Pactos sociales para una protección social más inclusiva: Experiencias, obstáculos y posibilidades en América Latina y Europa

Presentaciones de Alicia Bárcena y Christof Kersting.

Da Europa para a América: a política externa brasileira, os antecessores do barão e os interesses da cafeicultura (1889-1912)

Pós-graduação em História - FCHS

Sobre a imigração ilegal na Europa e os espaços de exceção: o caso dos centros de internamento para estrangeiros na Espanha

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

O rapto de Europa: uma comparação entre Ovídio e Ticiano

In Metamorphoses, the Roman poet Ovid tells the tale of the transformation of Jupiter into a bull to seduce the Phoenician princess Europa. During Renaissance, as is well known, Western civilization fostered an intense renewal of its values under the clear influence of Greco-Roman culture. Ovid, whose fame had not ceased throughout the Middle Ages, became then even better known, and especially his poem Metamorphoses turned into a remarkable source of inspiration not only to literature but also to fine arts and their new humanistic conception. Thus, the episode of the abduction of Europa received a dramatic pictorial expression in the broad brush strokes of the Venetian master Titian Vecellio, who interpreted several classical myths in his canvases at the height of his creative maturity. There are many and obvious relationships in the verses of the ancient Latin poet and the picture of the Italian Renaissancist. In Metamorphoses, the mythical account is described in so many details and set in such an expressive poetic that Titian could take Ovid´s narrative as a model for painting “The Rape of Europa”, doing a true exercise in intersemiotic translation by interpreting verbal signs through pictorial signs.

Proyectos derivados de las becas de movilidad Erasmus, Séneca, Europa, África, América Latina.

[ES] Rehabilitación de una nave industrial y adecuación para un centro de producción artística e industrial en Eindhoven, Holanda.