Delacroix

An up-to-date and authoritative examination of the work of Eugéne Delacroix (1798-1863), often considered to be the foremost painter of the Romantic movement in France. This monograph considers the of Delacroix's career, from his early Salon pieces, to the Orientalist works produced following his 1832 trip to North Africa, and his decorative commissions for major government buildings in Paris.

Coherent states of a particle in a magnetic field and the Stieltjes moment problem

A solution to a version of the Stieltjes moment. problem is presented. Using this solution, we construct a family of coherent states of a charged particle in a uniform magnetic field. We prove that these states form an overcomplete set that is normalized and resolves the unity. By the help of these coherent states we construct the Fock-Bergmann representation related to the particle quantization. This quantization procedure takes into account a circle topology of the classical motion. (C) 2009 Elsevier B.V. All rights reserved.

Structure of the N=50 As, Ge, Ga nuclei

The level structures of the N = 50 As-83, Ge-82, and Ga-81 isotones have been investigated by means of multi-nucleon transfer reactions. A first experiment was performed with the CLARA PRISMA setup to identify these nuclei. A second experiment was carried out with the GASP array in order to deduce the gamma-ray coincidence information. The results obtained on the high-spin states of such nuclei are used to test the stability of the N = 50 shell closure in the region of Ni-78 (Z = 28). The comparison of the experimental level schemes with the shell-model calculations yields an N = 50 energy gap value of 4.7(3) MeV at Z = 28. This value, in a good agreement with the prediction of the finite-range liquid-drop model as well as with the recent large-scale shell model calculations, does not support a weakening of the N = 50 shell gap down to Z = 28. (c) 2012 Elsevier B.V. All rights reserved.

Arti decorative: Bologna e Faenza tra Ottocento e Novecento

La ricerca approfondisce gli studi iniziati dalla dott.ssa Baldini in occasione della tesi di laurea e amplia le indagini critiche avviate per la mostra sull’Aemilia Ars (2001). La ricerca si è interessata alle aree di Bologna e di Faenza individuando le connessioni che tra Otto e Novecento intercorrono tra la cultura artistica locale e quella nazionale ed europea. Nasce infatti in questo periodo Aemilia Ars, uno dei più innovativi movimenti del contesto nazionale nel campo delle arti decorative. I membri del gruppo, raccoltisi intorno alla carismatica figura di Alfonso Rubbiani nei primi anni Ottanta, sono attratti da influenze nordeuropee e sin dall’inizio si mostrano orientati a seguire precetti ruskiniani e preraffaelliti. Molto importante in entrambe le città, per l’evoluzione dello scenario artistico e artigianale – in questi anni più che mai unite in un rapporto di strettissima correlazione – è l’apporto e il sostegno offerto dai salotti, dai circoli, dai caffè e dai cenacoli locali. Dal punto di vista dello stile, forme lineari con una marcata tendenza all’astrazione caratterizzano la produzione dei principali interpreti faentini e bolognesi dell’ultimo ventennio dell’Ottocento allineandoli con le ricerche dei loro contemporanei nel resto d’Europa. I settori produttivi che si sono indagati sono quelli della ceramica, dell’ebanisteria, dei ferri battuti, dell’oreficeria, delle arti tessili e dei cuoi. Gran parte di queste lavorazioni – attardatesi nella realizzazione di oggetti dalle forme di ispirazione seicentesca, certamente poco adatte alla produzione industriale – subiscono ora una decisa accelerazione verso forme più svelte che, adeguandosi alla possibilità di riproduzione seriale degli oggetti, si diffonderanno quasi capillarmente tra l’aristocrazia e la borghesia, faticando tuttavia a raggiungere le classi meno abbienti a causa degli elevati costi di produzione. Nell’ultima parte viene tracciato sinteticamente il quadro delle attività artistiche e artigianali faentine del periodo indicato, con una particolare attenzione all’opera delle personalità afferenti al Cenacolo baccariniano.

Adjusting mortality for loss to follow-up: analysis of five ART programmes in sub-Saharan Africa

Evaluation of antiretroviral treatment (ART) programmes in sub-Saharan Africa is difficult because many patients are lost to follow-up. Outcomes in these patients are generally unknown but studies tracing patients have shown mortality to be high. We adjusted programme-level mortality in the first year of antiretroviral treatment (ART) for excess mortality in patients lost to follow-up.

Petrous bone cholesteatoma removal with hearing preservation

Clinical and radiologic outcome analysis after petrous bone cholesteatoma (PBC) removal with simultaneous functional reconstruction.

Correcting mortality for loss to follow-up: a nomogram applied to antiretroviral treatment programmes in sub-Saharan Africa

Background The World Health Organization estimates that in sub-Saharan Africa about 4 million HIV-infected patients had started antiretroviral therapy (ART) by the end of 2008. Loss of patients to follow-up and care is an important problem for treatment programmes in this region. As mortality is high in these patients compared to patients remaining in care, ART programmes with high rates of loss to follow-up may substantially underestimate mortality of all patients starting ART. Methods and Findings We developed a nomogram to correct mortality estimates for loss to follow-up, based on the fact that mortality of all patients starting ART in a treatment programme is a weighted average of mortality among patients lost to follow-up and patients remaining in care. The nomogram gives a correction factor based on the percentage of patients lost to follow-up at a given point in time, and the estimated ratio of mortality between patients lost and not lost to follow-up. The mortality observed among patients retained in care is then multiplied by the correction factor to obtain an estimate of programme-level mortality that takes all deaths into account. A web calculator directly calculates the corrected, programme-level mortality with 95% confidence intervals (CIs). We applied the method to 11 ART programmes in sub-Saharan Africa. Patients retained in care had a mortality at 1 year of 1.4% to 12.0%; loss to follow-up ranged from 2.8% to 28.7%; and the correction factor from 1.2 to 8.0. The absolute difference between uncorrected and corrected mortality at 1 year ranged from 1.6% to 9.8%, and was above 5% in four programmes. The largest difference in mortality was in a programme with 28.7% of patients lost to follow-up at 1 year. Conclusions The amount of bias in mortality estimates can be large in ART programmes with substantial loss to follow-up. Programmes should routinely report mortality among patients retained in care and the proportion of patients lost. A simple nomogram can then be used to estimate mortality among all patients who started ART, for a range of plausible mortality rates among patients lost to follow-up.

Mean CD4 cell count changes in patients failing a first-line antiretroviral therapy in resource-limited settings

Background Changes in CD4 cell counts are poorly documented in individuals with low or moderate-level viremia while on antiretroviral treatment (ART) in resource-limited settings. We assessed the impact of on-going HIV-RNA replication on CD4 cell count slopes in patients treated with a first-line combination ART. Method Naïve patients on a first-line ART regimen with at least two measures of HIV-RNA available after ART initiation were included in the study. The relationships between mean CD4 cell count change and HIV-RNA at 6 and 12 months after ART initiation (M6 and M12) were assessed by linear mixed models adjusted for gender, age, clinical stage and year of starting ART. Results 3,338 patients were included (14 cohorts, 64% female) and the group had the following characteristics: a median follow-up time of 1.6 years, a median age of 34 years, and a median CD4 cell count at ART initiation of 107 cells/μL. All patients with suppressed HIV-RNA at M12 had a continuous increase in CD4 cell count up to 18 months after treatment initiation. By contrast, any degree of HIV-RNA replication both at M6 and M12 was associated with a flat or a decreasing CD4 cell count slope. Multivariable analysis using HIV-RNA thresholds of 10,000 and 5,000 copies confirmed the significant effect of HIV-RNA on CD4 cell counts both at M6 and M12. Conclusion In routinely monitored patients on an NNRTI-based first-line ART, on-going low-level HIV-RNA replication was associated with a poor immune outcome in patients who had detectable levels of the virus after one year of ART.

Cholesterol granuloma of the petrous apex: benefit of computer-aided surgery

The following is an analysis of the role of computer aided surgery by infralabyrinthine-subcochlear approach to the petrous apex for cholesterol granulomas with hearing preservation. In a retrospective case review from 1996 to 2008 six patients were analysed in our tertiary referral centre, otorhinolaryngology outpatient clinic. Excellent intraoperative localisation of the carotid artery, facial nerve and the entrance into the cholesterol cyst of the bone by means of the navigation system was seen. Additionally, the operation time decreased from an initial 4 h down to 2 h. The application of computer-aided surgery allows intraoperative monitoring of the position of the tip of the microsurgical instruments in case of a rare disease and in the delicate area of the petrous apex giving a high security level.

Mortality of HIV-infected patients starting antiretroviral therapy in sub-Saharan Africa: comparison with HIV-unrelated mortality

BACKGROUND: Mortality in HIV-infected patients who have access to highly active antiretroviral therapy (ART) has declined in sub-Saharan Africa, but it is unclear how mortality compares to the non-HIV-infected population. We compared mortality rates observed in HIV-1-infected patients starting ART with non-HIV-related background mortality in four countries in sub-Saharan Africa. METHODS AND FINDINGS: Patients enrolled in antiretroviral treatment programmes in Côte d'Ivoire, Malawi, South Africa, and Zimbabwe were included. We calculated excess mortality rates and standardised mortality ratios (SMRs) with 95% confidence intervals (CIs). Expected numbers of deaths were obtained using estimates of age-, sex-, and country-specific, HIV-unrelated, mortality rates from the Global Burden of Disease project. Among 13,249 eligible patients 1,177 deaths were recorded during 14,695 person-years of follow-up. The median age was 34 y, 8,831 (67%) patients were female, and 10,811 of 12,720 patients (85%) with information on clinical stage had advanced disease when starting ART. The excess mortality rate was 17.5 (95% CI 14.5-21.1) per 100 person-years SMR in patients who started ART with a CD4 cell count of less than 25 cells/microl and World Health Organization (WHO) stage III/IV, compared to 1.00 (0.55-1.81) per 100 person-years in patients who started with 200 cells/microl or above with WHO stage I/II. The corresponding SMRs were 47.1 (39.1-56.6) and 3.44 (1.91-6.17). Among patients who started ART with 200 cells/microl or above in WHO stage I/II and survived the first year of ART, the excess mortality rate was 0.27 (0.08-0.94) per 100 person-years and the SMR was 1.14 (0.47-2.77). CONCLUSIONS: Mortality of HIV-infected patients treated with combination ART in sub-Saharan Africa continues to be higher than in the general population, but for some patients excess mortality is moderate and reaches that of the general population in the second year of ART. Much of the excess mortality might be prevented by timely initiation of ART.

Expressivität und Provokation – Jean-Baptiste Carpeaux’ Bronzeplastik »Ugolino und seine Söhne« und der Einfluss der französischen Malerei der Romantik

Im Mittelpunkt dieser Untersuchung steht die Annahme, dass Carpeaux’ Plastik Ugolino und seine Söhne (1857-1861) in bewusster Auseinandersetzung mit der französischen Malerei der Romantik entstanden ist. Sowohl hinsichtlich des Umgangs mit Material und Technik als auch in Bezug auf die Sujetwahl bestehen Parallelen zu Gemälden von z.B. Eugène Delacroix und Théodore Géricault, die sich im Ugolino in Form eines unkonventionellen Zusammenspiels von Form und Aussage manifestieren. Es liegt die Vermutung nahe, dass Carpeaux sich der französischen Romantik auch in ideeller Hinsicht verbunden fühlte. Der Ugolino könnte folglich als provokative Stellungnahme gegenüber den etablierten Institutionen des Kunstbetriebs des 19. Jahrhunderts gelesen werden.

Das eherne Pferd : Märchen-Oper in drei Aufzügen

von E. Scribe und D. F. E. Auber. Für die dt. Bühne bearb. von G. E. Humperdinck

Sir Robert ergreift die dargereichte Bruderhand...

Bibliograph. Nachweis: Wolf, Sylvia: Politische Karikaturen in Deutschland 1848/49. Mittenwald 1982. – 1. 27 Nr. 8

Rothschild ... : Schriftenreihe: Histoire contemporaine : portraits et silhouettes au XIXe siècle, 103

Eugène de Mirecourt

Notice sur le Baron Nathan-James-Edouard de Rothschild

par [Eugène] Paillet