Helena de Machado de Assis; Imagens literárias e a retórica da morte da nação inconclusa

Helena is the romance of perishable and discontinuous title character denominator of a dialectic that does not consume and build the narrative by sequential fragmentation combined with episodic frame. The novel is a lightning stroke to the romantic literary project. Therefore, this study aims to find "objective" elements of the novel that would constitute a conception of literary nation proposed by Machado de Assis, as in classical writing, where women are engaged as a metaphor for the nation by a non-cultural heroism, as the example of the Greek myth of Helena, where the feminine represents a mythical image of the nation. The paper's theoretical conception of the history of Walter Benjamin, that is, that is constructed as an allegorical appeal, the conclusions about the disciplinary society of nineteenth century of Michel Foucault, the construction of the nation as a subtle game to remember and forget of Wander Miranda and the rhetoric of death and loss reflected in the speeches of the cultural heritage of José Reginaldo Santos Gonçalves, which allow you to analyze the work permeated by subjectivity and existential conflicts by Machado, who has it arranged in dialectic with the avant-garde literary romanticism and realism. In this relationship with the Greek myth of Helen, explained that characters with the nickname of Helena in Machado's work are not uncommon. As in classical Helena, Machado s Helena uses three rhetorical are the cause of the seizure of the nation. In this game of remembering and forgetting, in the daily plebiscite, Machado draw ideal images that forged our mythical past and commitment to the future. The suffering love of Helena is suffering from failure of the nation which would have led the author to the use of allegorical language, seeking a balance in the chaos generated by the opposition between cruelty and pity widespread view in an area where only left the character's confession guilt for the death. It is a simulacrum of unfinished nation, the space for the game of remembering and forgetting, while the rhetoric of negotiation of our Brazilianness

Mariana , Pai contra mãe e O caso da vara : escravidão e chão histórico em Machado de Assis

Machado de Assis understood his time and brought his perception of Brazilian society in the 19th century, with its multiple aspects economy, politics, culture, amongst others - to the texts he wrote. Through the tensions lived in his novels and short stories, Machado displays Brazilian social reality and the changes it had been undergoing. Mariana and Pai contra mãe show the crisis of the slavery system, the relation of dependency, the treatment given to the captives and the lack of coherence of a country that intended to adopt Liberalism as an ideology, but which kept on living under the shadow of slavery and its consequences. A country where the priorities were given to the landlords, owners of slaves, in protection of their interests. O caso da vara tells about how the crias da casa little black girls who lived in the household and learned how to make spool embroidery were treated. What were the punishments for desobedience and how they were levelled out, how should be the behaviour of a child who lived as a social outcast. Thus, this paper aims at playing a game of mirrors between History and fiction. Not only to play it, but to analyze how Machado deals with the reflections of 19th century Brazil on his short stories

Machado de Assis em contos :Uma constelação de partituras

This work aims at encouraging the reading or rereading of tales such as Um homem célebre , Cantiga de esponsais , Terpsícore , Trio em lá menor , O machete , and Marcha fúnebre from the Brazilian writer Joaquim Maria Machado de Assis, hoping to find in them the manifestations of musicality, which is understood, from the viewpoint of contemporary musical theories, as dinamicity indications resulting from the melopaico (melodious verse) stimulus to the understanding of words and/or images, which are inserted in the writing static body from the literary procedures transferring to the text specific characteristics from other arts, such as music, poetry, performatic dance e theater. Such procedures, which are reflected in the writing as a product of Machado s close repertory, often favor, through the fiction, the delineation of the musical context from Rio de Janeiro in the 19th century, as well as the social implications that the transformations of the musical scene impose on the subjectivity constitution

Nietzsche e a modernidade: da crítica à metafísica à crítica à democracia

This dissertation presents an interpretation concerning the critical considerations of the German philosopher Friedrich Nietzsche on Modernity, especially Nietzsche s criticism of Modernity, of Christian mores and democracy produced by him in Beyond Good and Evil. Nietzsche attentively analyses details of Modernity, produces a diagnosis of modern man and discovers the sign of decay. We consider that Nietzsche s criticism of modernity is directly linked to the criticism of classic metaphysics. We emphasize questions like: what in us aspires to truth? Christian mores: why and what for? What characterizes modernity? Could it be the appeal to the democratic taste? Is it possible to reinvent Modernity? We stress the relation between the notion of truth, democracy and Christian mores, showing that these mores were also inherited from the Socratic culture. We also intend to clarify Nietzsche s proposal of a new way of doing philosophy, that would be able to surpass the decay which rules in European modern culture. The end of this research points out to the ―philosophers of the future‖ who are able, according to Nietzsche, to claim life beyond the metaphysics opposition, beyond the good and the evil

O grotesco em Machado de Assis: uma leitura de a causa secreta

A la première partie de ce travail -Grotesque, littérature, lecteur - on a discuté le concept de grotesque, configuré en termes littéraires, de pins ses articulations avec la fictionalité et la réception. A la seconde partie - Le lecteur et le grotesque dans I' A causa secreta - on a fait la lecture du comte Machadien au point de une d'un texte ou le grotesque, moyen de la structuration du comte, se trouve configuré en termes fictionels.

Folha rota, de Machado de Assis: Mulheres livres e pobres na ordem patriarcal

This article analyzes the short story Folha rota (1878) by Machado de Assis, taking to account the transformation process of the patriarchy, bearing in mind it's decadence within the increasing urbanization context through 19th century. From the representation of female characters and their everyday's life in the narrative, we discuss the violence experienced by free and poor women involved in the inherent power relations in that society. In this perspective, we intend to indicate an interpretation of literary work as an important device of social criticism, as much as, to give a contribution to an accurate comprehension of Machado de Assis's work, especially his short stories.

A “Crônica Literária” de Medeiros e Albuquerque: resenhas e notícias literárias publicadas no vespertino A Notícia de 1897 a 1908

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

A América Latina, de Manoel Bomfim, e Ariel, de José Enrique Rodó: ensaios de interpretação latino-americana

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

Bilac e a reurbanização do Rio de Janeiro: estudo da crônica dominical da Gazeta de Notícias (1897-1908)

Pós-graduação em Letras - FCLAS

O grupo psicoterapêutico na abordagem lacaniana: um estudo da interpretação a partir da análise de uma prática

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Guimarães Rosa em tradução: o texto literário e a versão alemã de Tutaméia

Pós-graduação em Estudos Literários - FCLAR

Vozes de criança: o discurso de auto-afirmação na literatura infantil de Ana Maria Machado

Pós-graduação em Letras - FCLAS