1773, Catalogus eorum qui in Collegio-Harvardino, quod est Cantabrigiæ, Nov-Anglorum, ab anno MDCXLII, ad annum MDCCLXXIII, alicujus gradûs laureâ donati sunt.

Consists of the 1773 published broadside cut into strips and pasted into a blank volume. Names are annotated with biographical notes, most often location of residence, and occasionally professional information and death dates. Bound in brown paper cover.

1776, Catalogus eorum qui in Collegio Harvardino, quod est Cantabrigiae Nov-Anglorum, ab anno MDCXLII, ad annum MDCCLXXVI, alicujus gradûs laureâ donati sunt.

Covered in torn 1802 magazine print; title page missing. Handwritten note on top of first page: "Catalogue of the men Educated at Harvard College." Infrequent annotations in an unknown hand, typically noting alumni who became governors, or who held other high public offices. There are some annotations with places of residence.

1782, Catalogus eorum qui in Universitate Harvardiana, Cantabrigiae, in republica Massachusettensi, ab anno MDCXLII, ad annum MDCCLXXXII, alicujus gradûs laureâ donati sunt.

There are handwritten asterisks next to the names of alumni who died after the Catalogue's publication through 1785. The 1781 class list includes the annotations for "Tutor."

1788, Catalogus eorum qui in Universitate Harvardiana, Cantabrigiae, in republica Massachusettensi, ab anno MDCXLII, ad annum MDCCLXXXVIII, alicujus gradûs laureâ donati sunt. : Theologiae professores et ecclesiarum pastores literis Italicis exarantur. Qui ad imum classium à caeteris, lineâ interpositâ, separantur, alibi instituti suerunt, vel apud nos gradu honorario donati.

The Harvard University Archives' shelflist indicates the annotations were made by "S. Willard." A handwritten 20th century note removed from the volume stated "Sidney Willard Annotated Triennial." The origin and accuracy of this attribution is unknown. The pamphlet includes sporadic annotations with locations of ministry for clergymen. For the Classes of 1784-1787 "Mr" has been added to graduates who received an AM.

1797, Catalogus eorum qui in Universitate Harvardiana, Cantabrigiae, in republica Massachusettensi, ab anno MDCXLII, ad annum MDCCXCVII, alicujus gradû laureâ donati sunt.

Minimal annotations for the years 1728 through 1732, noting residences for seven names and a footnote that James Pitt (AB 1731) "married Gov. Bowdoin's sister, [mat. in Boston]." From 1759 onward, there are handwritten asterisks next to the names of alumni who died after the Catalogue's publication through the mid 1810s. For the years 1781 and 1782, a "P" appears to mark members of Phi Beta Kappa. Pages unattached.

1797, Catalogus eorum qui in Universitate Harvardiana, Cantabrigiae, in republica Massachusettensi, ab anno MDCXLII, ad annum MDCCXCVII, alicujus gradû laureâ donati sunt.

"Interleaved Catalogue of 1797"--handwritten title on flyleaf. Interleaved Catalogue in hardcover binding, with numbers next to the printed names matching biographical notes on interleaved pages for every class from 1642 through the first four listed members of the Class of 1726; there are no annotations for subsequent classes.

Index of Harvard graduates in the classes of 1642-1772, (manuscript notebook), ca. 1772-1791

Notebook containing an alphabetical index of Harvard graduates from 1642 to 1772. The author is unidentified, but the handwriting appears to be that of Harvard President Samuel Langdon (president from 1774 - 1780). The names are arranged alphabetically by surname. Each entry includes the graduate's name, additional degrees (Master, STD, MD, etc.), the year of graduation, and an asterisk if the individual was deceased. The asterisks are included for some graduates who died in 1791, indicating the work was created and updated between 1772 and 1791.

Diaries of Benjamin Guild, 1776, 1778

These diaries of Benjamin Guild document his travels as a Presbyterian pastor in Massachusetts and Rhode Island. The daily entries describe people Guild met and dined with, the food he ate (including strawberries, currants, watermelon, English cherries, and lobster), the funerals he attended, and the sermons he gave. Many entries relate to his health concerns (the ague and eye trouble), sleeping habits, and widespread public health concerns (including smallpox, dysentery, "nervous fevers," consumption, and "putrid fever"). The diaries also contain passing references to the activities of American, British, French, and German soldiers during the American Revolution; the invasion of Canada and battles occurring in New York are noted. In August 1778, after visiting Providence, Rhode Island, Guild comments on the disordered state of the city after American soldiers passed through it. He also recounts a visit by officers of the French fleet to the Harvard College library in September 1778 and describes his dinner on board the French man-of-war, Sagitaire. One entry describes an elaborate ball sponsored by John Hancock, held for French soldiers and "Boston ladies," and another refers to the "incursion" of Indians. Many of Guild's diary entries pertain to his work as a Harvard College Tutor; these entries describe his lectures at the College, meetings with colleagues, personnel decisions, and the examination of students. He also describes books he is reading and his opinions of them, the purchase and sale of books, and his desire to learn Hebrew and French. In addition, multiple entries refer to a man named Prince, who was perhaps Guild's slave. Prince sometimes accompanied Guild on his travels.

O tríptico da paixão de Cristo do Palácio Nacional da Ajuda: história, estudo material, iconografia e filiação estílistica

O objeto de estudo desta dissertação é um pequeno tríptico do Palácio Nacional da Ajuda, provavelmente dos finais do séc. XV, sobre o qual existe pouca informação. A obra pertence ao acervo de pintura antiga deste palácio/museu (inv. 3540) e encontra-se exposta no “Atelier de Pintura de D. Luís”. Trata-se de uma pintura sobre tábua de carvalho, em mau estado de conservação, representando cinco episódios relativos à Paixão de Cristo: a Flagelação, a Coroação de Espinhos, o Caminho do Calvário e duas cenas relativas à Ressurreição. Apresenta uma iconografia singular, mas as suas características gerais indicam tratar-se de uma pintura tardo-gótica do Norte da Europa, nomeadamente da Alemanha. O objetivo desta tese de mestrado em História da Arte, Património e Teoria do Restauro, consiste na investigação histórica e material desta obra, sobre a qual existe pouca informação. Por ser desconhecida a sua cronologia, autoria e local de produção, além de não haver qualquer documentação ou bibliografia sobre a mesma, iremos estudar esta obra a partir da sua materialidade, iconografia e estilo, na medida em que a obra é um “documento vivo”. Tendo sido agora encontrada a única e a mais antiga referência documental relativa a esta obra, nos arrolamentos de 1913 do palácio (Inventário Judicial), este tríptico consta na "Galeria de Quadros”, indicando ter pertencido à coleção de pintura de D. Luís I. Interessa, então, focar a política de aquisições de pintura antiga nórdica desenvolvida pelo monarca, tentando perceber porque é que o tríptico não consta nos catálogos das exposições (duas edições dos catálogos, 1869 e 1872) da “Galeria de Pintura no Real Paço da Ajuda”, aberta ao público em1869. Porque a interdisciplinaridade entre arte e ciência é fundamental para um conhecimento mais profundo da História da Arte, esta obra foi objeto de um estudo material que consistiu no levantamento in situ da pintura (exames de área e de ponto), na análise laboratorial (estratigrafia, pigmentos e aglutinantes) e na integração dos resultados, para compreender a técnica pictórica, que se articula com a análise iconográfica e de filiação estilística, contribuindo para a integração da obra no seu contexto histórico-cultural de origem, como pintura devocional germânica.

Une analyse des revues indexées dans le KLAPP (Bibliographie d'histoire littéraire française)

Résultats préliminaires d'un projet de comparaison des deux plus importants répertoires bibliographiques spécialisés en littératures de langue française (accessibles sous forme de bases de données bibliographiques en ligne depuis 2014) : la « Bibliographie de la littérature française » (« Bibliographie der französischen Literaturwissenschaft » ou « KLAPP »), publiée chez Klostermann depuis 1956, et la « Bibliographie de la littérature française » (ou « Rancoeur », précédemment intitulée « Bibliographie de la littérature française), publiée depuis 1953 chez Armand Colin et aux Presses universitaires de France (sous forme de hors-série annuel de la « Revue d'histoire littéraire de la France ») puis chez Classiques Garnier.

Bénéfices de la diversité culturelle en entreprises : Études de cas dans les entreprises québécoises

Mémoire numérisé par la Direction des bibliothèques de l'Université de Montréal

La théorie sociale de la connaissance et la gestion du patrimoine documentaire à l’ère numérique

Les institutions de mémoire et de savoir (par exemple, les bibliothèques, les archives, les musées) font face à des défis importants dans leurs responsabilités d’assurer la pérennité du patrimoine documentaire à l’ère numérique. Citons la surabondance de l’information numérique, la possibilité de production, théoriquement illimitée, offerte aux individus comme aux groupes sociaux, les limites dans les capacités de stockage et de diffusion de l’information numérique qui sont à la disposition des institutions mandataires du patrimoine documentaire. De plus, il est apparu que les approches et les méthodes utilisées pour identifier, gérer, préserver et diffuser le patrimoine documentaire de la société canadienne dans un environnement analogique n’étaient transférables à un environnement numérique. Nous suggérons que la théorie sociale de la connaissance peut servir de base à une réflexion portant sur le développement d’une politique publique qui viserait à encadrer l’identification, la sélection, la gestion et la préservation du patrimoine documentaire d’une société à l'ère numérique. Nous définissons la problématique puis proposons des réponses à travers trois articles scientifiques. Les résultats indiquent que les connaissances et les pratiques professionnelles utilisées demeurent persistantes et limitent la formulation et l'application de nouveaux cadres théoriques, de politiques administratives et de techniques associés à l'identification et la sélection du patrimoine documentaire. Cette recherche propose un cadre conceptuel qui permet de développer des politiques publiques sur le patrimoine documentaire du Canada.

Bénéfices de la diversité culturelle en entreprises : Études de cas dans les entreprises québécoises

Mémoire numérisé par la Direction des bibliothèques de l'Université de Montréal

Fences, gates and bridges. A practical manual.

Mode of access: Internet.

Sweet's engineering catalogue.

Compiled and edited by: -1922, Sweet's Catalogue Service.