Phenotypic consequences of copy number variation: insights from Smith-Magenis and Potocki-Lupski syndrome mouse models.

A large fraction of genome variation between individuals is comprised of submicroscopic copy number variation of genomic DNA segments. We assessed the relative contribution of structural changes and gene dosage alterations on phenotypic outcomes with mouse models of Smith-Magenis and Potocki-Lupski syndromes. We phenotyped mice with 1n (Deletion/+), 2n (+/+), 3n (Duplication/+), and balanced 2n compound heterozygous (Deletion/Duplication) copies of the same region. Parallel to the observations made in humans, such variation in gene copy number was sufficient to generate phenotypic consequences: in a number of cases diametrically opposing phenotypes were associated with gain versus loss of gene content. Surprisingly, some neurobehavioral traits were not rescued by restoration of the normal gene copy number. Transcriptome profiling showed that a highly significant propensity of transcriptional changes map to the engineered interval in the five assessed tissues. A statistically significant overrepresentation of the genes mapping to the entire length of the engineered chromosome was also found in the top-ranked differentially expressed genes in the mice containing rearranged chromosomes, regardless of the nature of the rearrangement, an observation robust across different cell lineages of the central nervous system. Our data indicate that a structural change at a given position of the human genome may affect not only locus and adjacent gene expression but also "genome regulation." Furthermore, structural change can cause the same perturbation in particular pathways regardless of gene dosage. Thus, the presence of a genomic structural change, as well as gene dosage imbalance, contributes to the ultimate phenotype.

Marx: From Hegel and Feuerbach to Adam Smith

This paper discusses the development of Marx’s thought over a period of something like fifteen months, between the spring of 1843 and the autumn of 1844. The focus of the paper is Marx’s first encounter with classical political economy as he found it in the Wealth of Nations. The outcome of this encounter was presented by Marx in his Economic and Philosophical Manuscripts of 1844. It is argued here that in the classical theory, with which he had hitherto been largely unfamiliar, Marx found all the elements he needed to synthesise the philosophical standpoint he had developed in the preceding months with political economy. The Manuscripts represent the first crucial stage in the development of this synthesis. This first encounter of Marx with classical political economy, and his first steps in the development of his synthesis, have received hardly any attention in the literature. The present paper seeks to fill this gap.

Marx: From Hegel and Feuerbach to Adam Smith

This paper discusses the development of Marx’s thought over a period of something like fifteen months, between the spring of 1843 and the autumn of 1844. The focus of the paper is Marx’s first encounter with classical political economy as he found it in the Wealth of Nations. The outcome of this encounter was presented by Marx in his Economic and Philosophical Manuscripts of 1844. It is argued here that in the classical theory, with which he had hitherto been largely unfamiliar, Marx found all the elements he needed to synthesise the philosophical standpoint he had developed in the preceding months with political economy. The Manuscripts represent the first crucial stage in the development of this synthesis. This first encounter of Marx with classical political economy, and his first steps in the development of his synthesis, have received hardly any attention in the literature. The present paper seeks to fill this gap.

Nearer to Sraffa than Marx: Adam Smith on Productive and Unproductive Labour

This paper supercedes an earlier attempt I made to pin down the meaning and significance of Adam Smith’s theory of productive and unproductive labour. (Strathclyde Discussion Papers in Economics, No.08-05) My conclusion then was that while Smith’s understanding of what was needed to achieve economic growth was sound, his discussion was marred by apparently conflicting definitions of productive labour. That (essentially conventional) interpretation does not, I now believe, do justice to Smith. Revision is therefore called for: hence the present paper.

Sobre uma nova espécie neotrópica do gênero Tanypus Meigen, 1803 (Diptera: Chironomidae, Tanypodinae)

A new neotropical species of the genus Tanypus Meigen, 1803, misidentified by Oliveira (1944) as Tanypus stellatus Coquillett, 1902, is described.

Plasmodium coatneyi-infected rhesus monkeys: a primate modelfor human cerebral malaria

Although several animal models for human cerebral malaria have been proposed in the past, name have shown pathological findings that are similar to those seen in humans. In order to develop an animal model for human cerebral malaria, we studied the pathology of brains of Plasmodium coatneyi (primate malaria parasite)-infected rhesus monkeys. Our study demonstrated parazitized erythrocyte (PRBC) sequestration and cytoadherence of knobs on PRBC to endothelial cells in cerebral microvessels of these monkeys. This similar to the findings een in human cerebral malaria. Crebral microvessels with sequestred PRBC were shown by immunohistochemistry to possess CD36, TSP and ICAM-1. These proteins were not evident in cerebral microvessels of uninfected control monkeys. Our study indicates, for the first time, that rhesus monkeys infected with P. coatneyi can be used as a primate model to study human cerebral malaria.

El lloc teatral i el seu espai escènic: artialització en William Shakespeare (c..1590-1611) : actor, empresari, dramaturg

Pensar en William Shakespeare, apropar-se a una de l'obres què més tinta han fet córrer, se'ns presenta com voler trobar una agulla en un paller. Amb tot, aquest treball de recerca a volgut discernir la dramatúrgia de Shakespeare, des de l'òptica espacial i estètica. El seu marc, a l'Anglaterra renaixentista -ss,XVI-XVII-, és: l'abundosa legislació -important l'Acta promulgada l'any 1572, per la reina Elisabet I-; la tipologia constructiva i formal del Lloc del Teatre, amb la formulació empresarial què se’n deriva; l'altre element, la participació de l'espectador implícit. Conclusivament, com l'artialització shakespeariana s'insereix, podem dir, 'dramatològicament', dins l'historiografia general del teatre.

Paper money and national distress: William Huskisson and the early theories of credit, speculation and crises

This paper examines the explanation of commercial crises offered by William Huskisson in 1810 in the wake of the debate on the Bullion Report. Huskisson argued that the suspension of convertibility made it possible to extend issues of paper currency beyond its proper limits. Such an expansion, being in the interest of all parties concerned, would actually take place and stimulate excessive speculations, which would eventually prove unsustainable and bring generalized ruin and distress. Although some elements of this explanations were not new (having been anticipated by writers sucha as James Currie in 1793, William Roscoe in 1793, William Anderson in 1797 and an anonymous in 1796), Huskisson's explanation is more systematic and better organized, and his emphasis on the endogenous character of the crisis and on the instability of the dynamics of trade and credit makes it an interesting foreshadower of the theories of crises that were advanced half a century later.

Les Constitutions vaudoises (1803-2003). Miroir des idées politiques

L'année 2003 est l'année du Bicentenaire, mais aussi celle de l'entrée en vigueur d'une nouvelle Constitution vaudoise. Après quatre ans de travaux, l'Assemblée constituante a accouché d'une charte appelée à régir la vie politique du canton pendant plusieurs décennies. Les débats ont cependant fait peu de place à l'histoire des idées politiques, qui ont modelé l'action des gouvernants, et à l'histoire constitutionnelle, dans laquelle ont été façonnées à un degré ou à un autre les grandes questions du temps présent. Il existe certes un grand nombre d'études qui abordent ces thématiques. Une foule de questions n'ont cependant pas encore été explorées et, surtout, les tentatives de montrer les liens presque organiques entre l'histoire des constitutions et l'histoire des idées sont rares. Il était donc intéressant de regrouper sous un toit commun des études abordant ces deux aspects de notre histoire. Aucun examen exhaustif n'était bien sûr possible. Il s'agit d'éclairages qui montreront combien certains débats constitutionnels ont baigné dans des ambiances intellectuelles particulières, arrimées à des événements ou à des courants de pensée qui ne pouvaient laisser les Vaudois indifférents. L'ouvrage est subdivisé en trois parties : - droits politiques et institutions ; - justice et finances publiques ; - histoire des idées politiques. L'histoire du canton de Vaud issu de l'Acte de Médiation est riche de débats politiques d'une haute tenue, où se croisent les influences les plus variées. C'est à une découverte de certaines d'entre elles qu'invite le présent ouvrage ; une manière d'entrer dans les soubassements historiques de la nouvelle Constitution vaudoise. L'ouvrage rassemble dix-neuf contributions, qui mettent toutes en évidence le profond enracinement intellectuel des débats ayant entouré la naissance des diverses constitutions vaudoises. Les auteurs de ces textes sont juristes, politologues ou historiens, au seuil de leur carrière ou dotés d'une riche expérience professionnelle, rattachés aux différents camps qui segmentent la vie politique. Le livre se nourrit de ces multiples vocations, de ces multiples sensibilités, et montre que l'histoire ne peut être soumise à un angle de vue unique. Il est agrémenté de vingt-cinq illustrations environ, dont plusieurs sont tirées de journaux satiriques vaudois du XIXe et du XXe siècle.

Le théâtre de Martheray par Alexandre Perregaux (1803-1805), ou La laborieuse entreprise

De nombreux Lausannois se souviennent encore de l'ancienne chapelle de l'Eglise libre, sise à la rue Langallerie n° 5 à quelques pas du pont Bessières, avant qu'elle ne soit démolie en 1969 pour faire place à un centre commercial. Peu d'entre eux savent cependant que cet édifice fut à l'origine un théâtre, le premier théâtre en pierre construit dans le chef-lieu du Canton de Vaud, inauguré le 15 novembre 1804. L'histoire de cette salle de spectacle étant largement méconnue, notre étude souhaite retracer les circonstances de sa construction, ainsi que les principales tractations et transformations dont elle a fait l'objet, avant de fermer définitivement ses portes en 1860.