¿Por qué traducir a François Dosse?

Fil: Ferrari, María Luján. Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación; Argentina.

The Lawes and Orders of Harvard Colledge, 1655-1708

The 21-page handwritten copy of the College laws is laid out in two columns, and lacks a cover. In the left-hand column, in an unidentified hand, are the Laws of 1655 in English with additions dated April 9, 1660, August 24, 1663, and December 5, 1667, and an order of the General Court dated Sept. 4, 1656. In the right-hand column, in the hand of President John Leverett, are the Latin Laws of 1642-1646, with an occasional reference to the Latin Laws of 1686 and 1692, and two extracts from the Corporation records about the reading of the Scriptures dated January 26 and May 27, 1708.

The Lawes and Orders of Harvard Colledge, 1655

Handwritten copy of the College laws used by Harvard presidents Charles Chauncy and Leonard Hoar, in a modern hardcover binding. The last six pages of the volume contain additional entries through 1672, some in the hand of President Chauncy. One entry details the 1666 expulsion of Harvard students Mason, Hubbard, and Wintrop for the hanging of "Goodma Sells doge upon the signe post."

Conjectural restoration Indian College of 1655-56 to 1698 in Harvard College, photo lithograph on heavy paper, May 1934

Floor plans and front and end elevations of Indian College drawn by H.R. Shurtleff in May 1934 based on research conducted by Shurtleff from the Harvard College Records and surveys of local period buildings. Shows likely configuration of Indian College with lodging for 20 students, studies, and the printing room which housed the printing press.

Histoire des découvertes et conquestes des Portugais dans le Nouveau monde ... par le r.p. Joseph François Lafitau ...

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Central & Eastern Africa, 1655 (Raster Image)

This layer is a georeferenced raster image of the historic paper map entitled: Haute Ethiopie, ou sont L'Empire des Abissins, La Nubie, et le Zanguebar : subdivisés en leurs principales parties, tirés de Sanut de Mercator &c. par le Sr. Sanson d'Abbeville. It was published by P. Mariette in 1655. Covers Central and Eastern Africa. Scale [ca. 1:12,000,000]. Map in French.The image inside the map neatline is georeferenced to the surface of the earth and fit to the Africa Sinusoidal projected coordinate system. All map collar and inset information is also available as part of the raster image, including any inset maps, profiles, statistical tables, directories, text, illustrations, index maps, legends, or other information associated with the principal map. This map shows features such as drainage, cities and other human settlements, territorial boundaries, shoreline features, and more. Relief shown pictorially.This layer is part of a selection of digitally scanned and georeferenced historic maps from the Harvard Map Collection. These maps typically portray both natural and manmade features. The selection represents a range of originators, ground condition dates, scales, and map purposes.

Southern, Central, & Eastern Africa, 1655 (Raster Image)

This layer is a georeferenced raster image of the historic paper map entitled: Basse Aethiopie, qui comprend les Royaume de Congo, coste, et pays des Cafres, empires du Monomatapa, Monoemugi : la coste deça le Cap Negre est tirée en partie de Samuel Blommaert ; en dela, avecq l'Isle de Madagascar, de Sanuto ; le dedans du pays, d'autres, par N. Sanson. I. Somer Pruthenus Sculp. It was published by Chez Pierre Mariette in 1655. Scale [ca. 1:11,250,000]. Covers portions of Southern, Central, and Eastern Africa. Map in French.The image inside the map neatline is georeferenced to the surface of the earth and fit to the Africa Sinusoidal projected coordinate system. All map collar and inset information is also available as part of the raster image, including any inset maps, profiles, statistical tables, directories, text, illustrations, index maps, legends, or other information associated with the principal map. This map shows features such as drainage, cities and other human settlements, territorial boundaries, shoreline features, and more. Relief shown pictorially.This layer is part of a selection of digitally scanned and georeferenced historic maps from the Harvard Map Collection. These maps typically portray both natural and manmade features. The selection represents a range of originators, ground condition dates, scales, and map purposes.

North & West Africa, 1655 (Raster Image)

This layer is a georeferenced raster image of the historic paper map entitled: L'Afrique, ou Lybie ulterieure : ou sont le Saara, ou desert, le pays des Negres, la Guinee, et les pays circonv. tirée en partie de Sanut, et de l'Arabe de Nubie, en partie de diverses cartes veües jusques a present par le S. Sanson d'Abbeville, geog. ordre. du Roy ; I. Somer Pruthenus, sculp. It was published by Chez Pierre Mariette, rue St. Iacques a l'Esperance in 1655. Scale [ca. 1:10,500,000]. Covers portions of North and West Africa. Map in French.The image inside the map neatline is georeferenced to the surface of the earth and fit to the World Miller Cylindrical projected coordinate system. All map collar and inset information is also available as part of the raster image, including any inset maps, profiles, statistical tables, directories, text, illustrations, index maps, legends, or other information associated with the principal map. This map shows features such as drainage, cities and other human settlements, territorial boundaries, shoreline features, and more. Relief shown pictorially.This layer is part of a selection of digitally scanned and georeferenced historic maps from the Harvard Map Collection. These maps typically portray both natural and manmade features. The selection represents a range of originators, ground condition dates, scales, and map purposes.

Rawda al-Ushshaq (Garden of Lovers) of Arifi, with three paintings : manuscript, ca. 1560-1575

Artist unknown.

Galeria de espelhos: figuras da representação em François Truffaut

Esta dissertação consiste numa análise de quatro filmes de François Truffaut, nomeadamente La mariée était en noir (1968), La sirène du Mississipi (1969), L’histoire d’Adèle H. (1975) e La chambre verte (1978). O meu estudo centra-se nalgumas figuras pertencentes a sistemas de representação, que ocupam posições de relevo nas narrativas e na imagética destes filmes. Assim, considero o tratamento dado a fotografias, pinturas, desenhos ou esculturas no quadro maior da imagem fílmica, e atento na caracterização de certas personagens enquanto, elas mesmas, propiciadoras de uma reflexão acerca da imagem. Finalmente, procuro repensar o modo como, associando esse trabalho sobre objectos representativos a um pensamento sobre a morte, Truffaut formula uma meditação sobre o cinema enquanto arte intimamente relacionada com a noção de fantasma.