889 resultados para Academic and Scientific


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Bibliography: p. 1-153.

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Volume numbers irregular: v. 14, no. 3 repeated; v. 15, no. 1 omitted; v. 16, no. 1 called v. [blank] no. 4; v. 17, no. 4 called v. 17, no. 3; v. 10, no. 1 [a] called v. 18, no. 1; v. 23 omitted.

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Mode of access: Internet.

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Edited at first by Robert Walsh, Jr. and then by Eliakim and Squier Littell, the monthly Museum of Foreign Literature, Science, and Art was the leading American eclectic for twenty years. Much of its contents were selected from British magazines; included were reviews, poetry, literary and scientific news, biographical sketches of British authors, lists of new British publications, and articles on literature. The engraved portraits in each number were a popular feature. After 1830, plates were published regularly, and the magazine began to devote a large proportion of its space to serial fiction by Dickens, Reade, Bulwer, Thackeray and other popular English novelists.

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Papers contributed to scientific societies and scientific periodicals, arranged in chronological order, with the name and date of the publication in which each first appeared.

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For the most part a reissue with new title pages, of "Kirby's wonderful and scientific museum," later "Kirby's wonderful and eccentric museum." which was published at London from 1803 to 1820. cf. Brit. mus. Catalogue.

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Mode of access: Internet.

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Published by: Western & Co., 1869-1871; Scientific Publishing Co., 1871-1906; Hill Publishing Co., 1906-1917; McGraw Hill Co., 1917-1922.

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"Consisting of original communications, specifications of patent inventions, practical and interesting papers, selected from the philosophical transactions and scientific journals of all nations, monthly intelligence relating to the useful arts, proceedings of learned societies, and notices of all patents granted for inventions."

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"The substance of this essay formed a paper on "The origin and nature of matter and force, and life and mind,' read before the Literary and scientific society of Birkenhead, November, 1901."--Pref.

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Realizing the Witch follows the unfolding of Benjamin Christensen’s visual narrative in his 1922 film, Häxan (The Witch). Through a close reading of Häxan, Baxstrom and Meyers examine the study of witchcraft from historical and anthropological perspectives, as well as the intersection of popular culture, artistic expression and scientific ideas. This title was made Open Access by libraries from around the world through Knowledge Unlatched.

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Plagues of pests have always been a part of recorded history, but they hold special significance in the early modern period. 'Imperfect Creatures' is the first full-length study to investigate the shifting, unstable, but foundational status of “vermin” as creatures and category in the early modern literary and scientific imagination.