934 resultados para Sounds(waterways)
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OBJETIVOS: investigar a ocorrência do ceceio em fricativas produzidas por crianças com alterações oclusais e analisar a influência do contexto silábico da fricativa no julgamento auditivo do ceceio. M ÉTODO: estudo prospectivo, em que as gravações de 428 palavras, produzidas por 15 crianças (idade média de 5 anos e 1 mês) foram julgadas auditivamente por três fonoaudiólogos com experiência no julgamento de alterações de fala. As palavras utilizadas foram constituídas pelas consoantes fricativas não vozeadas, alveolar e pós-alveolar, inseridas em posição tônica, precedida das vogais [i, a, u]. Obteve-se concordância intra-juiz (quase perfeita) e inter-juiz (total, 100%) previamente à análise dos aspectos de interesse. RESULTADOS: embora presente na fala de todas as crianças, identificou-se ceceio em 25,23% do total das palavras. Houve aumento significante do ceceio para: (a) fricativa alveolar em ataque inicial, (b) fricativa alveolar em ataque inicial em relação à coda medial (p=0,001) e (c) fricativa alveolar em relação à fricativa pós- alveolar (p<0,001). Não se observou diminuição do ceceio em relação às vogais co-articuladas. CONCLUSÃO: a ocorrência do ceceio é dependente do contexto silábico, (com maior ocorrência na fricativa alveolar, em posição de ataque inicial), devendo o mesmo ser considerado para fins clínicos e de pesquisa sobre o ceceio.
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Pós-graduação em Geociências e Meio Ambiente - IGCE
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The use of music and/or its elements (instruments, sound, rhythm, melody and harmony) in environments with people attended by public health centers, aims at promoting communication, facilitating the expression and the relationship in the first contact, hence favoring organization of standards and other relevant therapeutic objectives to assist physical, mental, social and cognitive needs of people, thus promoting the process of environmental adaptation, behavioral conditioning and social inclusion. The purpose of this project is to use music and its sound elements, as well as recreational activities, developed in stages called: socialization session, art workshop and complementary activities, with patients assisted at CAOE (Disabled People Dental Care Center) and their relatives. The objective is to provide them psychological wellbeing, inclusion to physical space, relaxation, stimulation of rhythmic and sonorous perceptions, memorization, emotions externalization, help and encouragement for the development of motor coordination during their daily activities of daily. Recreational activities, handling and contacting with musical instruments, broadcasting and producing sounds, stimulate cognitive capacity, interactivity and entertainment activities can greatly contribute to improve the behavioral reaction and adaptation of these patients, during their dental treatment.
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Pós-graduação em História - FCHS
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From the second half of the twentieth century, with the proposal of working active listening, exploring sounds, the experience, the search for new forms of contemporary music notation, improvisation and experimental music composition, arise music educators Paynter Schafer and Koellreutter, known by the active method of second generation who contributed greatly to the development of creative processes in the classroom. Also arises, in the same period, the encounter between art and technology, expanding opportunities through digital media, open, participatory and interactive works such as Video art, Web art, Nanoarte and Locative Art, augmented, not only against the art with the public, through connections mediated by digital interfaces, providing new learning situations attractive for the development of creativity and artistic production as challenges in contemporary.
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Pós-graduação em Letras - FCLAR
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Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)
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Pós-graduação em Engenharia de Produção - FEB
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
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Pós-graduação em Enfermagem (mestrado profissional) - FMB
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The world's river dolphins (Inia, Pontoporia, Lipotes and Platanista) are among the least known and most endangered of all cetaceans. The four extant genera inhabit geographically disjunct river systems and exhibit highly modified morphologies, leading many cetologists to regard river dolphins as an unnatural group. Numerous arrangements have been proposed for their phylogenetic relationships to one another and to other odontocete cetaceans. These alternative views strongly affect the biogeographical and evolu- tionary implications raised by the important, although limited, fossil record of river dolphins. We present a hypothesis of river dolphin relationships based on phylogenetic analysis of three mitochondrial genes for 29 cetacean species, concluding that the four genera represent three separate, ancient branches in odontocete evolution. Our molecular phylogeny corresponds well with the first fossil appearances of the primary lineages of modern odontocetes. Integrating relevant events in Tertiary palaeoceanography, we develop a scenario for river dolphin evolution during the globally high sea levels of the Middle Miocene. We suggest that ancestors of the four extant river dolphin lineages colonized the shallow epicontinental seas that inundated the Amazon, Parana, Yangtze and Indo-Gangetic river basins, subsequently remaining in these extensive waterways during their transition to freshwater with the Late Neogene trend of sea-level lowering.
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It is a distinct pleasure to be with you this evening to present the Master Conservationist awards. I appreciate the opportunity to recognize those who have gone the extra mile to enhance Nebraska's natural resources and our way of life. Their efforts take on even more importance in a year like this when drought conditions have threatened field crops, pastures, and rangeland, as well as water for livestock and the citizens of our state. Times like this underscore how important it is for us to recognize the delicate balance of nature. The Master Conservationists we honor tonight have long-recognized the need for windbreaks to protect both crops and soils. They understand the benefits of controlled-grazing to maintain grass and protect the soil, as well as to provide forage in the future. Others have installed terraces and grassed waterways on fragile land, as well as reuse pits for irrigation water. Riverbanks have been restored and wildlife habitats have been developed. These practices and many others always are important, they take on new meaning in stressful periods like the one of 2002.
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In the mid-1820s, Anglo-American fur trappers, known as "mountain men," entered Arizona and began trapping beaver (Castor canadensis). In Arizona there have been a number of famous mountain men such as Sylvester and James Pattie, Ewing Young, Jededia Smith, and Bill Williams who trapped along the waterways in northern and southern Arizona. Although the heyday of mountain men lasted only a few decades due to a population decline of beaver, management of these animals continues to this day. The purpose of managing beavers shifted from monetary gain to controlling wildlife damage. During the late 1900s, beaver were still widely distributed in limited numbers throughout much of the state. We provide a historical overview of beaver management in Arizona with emphasis on the mountain men, recreational trapping, wildlife damage management, and beaver research in Arizona.
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Because today is the birthday of Thomas Edison who was born in 1847 in Ohio, I suppose that you would expect me as today's speaker to have a special obligation to be inventive. Some of you probably know that for several years, Edison's birthday has been observed as National Science Youth Day, which sounds to me like a rather interesting invention itself. Youth is not a science and science is certainly not a youth, but I am perfectly willing to go along with the national celebration and wish a happy birthday to any science youth that I might happen to encounter. I would encourage you to do the same.
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Este texto examina as principais diferenças de enfoque relacionadas ao papel dos intérpretes na realização de duas diferentes propostas de jogo. Para tanto, são comparadas algumas obras de John Cage e as práticas de grupos que se dedicam à livre improvisação musical, principalmente do grupo Akronon.1 Procura-se demonstrar que as propostas de Cage, que estão situadas num plano conceitual, e as propostas da livre improvisação, que partem de uma prática experimental interativa baseada numa manipulação empírica dos sons, resultam em concepções bastante distintas a respeito do papel do intérprete. A partir desta perspectiva, afirma-se o caráter potente da livre improvisação que pode ser pensada enquanto prática de um jogo ideal conforme conceituação proposta pelo filósofo francês Gilles Deleuze