961 resultados para Diálogo de saberes
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A natureza complexa e dinâmica que caracteriza a prática de ensinar na educação infantil requer que o professor reflita sobre suas próprias ações. Ao fazê-lo mobiliza saberes e sentimentos que estão frequentemente associados com as ações que realiza na sala de aula. Especificamente, o objetivo do presente estudo foi identificar, descrever e analisar, à luz do referencial dos saberes docentes, os desafios, os saberes e os sentimentos vivenciados durante a prática de ensinar de uma professora em formação. Metodologicamente, optou-se por um estudo autoetnográfico, utilizando-se de registros em diário de campo, os quais foram analisados a partir de três descrições distintas – a própria professora, o contexto e a relação entre a professora e o contexto. A “indisciplina” dos alunos e a ausência de estratégias imediatas para enfrentá-la foram os principais resultados encontrados pela professora. Além disso, constatamos a importância da reflexão sobre a própria prática para dar origem a novos saberes pedagógicos. Os saberes experienciais embasaram fortemente as ações da professora na tentativa de resolver os desafios durante a prática. Refletir sobre esses desafios tem sido um exercício que está, a todo o momento, transformando para além da prática, valores e significados pessoais sobre a docência que, até então, pareciam já bem definidos
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Pós-graduação em Artes - IA
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This article discusses data obtained through a qualitative study carried out from 2012 to 2013, the aim of which was to investigate the knowledge of teachers and managers of Early Childhood Education regarding laws and documents published in Brazil since 1980, geared towards this stage of Basic Education. The results suggest that subjects have a knowledge of the laws and documents relating to Early Childhood Education, but that there are major gaps that could affect their practices in nurseries and pre-schools, and the construction of their professional identities
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O presente estudo discute o diálogo intertextual existente entre o romance brasileiro O Grande Mentecapto, de Fernando Sabino, e outras obras de escritores mineiros, explicitando as transformações que as obras citadas ou referidas provocam no discurso do romance em questão. Com um olhar mais atento sobre o plano discursivo da obra, podemos perceber a presença de um jogo lúdico e burlesco, típico do discurso carnavalizado, com as fronteiras entre o real e o fictício, onde o diálogo intertextual se insere.
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Specifically in the teaching practices of History and Geography notes a concern with the construction of school knowledge based on observance of categories such as 'everyday' and 'place', which emphasize a look intensively focused on the local context of the students - element (res) significance, situated in time and space, the representations and actions of individuals, the (re) defining their identities (individual and / or collective) and rights to citizenship. However, both educators in history, as in geography, should be alert to some limits of a strictly pedagogical 'localist'. When it comes to use of language technology audiovisual in line with the pedagogical existing in “PCN's” history and geography, one must keep in mind that not just resize the movie to local level (whether in the classroom or outside), or elect the 'localism' as the new panacea of a certain 'pedagogy' of audiovisual language. With the desire to promote the development of new methods of teaching history and geography is that we designed a research project. This is creating opportunity with the possibility of graduating videos reflect on the teaching of history and geography, according to the use of a new technological language and art (cinema), the association with the reality of the students (hence the site survey and urban) as well as the promotion of an active and critical dialogue with the PCNs’s recommendations.
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This work consists of a semiotic analysis of the animation motion picture The Lion King (1994), by the Walt Disney Animation Studios, describing its intertextual relation with Hamlet, by Shakespeare, considering Disney’s individuality, its style. In order to study style in texts, we use discursive semiotics theory, highlighting Discini’s work (2013) and the concept of discursive settings. Hence, a deep discussion about The Lion King’s style, compared to the Shakespeare’s play, is established. The movie, once a syncretic text, requires advanced studies on Expression Plane, its plastic, musical and verbal/phonic aspects. We find these studies in the work of José Luiz Fiorin (2009), Lúcia Teixeira (2009), Ana Claúdia de Oliveira (2009), Jean-Marie Floch (2009) and Antônio Vicente Pietroforte (2008). We note how a syncretic text makes the discursive settings more complex by assembling plastic and sonorous materials in semissimbolic relation. Once defined The Lion King’s style, we analyze the way it justifies the intense popularity of this kind of animation features. Finally, it is important to understand how Disney uses in its style not only discursive settings, but also passional settings, revealing its own way to stir emotions on the spectator
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
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This article aims at presenting the quilombola people and their knowledge, as they influence education, as well as and the education that exists in these communities in Brazil, particularly in the state of São Paulo. Furthermore, it tries to explain what are the quilombos, the origin of the term and the political and cultural history of these populations in the country, drawing a time continuum to facilitate the understanding of the reality of these groups and communities in various parts of the country in the XXI century. Thus we will have the opportunity to reflect, discuss and clarify some aspects that guide the reality of the quilombola communities in Brazil, and therefore to expand our critical capacity about the present educational process.
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This article shows some reflections on the dilemmas of contemporary education, especially those that go without a horizon of truth and value, that are foundation and justification for the setting up of the modern school. Such reflections are grounded in the texts of Friedrich Nietzsche to discuss the dissolution of metaphysics, regarded here as an element of destabilization of the symbolic repertoire of the school. It is suggested at the end, the recovery of the interpretive act as an alternative to the emptying of the concepts of truth and value and recognition of dialogue as a privileged place to get closer to temporary and circumstantial truth.
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The purpose of this work and to provide education professionals regarding the way a reflection of how the body has been seen and treated at school. In view of embodiment and sexuality education body and movement performed by him has received a new treatment in our time, overcoming the dichotomy inherited from the mechanistic paradigm and structured by Newton and Descartes and predominant in recent centuries. We know that these changes are consequences of the emergence of AIDS and the advancement of the incidence of unwanted pregnancies among young people of school age. Therefore, this discussion reinforces the need for training of teachers in promoting discussions about sexuality and corporeality with broader focus, dialogues, be traced paths to address the biopsychosocial aspects from a sociohistorical context of gender equity, respect for sexual diversity, the reduction of prejudice and violence against the so-called “minorities” sex.
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This essay aims to contribute to a critical assessment of contemporary Brazilian poetry, investigating the relationship between two tendencies: minimalism that verges on silence of speech in Kléber Mantovani’s and Tarso de Melo’s poetry, and the dialogue with the tradition in Armando Freitas Filho’s, Fabiano Calixto’s and Iacyr Anderson Freitas’s poetry.
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This paper analyses the ideas and the work of Anísio Teixeira in the first years of the 1930s, focusing his conceptions concerning the value of Psychoanalysis for Educational Reform in Brazil. Whereas the ideas and practices Teixeira should be understood in the historical context in which they were developed, the work presents the history of the introduction of the psychoanalytic knowledge in the Brazilian Renovator Educational Movement, highlighting the relevance of hygienism in the dissemination of Freud's theses in education. The findings indicate that Teixeira interacted with the concepts of Psychoanalysis through the hygienist movement and the ideas of Arthur Ramos, considering the individual as being linked to the social environment.
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Pós-graduação em Ciências da Motricidade - IBRC
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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)