693 resultados para Carajás, cave
Resumo:
3D film’s explicit new space depth arguably provides both an enhanced realistic quality to the image and a wealth of more acute visual and haptic sensations (a ‘montage of attractions’) to the increasingly involved spectator. But David Cronenberg’s related ironic remark that ‘cinema as such is from the outset a «special effect»’ should warn us against the geometrical naiveté of such assumptions, within a Cartesian ocularcentric tradition for long overcome by Merleau-Ponty’s embodiment of perception and Deleuze’s notion of the self-consistency of the artistic sensation and space. Indeed, ‘2D’ traditional cinema already provides the accomplished «fourth wall effect», enclosing the beholder behind his back within a space that no longer belongs to the screen (nor to ‘reality’) as such, and therefore is no longer ‘illusorily’ two-dimensional. This kind of totally absorbing, ‘dream-like’ space, metaphorical for both painting and cinema, is illustrated by the episode ‘Crows’ in Kurosawa’s Dreams. Such a space requires the actual effacement of the empirical status of spectator, screen and film as separate dimensions, and it is precisely the 3D caracteristic unfolding of merely frontal space layers (and film events) out of the screen towards us (and sometimes above the heads of the spectators before us) that reinstalls at the core of the film-viewing phenomenon a regressive struggle with reality and with different degrees of realism, originally overcome by film since the Lumière’s Arrival of a Train at Ciotat seminal demonstration. Through an analysis of crucial aspects in Avatar and the recent Cave of Forgotten Dreams, both dealing with historical and ontological deepening processes of ‘going inside’, we shall try to show how the formal and technically advanced component of those 3D-depth films impairs, on the contrary, their apparent conceptual purpose on the level of contents, and we will assume, drawing on Merleau-Ponty and Deleuze, that this technological mistake is due to a lack of recognition of the nature of perception and sensation in relation to space and human experience.
Resumo:
Caves are dark and oligotrophic habitats where chemotrophic microbial communities interact with the inorganic mineral rocks and cooperate organizing themselves in complex biological formations, which are visible in caves as biofilms, biodeposits or biospeleothems. In these environments, microorganisms contribute to the turnover of the matter and activate peculiar enzymatic reactions leading to the modification of the mineral rocks and to the production of metabolites with possible industrial and pharmaceutical interest. In this PhD thesis, various molecular and geomicrobiological approaches were used to investigate the microbial diversity and potential activities in different cave systems, i.e. the orthoquartzite cave Imawarì Yeuta, the sufidic cave Fetida and the ice cave Cenote Abyss. This is aimed at gathering indications on the possible interactions that support microbial growth and its impact in cave environments. As a result, microbial taxa and functions associated to light-independent chemolithotroph and heterotrophic activities were identified in the three caves, indicating the involvement of microorganisms in i) silica mobilization and amorphization processes and the formation of a novel type of silica-based stromatolite in Imawarì Yeuta Cave, ii) the formation of three types of biofilm/biodeposit involved in sulphur cycle and in the speleogenesis of Fetida Cave, iii) the development of biofilms and their maintenance under psychrophilic conditions in samples collected from ice in Cenote Abyss. Additionally, the metabolic potentials of around one hundred isolates derived from these cave systems were evaluated in terms on anti-microbial activity. The results pointed out that unexplored and oligotrophic caves are promising environments for novel bioactive molecules discovery.
Resumo:
The genus Mastigusa Menge, 1854 includes small entelegyne spiders represented by extant and fossil species presenting characteristic features in male and female genitalia. The genus has a palearctic distribution, being present in Europe, North Africa, and the Near East, and shows ecological plasticity, with free-living, cave- dwelling and myrmecophile populations. The taxonomic history of the genus has been problematic, both regarding its phylogenetic placement and the delimitation of the species it includes. Three extant species are currently recognized, but the characters used to discriminate them have been inconsistent, leading to confusion about their identification and distribution. In the present thesis we addressed the taxonomic issues regarding Mastigusa by combining molecular and morphological data in an integrative taxonomy approach. For the first time, we included the genus in a molecular phylogenetic matrix solving a long going debate regarding its familiar placement, obtaining a well-supported placement in the family Cybaeidae. We used multi-locus molecular phylogenetic and DNA barcoding techniques as a starting point for identifying divergent lineages within the genus and revise the taxonomic status of the three known Mastigusa species, identifying a new species from the Iberian Peninsula, Algeria and the United Kingdom: M. raimondi sp. n. This taxonomic revision allowed a phylogeographic and ecological study of Mastigusa across its distribution range, carried out using phylogenetics and ecological niche modelling techniques, aiming at a comparison of the lifestyles and ecological requirements of the different species on a geographic scale. The Italian Alps were finally used as a testing ground for investigating the ecology and host preference of myrmecophile Mastigusa arietina populations living in association with ant species belonging to the Formica rufa species group. Spiders were found in association with five different Formica species, demonstrating little specificity and the tendency of associating with the locally present host species.