every 13.89 hours followed by the Lune, Kent and Ribble at 16.39, 18.87 and 35.71 hours, respectively. For sea trout the Lune, Derwent and Ribble had a catch rate of approximately one fish every 10.0 hours (9.8, 10.0 and 10.64 hours),and for the Kent one fish per 16.1 hours fished. Salmon angling visits were, in general,longer than those for sea trout being between 2 and 6 hours as opposed to 2 to 4 hours. On the majority of visits (>80%) no fish were caught and was the same for salmon and sea trout. For salmon the majority of fish were caught on fly, spinner or worm, and the least on prawn. For sea trout fly predominated. The majority of salmon caught were less than 91b in weight and were presumed to be grilse (1 sea winter). The majority of the sea trout caught weighed between 1 and 31b. The pattern of catch, effort, CPUE, abundance and catchability for salmon and sea trout were modelled using the data from the rivers Derwent, Kent and Lune. Flow significantly influenced catch, effort and catchability of salmon which had entered in a particular month. For sea trout flow was not significantly correlated with any of the dependent variables. The catchability coefficient for salmon, determined from the total number of fish, remained relatively constant over the period June to October indicating that CPUE was a reasonable measure of within season abundance. This was not found to be the case for sea trout.

Hours with men and books /

Seventh thousand.

Hours with men and books /

Thomas De Quincey -- Robert South -- Charles H. Spurgeon -- Recollections of Judge Story.

Digitisation of books in Australia for the public good

The National Cultural Policy (NCP) Discussion Paper highlights that the ‘National Broadband Network, with its high-speed broadband, will enable new opportunities for developing and delivering Australian content and applications reflecting our diverse culture and interests’.1 A significant source of content and knowledge is our books, in particular, out of print, in copyright books and books in the public domain. More and more people, especially those who are digitally literate, will demand that the store of knowledge in these hard-to-find (and at times, decaying) books be digitised and made readily accessible on the internet...

Strolling through the (post)modern city: Modes of being a flaneur in picture books

The city and the urban condition, popular subjects of art, literature, and film, have been commonly represented as fragmented, isolating, violent, with silent crowds moving through the hustle and bustle of a noisy, polluted cityspace. Included in this diverse artistic field is children’s literature—an area of creative and critical inquiry that continues to play a central role in illuminating and shaping perceptions of the city, of city lifestyles, and of the people who traverse the urban landscape. Fiction’s textual representations of cities, its sites and sights, lifestyles and characters have drawn on traditions of realist, satirical, and fantastic writing to produce the protean urban story—utopian, dystopian, visionary, satirical—with the goal of offering an account or critique of the contemporary city and the urban condition. In writing about cities and urban life, children’s literature variously locates the child in relation to the social (urban) space. This dialogic relation between subject and social space has been at the heart of writings about/of the flâneur: a figure who experiences modes of being in the city as it transforms under the influences of modernism and postmodernism. Within this context of a changing urban ontology brought about by (post)modern styles and practices, this article examines five contemporary picture books: The Cows Are Going to Paris by David Kirby and Allen Woodman; Ooh-la-la (Max in love) by Maira Kalman; Mr Chicken Goes to Paris and Old Tom’s Holiday by Leigh Hobbs; and The Empty City by David Megarrity. I investigate the possibility of these texts reviving the act of flânerie, but in a way that enables different modes of being a flâneur, a neo-flâneur. I suggest that the neo-flâneur retains some of the characteristics of the original flâneur, but incorporates others that take account of the changes wrought by postmodernity and globalization, particularly tourism and consumption. The dual issue at the heart of the discussion is that tourism and consumption as agents of cultural globalization offer a different way of thinking about the phenomenon of flânerie. While the flâneur can be regarded as the precursor to the tourist, the discussion considers how different modes of flânerie, such as the tourist-flâneur, are an inevitable outcome of commodification of the activities that accompany strolling through the (post)modern urban space.

Books, toys and tablets : playing and learning in the age of digital media

Introduction During a recent study of how parents source information about children‘s early learning, one of us made our first serious foray into a local store licensed to the global chain Toys'R' Us. While walking the aisles, closely observing layout, signage and stock, several things became obvious. Firstly, large numbers of toys were labeled'educational'. Secondly, many toys in that category were intended for children under the age of two years. These were further differentiated as intended for 'babies' or 'infants', and sub-categorized on packaging or shelving using even smaller age increments (e.g. 0-3 months, 12-18 months, and so on). Thirdly, many products were labeled as 'interactive' and 'learning' toys that promised to assist children‘s early learning and development. The activation of some of these toys relied on embedded computer chip technology and promised to 'connect' children with the home television, computer and the Internet. These products were hybrids between a toy and a platform for digital media interaction. Closer inspection of toy packaging and other promotional material suggested that industry had begun to invest heavily in developing highly differentiated children‘s markets for products that yoked together concepts of learning and development, the 'fun toy' that incorporates digital technology, and offline- and online participation. In this chapter we explore the growth of this contemporary cultural phenomenon that now connects books, toys and mobile digital media with children‘s play and learning.

Paranoid prizing : the facts and fictions of Australia’s Eve Pownall Award for Information Books, 2001-2010

Ghassan Hage asserts the “core element of Australia’s colonial paranoia is a fear of loss of Europeanness or Whiteness and the lifestyle and privileges that are seen to emanate directly from them. This is a combination of the fragility of White European colonial identity in general and the specificity of the Australian situation” (419). This ‘White paranoia’ can be traced through a range of popular cultural formations, including contemporary Australian children’s literature. The Children’s Book Council of Australia (CBCA) awards an annual prize for “outstanding books which have the prime intention of documenting factual material with consideration given to imaginative presentation, interpretation and variation of style” (“Awards”) published in the preceding year. Although not often included in critical debates, non-fictional texts overtly seek to shape young readers’ understandings of their national context and their own location as national subjects. Thus, the books named as winners and honours of this prize from 2001-2010 provide a snapshot of which facts and whose fictions are salient in shaping the Australian nation in the twenty-first century. Using Hage’s concept of Australian colonial paranoia, this paper considers the relationship between ‘factual material’ and ‘imaginative presentation’ in the ongoing revision and renewal of national myths in award-winning Australian non-fiction for children.

"What is contemporary art? A review of two books by Terry Smith'

What is contemporary art and what are the key components of contemporary culture? This review demonstrates where Terry Smith provides important answers to this question. The books thus help to improve understanding of how art has changed in recent decades and how a global culture now shapes its parameters. This review does not however concur that Smith provides a convincing case for a complete cultural paradigm transformation.