Transactions of the Society of Motion Picture Engineers.

Mode of access: Internet.

Register of the Society of Colonial Wars in the State of California, fifteenth year, 1910.

Dinner and reception given jointly by the Society of Colonial Wars and Sons of the Revolution in the State of California, in honor of the officers of the Atlantic fleet, Los Angeles, April 21, 1908: p. [9]-[62]

Monographs on agricultural co-operation in various countries.

Contents: v.1. Germany, Denmark, British India, France, Great Britain and Ireland, Norway, Holland, Russia, Sweden. --v.2. Argentine, Austria, Hungary, Italy, Switzerland.

Year-book of the Bibliographical Society of Chicago

Mode of access: Internet.

Transactions of the Natural History Society of Northumbria.

Part of illustrated matter fold. col. in pockets.

European pamphlets

A collection of miscellaneous pamphlets on Europe.

Collections of the State Historical Society of Wisconsin.

Originally edited by Lyman Copeland Draper. Reprint edited by Reuben G. Thwaites.

Monographs on agricultural co-operation in various countries.

v 1. Germany. Belgium. Denmark. British India. France. Great Britain and Ireland. Norway. Holland. Russia. Sweden.- v. 2. Argentina. Austria. Kingdom of Hungary. Italy. Switzerland.

Annual publication of the Historical Society of Southern California

Mode of access: Internet.

Proceedings of the Zoological Society of London.

Description based on: Vol. 118, pt. 3 (Nov. 1948); title from cover.

Journal of comparative legislation and international law.

Includes annual "Review of legislation" covering the years 1859-1949.

Physical education

Includes supplements

A Complementary Economy? National Markets and International Product in Early Australian Theatre Managements

The international circulation of commercial theatre in the early twentieth century was driven not only from the centres of Great Britain and the USA, but by the specific enterprise and habitus of managers in ‘complementary’ production sites such as Australia, South Africa, and New Zealand. The activity of this period suggests a de-centred competitive trade in theatrical commodities – whether performers, scripts, or productions – wherein the perceived entertainment preferences and geographies of non-metropolitan centres were formative of international enterprise. The major producers were linked in complex bonds of partnerships, family, or common experience which crossed the globe. The fractures and commonalities displayed in the partnerships of James Cassius Williamson and George Musgrove, which came to dominate and shape the fortunes of the Australian industry for much of the century, indicate the contradictory commercial and artistic pressures bearing upon entrepreneurs seeking to provide high-quality entertainment and form advantageous combinations in competition with other local and international managements. Clarke, Meynell and Gunn mounted just such spirited competition from 1906 to 1911, and their story demonstrates both the opportunities and the centralizing logic bearing upon local managements shopping and dealing in a global market. The author, Veronica Kelly, works at the University of Queensland. She is presently undertaking a study of commercial stars and managements in late nineteenth- and early twentieth-century Australia, with a focus on the star performer as model of history, gender, and nation.

Experiments and Archives in the Expanded Field

All This Stuff: Archiving the Artist explores the documentation of the creative process. From their different viewpoints, fifteen leading artists, archivists and art historians reflect on the ways that artists and archivists deal with all this stuff , and how artists manage and relate to their own archives. This is a timely and important book, based on work initiated by the Art Archives Committee of ARLIS, the Art Libraries Society of the UK and Ireland. The book addresses issues from the perspectives of the archivist as well as those of the artist. At a time when more members of the library profession are being asked to manage artists archives, it is important to address the challenges associated with the special nature of this material. All This Stuff: Archiving the Artist provides artists and researchers valuable insights into the archival process, addressing questions such as what material should artists be keeping? What will happen to their material after it has been accepted by an archive? It also explores how an archivist or researcher can approach an artist s archive in a non-traditional way. The experiences described by the different contributors offer a practical understanding of the challenges facing researchers working with artists archives, and will help to raise awareness among artists of the longer-term value of their archival material, and the unpredictable ways in which it may be recontextualised, explored and interpreted in the future.