973 resultados para American Civil War (1861-1865)
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Pós-graduação em Letras - FCLAS
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Neste estudo coloca-se como questão as relações contraditórias de integração entre duas localidades de Cabinda, província de Angola, com as atividades de exploração de recursos naturais, como petróleo e madeira: a aldeia de Fútila, nas proximidades do Campo do Malongo, onde se concentram as atividades petrolíferas sob a direção da Chevron-Texaco e a vila de Buco Zau, imersa em território contíguo à Reserva Florestal do Mayombe. Como eixo conceitual priorizou-se a modernidade, o desenvolvimento e o risco; como contexto mais geral, a Reconstrução de Angola após estabelecidos os Acordos de Paz em 2002, quando se percebe, em termos de concepção do desenvolvimento e da modernização, o estímulo a uma economia dirigida pelos interesses da exportação de bens primários como petróleo e madeira, apesar do forte apelo ao chamado desenvolvimento sustentável. Situando a constituição de Angola enquanto país integrado ao processo de modernidade, desde colônia portuguesa até a superação dos trinta anos de Guerra Civil, iniciados após a conquista da independência em 1975, procurou-se refletir sobre o significado, para populações mais diretamente atingidas por empreendimentos exportadores, da adoção do modelo de desenvolvimento sinônimo de crescimento econômico nas ações governamentais pela reconstrução do país. Atingidas muito mais na exclusão, procurou-se aqui evidenciar de que maneira se promove a vida, se resiste em meio à opulência, efetivamente se esforçam essas populações para superar os constrangimentos a elas impostos, de ordem cultural, social e político, assim como ambiental, relacionados às atividades de exploração dos recursos naturais. De outro lado, objetivou-se também perceber o significado das exigências ambientais em estratégias de legitimação empreendidas nas atividades de exploração dos recursos naturais, com vistas a mitigar os efeitos desfavoráveis no meio social e ambiental que as envolve. Em conclusão, apresenta-se incontestavelmente a face desintegradora de modos de vida locais, baseados na pesca, pequena agricultura e coleta, sob o risco imposto pelas atividades exportadoras, sem, no entanto, oportunizar ainda a integração do ponto de vista do desenvolvimento como liberdade substantiva, isto é, no sentido de propiciar a estas populações condições de vida digna, de operar estratégias inclusive políticas de reconhecimento coletivo e de valorização de outras racionalidades mais adequadas a uma reapropriação social da natureza.
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O presente trabalho pretende analisar as representações e significados criados sobre os chamados “quinta-colunistas”, no Pará. Este termo nasce durante a Guerra Civil espanhola, quando, naquele momento, o exército de quatro colunas lideradas pelo general Francisco Franco aproximava-se de Madri marchando contra o governo legalista de Azaña. A Quinta-Coluna se referiria a um grupo de espiões que passariam informações acerca de estratégias, organização e ações do grupo governista para o inimigo. Tal termo se disseminou pelo mundo sendo apropriado no período da Segunda Guerra Mundial designando aqueles que serviriam como espiões de Alemanha, Itália e Japão que ficaram conhecidos, naquele momento, como “Súditos do Eixo”. Estes foram constantemente alvos de hostilidades seja através das letras impressas dos jornais, como também, dos programas de rádio, dos filmes nos cinemas, da literatura ou ainda, do teatro. As fontes utilizadas para o trabalho foram principalmente os jornais Folha do Norte, Folha Vespertina, O Estado do Pará e A Vanguarda. Também foi utilizada a Legislação Federal e o Folheto de Cordel O Brasil rompeu com eles, de Zé Vicente.
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From August 2005 to March 2007, the two seasons (with 12 and 10 episodes respectively) of the award winning miniseries HBO‟s ROME were aired by the Home Box Office (HBO) channel. With screenplay signed by various writers and directors, the TV series was a coproduction of HBO (USA) and BBC (UK) with support from RAI (Italy), and the show was filmed in multiple locations, but mainly in Cinecittà Film Studios in Rome, very famous for having been headquarters also for Federico Fellini‟s movies. In the first season, the miniseries depicts the conquest of Gaul, made by the military genius of Gaius Julius Caesar, and the political trajectory that made him accumulate power to such an extent that this divided Roman citizens into two factions, one supporting and the other opposing him, the latter focused mainly on the historic figure of General Gnaeus Pompey Magnus. The second season shows the period of civil war following the assassination of Caesar, and the future rise to power of his nephew, adopted son and sole heir, Gaius Octavian Augustus, who was destined to overcome his rivals as well as their allies in the triumvirate that had been formed to pursue and punish Caesar‟s assassins. These facts are well known and usually crowd the mind and imagination of every minimally educated person. The HBO series broke new ground not only for the talent of its writers, directors and actors, not only for its visual effects and locations nor for the vibrancy and grandeur of historical scenes – after all, “historical movies” in general do the same – but it has done so also by the (re)construction of historical events from the perspective of a pair of protagonists of whom too little is known: the centurions Titus Pullo and Lucius Vorenus, who are the only low-rank soldiers mentioned by Caesar in his book Commentaries on the Gallic War (Commentarii de Bello Gallico V.44). Thus, the fictionalization of events also took into account several Roman civilization data which were scattered through historical sources and also those that belong to the modern knowledge of material culture, resulting in a TV series whose filmic aesthetics has rare beauty and creativity. From the survey of textual, historical and cultural data put together in this film, as well as the distance featuring the creative space in the dimension of the gap between them, this paper aims to highlight two pivotal moments of visual and narrative strategies of the show: the opening credits footage and the final scenes of the first season of HBO's Rome.
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The Hampton McNeely Jarrell Papers consists of Dr. Jarrell’s professional activities, membership in organizations, and work as a Winthrop faculty member, and includes biographical data, correspondence, teaching materials, rough notes, and drafts of his published and unpublished books, journal articles, newspaper articles, speeches, research notes, and several maps of South Carolina during the Revolutionary and Civil Wars, relating to Jarrell’s publishing efforts, his activities as a Winthrop College faculty member, and his work with various historical, literary, and educational organizations as well as the history of the Jarrell Family Plantation. Research subjects include Rock Hill, S.C.; Col. William Hill; the Revolutionary War; the Civil War; Wade Hampton; William Gilmore Simms; York County, S.C.; and South Carolina history.
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The Zadock Darby Smith Diary includes information about weather conditions, death and burial of family members and about Confederate troops in the Civil War. The collection consists of photocopies of the original. Zadock Darby Smith was a captain in the Confederate Army. He was born in Mecklenburg County, NC, May 13, 1822 and died in York County, SC on November 25, 1884. Zadock Smith is buried at the Union Baptist Church cemetery in Yorkl, SC. His first wife was Martha Jane Glenn Smith (1828-1862) and his second wife was Jane Thomasson Smith (1838 - 1918). They owned a plantation on King’s Mountain Road.
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The Knox-Wise Family Papers includes a land grant issued to John Knox in 1768; diaries written by Dr. John Knox [1792-1859] covering the 1840s and 1850s; James N. Knox [1806-1880] covering 1859-1880; and William D. Knox [1847-1928] covering 1869-1928; indentures, deeds, receipts, court summonses and other papers of Hugh Knox [1757-1821], sheriff and justice of the peace in Chester County, South Carolina (ca. 1780s and 1790s); correspondence of James N. Knox, correspondence, and other professional papers of Dr. John Knox; correspondence, and other papers of William D. Knox, Superintendent of Education in Chester County from 1896-1928. Papers of various other members of the Knox and Wise families including Hugh Boyd Knox [1814-1886], Robert Knox [1796-1879], Sally Knox Wallace [1803-1901], Alexander Walker Wise, and Emmie R. Knox [1885-1969]; family histories of the Knox, Wise, Dunlap, Gaston, and Wilks families; church histories, photographs, and newspaper clippings. Also included are three published volumes of the United Confederate Veterans Minutes of the 21st (1911) and 25th (1915) Annual Meeting and Reunion; and the minutes of the annual reunion of the South Carolina Division of the United Confederate Veterans (1921-1927).
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The collection consists of genealogical data, correspondence, speeches and essays, sermons, Civil War and World War I papers and memorabilia, diaries, legal and financial papers, photographs, newspaper clippings, and various papers relating to the Fewell, Caldwell, and Carothers families. The collection also contains records relating to Winthrop College, Winthrop Training School, and Salem College, Winston-Salem, N.C. Bound Volumes in the collection are scrapbooks realign to the college career of Eva M. Fewell (Carothers), and the civic and business careers of Benjamin M. Fewell and Erwin Carothers. Related by marriage, the Fewell and Carothers families have a long history of business and civic service to the city of Rock Hill. The collection represents a research source for information concerning Rock Hill, and the 1800’s sermons of Reverend Cyrus K. Caldwell suggest any number of editorial and research projects for history students and scholars. The collection also contains genealogical information on Caldwell, Fewell, Carothers, Garrison, Broughton, Barron, Hope, Davidson, and Allison families. Includes papers of Anna Hope Caldwell, Erwin Carothers, Eva M. Fewell, Anne Carothers, and the sermons of Reverend Cyrus K. Caldwell of Tennessee.
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The George C. Martin Papers includes Civil War correspondence between George Canning Martin and his wife, Sarah Jane, from May 1862 to August 1864. Subjects include camp life, the progress of the war in North Carolina and Virginia, and the physical and mental condition of the Confederate soldiers (such as ill health, poor food, and depression). Also included are tax receipts, pension records, newspapers clippings (1863), a commonplace book belonging to Robert Smith, and a memoir (author unknown).
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The Lucile Kathryn Delano Papers consist of correspondence (1926-1966) relating to Delano’s research and retirement from Winthrop; travel diaries of trips to Spain during the early part of the Spanish Civil War (1936), to Switzerland (1950), and to Russia (1966); a draft of her book Oh Lovely Spain (1973); passports; an account of a trip to Europe in 1932-1933; her dissertation The Sonnet In Lope De Vega’s Comedias (1925); research notes; manuscript for her book Charles De Lannoy; Victor of Pavia; photographs; and newspaper clippings.
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The Boulware Family Papers consist of photocopies of a plantation journal (302 pages) kept by Thomas McCullough Boulware I (1829-1889) and a genealogy of the Boulware family written by James Richmond Boulware II of Lakeland, Florida, in 1948. The journal concerns the Blackstocks Plantation in Chester County, South Carolina and subjects include the planting of crops and farming of land; family events, such as deaths, births and marriages; family travel and vacations; church affairs, including the local temperance league; land sales; free black and northerners in Chester County after the Civil War.
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La tesi di Marco Perez intitolata “Luis Arana e i veterani di Euzkeldun Batzokija: la corrente ortodossa del nazionalismo basco”, può essere considerata come la biografia politica di uno dei personaggi più importanti del nazionalismo basco. Il lavoro di ricerca si centra fondamentalmente sull'ispiratore del nazionalismo euskaldun (e cofondatore del Partido Nacionalista Vasco) e della corrente che ne accompagnò e sostenne l'azione politica. Euzkeldun Batzokija fu il nome dato al primo circolo del PNV, fondato da Luis e Sabino Arana nel 1894. Successivamente, gli statuti del circolo e i suoi membri veterani furono presi come modello del nazionalismo primordiale (che si pretendeva definire sull'esempio dell'Ordine gesuita). Sul piano organizzativo la tesi si divide in sette capitoli che ricostruiscono il percorso politico di Luis Arana, dai primi documenti del 1879 fino alle ultime lettere inviate negli anni quaranta. Si tratta di un lungo periodo, che comprende momenti diversi della storia spagnola (dalle guerre carliste alla Guerra Civile spagnola) e del movimento aranista. In questo senso, sulla base di una generale e comparata riflessione sul nazionalismo, si analizza il movimento basco nei suoi rapporti con la modernità. Una realazione costruita attraverso concetti “diacronicamente” legati a un passato mitico e leggendario e comunque subalterna ai rapporti di forza tra le correnti del PNV. La corrente ortodossa fece sempre riferimento al nazionalismo “originario” (definito dai fratelli Arana nei primi anni del movimento) che fu un'espressione regionale del nazionalcattolicesimo spagnolo. Fu proprio Luis Arana a ricordare la finalità religiosa ed etnica del nazionalismo basco, respingendo qualsiasi aggiornamento teorico e organizzativo del PNV, intesi come una grave violazione dell'ortodossia aranista.
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This thesis is an analysis of Spain’s development from dictatorship to democracy in light of the trauma that it endured during the Spanish Civil War of 1936 – 1939 and the dictatorship of Francisco Franco, which lasted until 1975. Drawing from the work of Maurice Halbwachs and Pierre Nora, this thesis seeks to use the concepts of collective memory and lieux de mémoire to analyze what role memory has played in Spanish society from 1939 to the present day. Theanalysis begins with an overview of the Spanish Civil War and Franco’s ensuing dictatorship in order to establish an understanding of the trauma endured by Spain and its people. Of importance will be the manner in which the presentation of history became manipulated anddistorted under Franco as the dictator sought to control the country’s collective memory. With this background in mind, the thesis then turns to analyze how the memory of Spain’s past has affected the country’s development in two eras: during its transition to democracy in the 1970s and in the present day. Of central importance is the pact of silence that was established during the transition to democracy, which was a tacit agreement among the Spanish people to notdiscuss the past. This pact of silence still clouds Spain’s memory today and affects modern discourse concerning the past. Yet it is clear that Spain has not been reconciled to its past, as the provocation of history inevitably results in tension and controversy. The central contention of this thesis is that the pact of silence that surrounds Spain’s past has not eliminated the trauma of the Civil War and dictatorship, as demonstrated by the controversy stirred up by people, groups and places in the present day. This contention has repercussions for the study of history as a whole, as it indicates that the past cannot be muted in order to achievereconciliation; rather, it suggests that we must engage the past in order to be reconciled to it.
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Mr. Tutnjevic set out to define the position of the Muslim community within the overall framework of literature in Serbo-Croat, particularly in terms of its relation to the Serbian and Croatian Literatures, on the basis of an extensive comparative study of primary and secondary sources relating to the most important Muslim writers in Serbo-Croat. Carried out against the background of an unprecedented civil war between these national groups, his research focused rather on the encounters between them on the historical and literary stages. He concludes that the Muslim national community was established and developed on a foundation of Slavic self-consciousness and oriental influences. The constantly changing relative weights of the influence of these two factors on the community shaped the specific nature of its literature as well as its place in the cultural environment of its neighbouring national communities, and Muslim literary traditions are inseparably linked with the total literature in Serbo-Croat. A real Muslim literature first emerged at the end of the nineteenth century and virtually all authors writing about this at the time emphasised its educational character and its importance for the process of national identification. At the same time there were visible results of the self-awareness process in which Muslim authors affiliated with Serbian or Croatian literary tradition, sometimes even substituting one with another. During the period between the two world wars Muslim literature reached maturity and while Muslim authors generally focused on their national milieu in terms of subject matter, their forms of expression and their understanding of the function of literature showed the same preoccupation as other Yugoslav authors of the period. When the ideological and class-related concept of society replaced the national character of literature after 1945, Muslim writers found themselves in the same position as writers from other ethnic groups. As in earlier times, writers sought to present themselves to as wide a market as possible and would provide grounds for consideration as Serbian or Croatian writers, sometimes even explicitly presenting themselves as such. Most of the writers of this period are described at times as Yugoslav, at others as Bosnian-Herzegovina, and at still others as Serbian, Croatian or Muslim. Mr. Tutnjevic quotes, for example, the case of Camil Sijaric, a Muslim from Sandzak who also wrote in Sarajevo and falls within the boundaries of Bosnian-Herzegovnian literature, but is also described as a Muslim, Montenegrin and Serbian writer, together with a number of other such examples. An understanding of this process provides the basis for a completely new perception of the intertwining of Serbian, Croatian and Muslim literary traditions, without the earlier visible prejudice on all three sides.