Manual de la comunicación inclusiva

El Manual de la Comunicación Inclusiva es una guía para generar mensajes éticos acerca de las personas que tradicionalmente son consideradas “minorías” en Costa Rica. Pretende dar recomendaciones al momento de escribir o difundir mensajes audiovisuales sobre la gente con discapacidad, la infancia, las personas afrodescendientes, los hombres homosexuales, las mujeres lesbianas, las personas indígenas o migrantes, entre otros. Es un trabajo colectivo del curso semestral “Comunicación inclusiva” que se impartió en la Escuela de Ciencias de la Comunicación Colectiva de la Universidad de Costa Rica durante los años 2007 y 2008. La población estudiantil colaboró en su redacción. Las diferentes organizaciones de la sociedad civil también aportaron ideas. Además, estas organizaciones capacitaron semanalmente al estudiantado en cada uno de sus temas de interés. El trabajo de compilación y edición estuvo a cargo del profesor del curso. El Manual de la comunicación inclusiva aspira a que toda persona emisora de un mensaje, reflexione sobre la forma y el contenido antes de emitirlo con el fin de lograr un producto comunicacional, que aliente el respeto y la inclusión de todas las personas dentro de una sociedad, que aún no logra superar todas las manifestaciones de discriminación. The Inclusive Communication Manual is a guide that allows us generate ethical messages about people or groups of people who are traditionally considered in Costa Rica as “minorities”. It Intends to provide recommendations for the autho messages that has to do with people who have certain disability or about childhood, African American people, homosexual men, lesbian women, group of natives and migrants among others.  It’s a collective work from the “Inclusive Communication” course that took place at the “Collective Communication School of Costa Rica’s University” during the year of 2007 and 2008. The students collaborated in its redaction as well as different other organizations of the civil society who provided ideas. Also, these organizations trained the students on a weekly basis on each and everyone of the subjects in study. The work of compiling information and its editing was done by the professor of the course.The Manual of Inclusive Communication intends to make the person who sends a message, think about the message, its content and form, before sending the message in order to accomplish a communicational product that will reinforce the respect and the inclusion of every single person within a society which even nowadays it can’t overcome the different manifestations of discrimination.

Metamorphoses of Endymion and Selene: Dominance, Objectification, and Necrophilia

The aim of the research is to understand the transformations of the myth of Endymion and Selene from the Ancient World to the Contemporary Times with regard to the intersection of dominant femininity and objectified masculinity. The final goal is to show how these two macro-concepts have been represented according to a dialectical mechanism of cultural constants and variations of which the myth stands as a privileged plane of study. This connection will be explored in detail alongside with the eroticization of the sleeping and dead male body, to which its erotic agency is to be restored, by a woman who explicitly shows an erotic desire towards him. These two marginal desires are analysed from the point of view of the dialectic antagonistic to hegemony, and their expressive effects are examined in different media: literary, artistic, cinematographic. This relationship between the two lovers is marked by a significant presence of death that in the first part of the thesis is called female proto-necrophilia, while in the last part is named female necrophilia. The relationship that is in established between the two is a clear example of how anti-normative desires have undergone numerous attempts of neutralization and have increasingly become an expression of the medicalization of the uncanny. Female necrophilia is in fact the last step of a mythical romance that undermines the normative and hegemonic construction of ordinariness, but at the same time manifests its expressive and irrepressible power throughout the literature and arts of the Global North. To examine this in depth, the research is divided into five chapters.