Evaluación e intervención logopédica de dislalias funcionales en niños y niñas de primero a tercer año de educación básica: escuelas Francisca Dávila de Muñoz, Ezequiel Crespo, Cuenca, octubre 2009-marzo 2010

El presente trabajo se lo ha realizado a través del método descriptivo prospectivo, cuyo objetivo fue evaluar e intervenir logopédicamente en las Dislalias Funcionales en los niños y en las niñas de primero a tercer año de educación básica de las Unidades (...)

Photo-excess : two paradigms of archaeological photography

Discovering ‘photo-excess’: what difference does digital photography bring to the archaeological process, and does this difference constitute a paradigm shift from the traditional film model? Using reflexive practice, the contribution that digital photography has made to the archaeological process is explored. The themes presented in the photographs and exegesis combine visual exploration and original research to examine the role and place of archaeological photography in both a contemporary and an historical context. In contrasting the development of film-based photography of archaeology undertaken in the Eastern Mediterranean during the early 1900s with contemporary digital photography, this exegesis and creative work explores both the synergies and differences of the two photographic methods in archaeology. I introduce the term ‘photo-excess’ to describe the new role that digital photography plays in archaeological practice as compared to film, and demonstrate this difference through my creative work. At the turn of the 20th century, photography was affirmed as the major instrument for visual recording of an archaeological excavation. The combination of archaeological methods and photographic techniques from that era formed an approach to archaeological documentation and recording that was formalised by William Matthews Flinders Petrie in 1904. In this thesis I propose that Petrie became the father of modern archaeological photography through his work, and in recognition of his contribution I refer to his method as the ‘Petrie Paradigm’. Digital photography has made possible a quantum leap in the volume, quality and immediacy of visual data available to the user. Further, through the creative process, digital archaeological photography may provide visual information that exceeds the archaeologist’s original research questions, so that the digital image may sometimes exceed its primary role as a recording device. In such cases it may become the starting point for new research due to its potential photo-excess. I propose this as an emerging paradigm for archaeological photography.

Przestrzenne formy upamiętniania Zagłady

This book is a synthesizing reflection on the Holocaust commemoration, in which space becomes a starting point for discussion. The author understands space primarily as an amalgam of physical and social components, where various commemorative processes may occur. The first part of the book draws attention to the material aspect of space, which determines its character and function. Material culture has been a long ignored and depreciated dimension of human culture in the humanities and social sciences, because it was perceived as passive and fully controlled by human will, and therefore insignificant in the course of social and historical processes. An example of the Nazi system perfectly illustrates how important were the restrictions and prohibitions on the usage of mundane objects, and in general, the whole material culture in relation to macro and micro space management — the state, cities, neighborhoods and houses, but also parks and swimming pools, factories and offices or shops and theaters. The importance of things and space was also clearly visible in exploitative policies present in overcrowded ghettos and concentration and death camps. For this very reason, when we study spatial forms of Holocaust commemoration, it should be acknowledged that the first traces, proofs and mementoes of the murdered were their things. The first "monuments" showing the enormity of the destruction are thus primarily gigantic piles of objects — shoes, glasses, toys, clothes, suitcases, toothbrushes, etc., which together with the extensive camps’ space try to recall the scale of a crime impossible to understand or imagine. The first chapter shows the importance of introducing the material dimension in thinking about space and commemoration, and it ends with a question about one of the key concepts for the book, a monument, which can be understood as both object (singular or plural) and architecture (sculptures, buildings, highways). However, the term monument tends to be used rather in a later and traditional sense, as an architectural, figurative form commemorating the heroic deeds, carved in stone or cast in bronze. Therefore, the next chapter reconstructs this narrower line of thinking, together with a discussion about what form a monument commemorating a subject as delicate and sensitive as the Holocaust should take on. This leads to an idea of the counter-monument, the concept which was supposed to be the answer to the mentioned representational dilemma on the one hand, and which would disassociate it from the Nazi’s traditional monuments on the other hand. This chapter clarifies the counter-monument definition and explains the misunderstandings and confusions generated on the basis of this concept by following the dynamics of the new commemorative form and by investigating monuments from the ‘80s and ‘90s erected in Germany. In the next chapter, I examine various forms of the Holocaust commemoration in Berlin, a city famous for its bold, monumental, and even controversial projects. We find among them the entire spectrum of memorials – big, monumental, and abstract forms, like Peter Eisenman’s Memorial to the Murdered Jews of Europe or Daniel Liebeskind’s Jewish Museum Berlin; flat, invisible, and employing the idea of emptiness, like Christian Boltanski’s Missing House or Micha Ullman’s Book Burning Memorial; the dispersed and decentralized, like Renata Stih and Frieder Schnock’s Memory Places or Gunter Demnig’s Stumbling Blocks. I enrich descriptions of the monuments by signaling at this point their second, extended life, which manifests itself in the alternative modes of (mis)use, consisting of various social activities or artistic performances. The formal wealth of the outlined projects creates a wide panorama of possible solutions to the Holocaust commemoration problems. However, the discussions accompanying the building of monuments and their "future life" after realization emphasize the importance of the social component that permeates the biography of the monument, and therefore significantly influences its foreseen design. The book also addresses the relationship of space, place and memory in a specific situation, when commemoration is performed secretly or remains as unrealized potential. Although place is the most common space associated with memory, today the nature of this relationship changes, and is what indicates popularity and employment of such terms as Marc Augé’s non-places or Pierre Nora’s site of memory. I include and develop these concepts about space and memory in my reflections to describe qualitatively different phenomena occurring in Central and Eastern European countries. These are unsettling places in rural areas like glades or parking lots, markets and playgrounds in urban settings. I link them to the post-war time and modernization processes and call them sites of non-memory and non-sites of memory. Another part of the book deals with a completely different form of commemoration called Mystery of memory. Grodzka Gate - NN Theatre in Lublin initiated it in 2000 and as a form it situates itself closer to the art of theater than architecture. Real spaces and places of everyday interactions become a stage for these performances, such as the “Jewish town” in Lublin or the Majdanek concentration camp. The minimalist scenography modifies space and reveals its previously unseen dimensions, while the actors — residents and people especially related to places like survivors and Righteous Among the Nations — are involved in the course of the show thanks to various rituals and symbolic gestures. The performance should be distinguished from social actions, because it incorporates tools known from religious rituals and art, which together saturate the mystery of memory with an aura of uniqueness. The last discussed commemoration mode takes the form of exposition space. I examine an exhibition concerning the fate of the incarcerated children presented in one of the barracks of the Majdanek State Museum in Lublin. The Primer – Children in Majdanek Camp is unique for several reasons. First, because even though it is exhibited in the camp barrack, it uses a completely different filter to tell the story of the camp in comparison to the exhibitions in the rest of the barracks. For this reason, one experiences immersing oneself in all subsequent levels of space and narrative accompanying them – at first, in a general narrative about the camp, and later in a specifically arranged space marked by children’s experiences, their language and thinking, and hence formed in a way more accessible for younger visitors. Second, the exhibition resigns from didacticism and distancing descriptions, and takes an advantage of eyewitnesses and survivors’ testimonies instead. Third, the exhibition space evokes an aura of strangeness similar to a fairy tale or a dream. It is accomplished thanks to the arrangement of various, usually highly symbolic material objects, and by favoring the fragrance and phonic sensations, movement, while belittling visual stimulations. The exhibition creates an impression of a place open to thinking and experiencing, and functions as an asylum, a radically different form to its camp surrounding characterized by a more overwhelming and austere space.

New Jersey /

"Sources: Base map from U.S. Geological Survey, New Jersey, 1974. County, county subdivision, and place boundaries certified by local officials, January 1, 1980."

Finding the idea of home

La notion de chez-soi est porteuse d’un imaginaire foisonnant et génère un grand intérêt dans notre culture et société. Bien qu’elle soit une considération importante pour la plupart d’entre nous, l’architecte occupe une position privilégiée qui lui permette d’agir sur le chez-soi de manière significative et tangible. La présente recherche explore le concept du chez-soi tel qu’étudié par les architectes et non-architectes de manière à comprendre son impact sur la création du lieu et sur la construction des environnements domestiques en Amérique du nord. Un regard porté sur les connotations entre espace et lieu, à travers la temporalité, les comportements et les perspectives sociales, supporte l’épistémologie du chez-soi comme un élément important des théories et pratiques de design contemporain. Le démantèlement hypothétique d’un espace en ses composantes suppose que les dispositifs architecturaux peuvent être modelés de manière à ce qu’ils opèrent un transfert depuis la maison, en tant qu’élément physique, vers le domaine psychologique du chez-soi. Afin d’élargir la maniabilité des éléments constitutifs du bâtiment et de son environnement, six thèmes sont appliqués à trois champs de données. Les six thèmes, qui incluent l’entre-deux, la limite, la voie, le nœud, le détail et la représentation, illustrent des moments architecturaux déterminants, potentiellement présents à l’intérieur et à l’extérieur du projet domestique et qui transforment les comportements physiques et psychiques. Depuis la pratique normalisée du logement social et abordable au Canada, une analyse de photographies de maisons abordables existantes, du discours critique sur cette typologie et de projets de recherche-création conduits par des étudiants en architecture, révèle le caractère opérationnel de la notion de chez-soi et consolide les valeurs de communauté et de frontière. L’objectif premier de la recherche est d’avancer la production de connaissances en architecture par l’exploration de la notion de chez­soi dans l’enseignement, la recherche et le design. L’approche fonctionnaliste vis-à-vis le < penser > en design, place l’usager au centre de l’environnement domestique, soutient la proposition que le chez­soi donne sens et utilité au logement, et renforce la responsabilité éthique de l’architecte à faire de cette notion une partie intégrante de la réalité quotidienne.

Wstępne uwagi o powszechnym głosowaniu korespondencyjnym w wyborach prezydenckich w 2015 r. (wybrane zagadnienia)

Instytucja mężów zaufania, często określana mianem „niemych obserwatorów wyborów”, traktowana jest z dużym dystansem i budzi wśród przedstawicieli doktryny prawa konstytucyjnego, jak również świata polityki, wiele wątpliwości. Zadaniem mężów zaufania jest reprezentowanie podczas wyborów interesu kandydata, bądź listy kandydatów, przed komisją wyborczą i czuwanie nad prawidłowym przebiegiem czynności wyborczych, w tym przede wszystkim zliczaniem głosów i ustalaniem wyników wyborów. Ma zatem istotne znaczenie dla zapewnienia rzetelności i uczciwości procedur wyborczych, jak również poszanowania podstawowych zasad prawa wyborczego, w szczególności zasady powszechności i wolności wyborów oraz tajności głosowania. Niestety w Kodeksie wyborczym uregulowana jest stosunkowo fragmentarycznie, zaś jej dookreślenie znajduje się w wytycznych Państwowej Komisji Wyborczej. Przed wyborami pojawiają się również różne (opracowywane najczęściej przez partie polityczne) instrukcje, określane także mianem vademecum, czy poradniki dla mężów zaufania, których treść może budzić wątpliwości. Wywołuje to potrzebę debaty przedstawicieli doktryny i polityków nad funkcjami i konstrukcją prawną instytucji mężów zaufania w polskim prawie wyborczym, jak i stosownymi jego zmianami.

Aceitação e uso de ambiente virtual de aprendizagem no contexto de um curso de capacitação para servidores públicos

This study aimed to examine how students perceives the factors that may influence them to attend a training course offered in the distance virtual learning environment (VLE) of the National School of Public Administration (ENAP). Thus, as theoretical basis it was used the Unified Theory of Acceptance and Use of Technology (UTAUT), the result of an integration of eight previous models which aimed to explain the same phenomenon (acceptance/use of information technology). The research approach was a quantitative and qualitative. To achieve the study objectives were made five semi-structured interviews and an online questionnaire (websurvey) in a valid sample of 101 public employees scattered throughout the country. The technique used to the analysis of quantitative data was the structural equation modeling (SEM), by the method of Partial Least Square Path Modeling (PLS-PM). To qualitative data was the thematic content analysis. Among the results, it was found that, in the context of public service, the degree whose the individual believes that the use of an AVA will help its performance at work (performance expectancy) is a factor to its intended use and also influence its use. Among the results, it was found that the belief which the public employee has in the use of a VLE as a way to improve the performance of his work (performance expectation) was determinant for its intended use that, in turn, influenced their use. It was confirmed that, under the voluntary use of technology, the general opinion of the student s social circle (social influence) has no effect on their intention to use the VLE. The effort expectancy and facilitating conditions were not directly related to the intended use and use, respectively. However, emerged from the students speeches that the opinions of their coworkers, the ease of manipulate the VLE, the flexibility of time and place of the distance learning program and the presence of a tutor are important to their intentions to do a distance learning program. With the results, it is expected that the managers of the distance learning program of ENAP turn their efforts to reduce the impact of the causes of non-use by those unwilling to adopt voluntarily the e-learning, and enhance the potentialities of distance learning for those who are already users

Fruto do campo: História de um viver no interior rural português

Dissertação de Mestrado apresentada ao Instituto Superior de Psicologia Aplicada para obtenção de grau de Mestre na especialidade de Psicologia Clínica.

Teoria do valor e trabalho produtivo no setor de serviços

Interpretações da teoria do valor trabalho encontram dificuldades em definir o papel e o lugar das atividades de serviço com relação à produção ou não de valor. Esse problema ganha magnitude na medida em que a perspectiva histórica mostra que os serviços são grandes empregadores de mão de obra na atualidade. Tradicionalmente, os serviços são entendidos como atividades não produtivas, devido ao fato, dentre outros argumentos, de que não resultam em materialização na forma de mercadorias, ou que não produzem novos valores e mais-valia. O objetivo deste artigo é examinar essa questão e sugerir a proposição de que certos serviços, que preenchem determinadas condições, podem ser interpretados como produtivos de valor e de mais-valia. O artigo examina as categorias materialidade e imaterialidade, assim como as de trabalho produtivo e não produtivo de valor, introduzindo, a seguir, critérios para distinguir trabalhos produtivos e não produtivos de valor no setor de serviços. Com isso, pretende contribuir para clarificar o entendimento da teoria do valor trabalho num terreno entrecruzado de polêmicas e de posições teóricas diferenciadas. _____________________________________________________________________________________________ ABSTRACT

The two opposing impacts of heritage making on local communities : residents’ perceptions: a Portuguese case

This article examines the impact associated with the making of heritage and tourism at a destination. Special attention is paid to the residents’ perceptions of the impact. The examination is focused on the rural village of Sortelha, in Portugal, where, in recent decades, a state-led programme was implemented in order to renovate the historic buildings and built fabric and to generate benefits for the local community. Based on ethnographic materials collected in 2003, 2009 and 2013, the study demonstrates that the making of heritage may give rise to two opposing impacts simultaneously – increased social cohesion and place pride, on the one hand, and envy and competition (and, hence, social atomisation), on the other hand – and that residents are entirely cognisant of the tension between the two. The study has the potential to contribute to both the theoretical and the applied literature on heritage making.

Colha e pague como ferramenta de divulgação da produção integrada de morango.

No sentido de divulgar a PIMo e apresentar suas vantagens à comunidade, uma lavoura instalada na Unidade Demonstrativa Central da Produção Integrada de Morango (UDC-PIMo), na safra 2008, foi utilizada como piloto para testar uma técnica de vendas e entretenimento onde as frutas eram colhidas pelo próprio consumidor diretamente na planta. Técnica semelhante, conhecida como Pick and Pay (Colha e Pague) havia sido observada em 2005 em uma fazenda produtora de pequenas frutas em Maryland/EUA. Essa fazenda comercializava morangos que os consumidores, muitas vezes acompanhados de seus filhos, colhiam diretamente das plantas. Apenas dois funcionários eram contratados, um deles para indicar com bandeirinhas os canteiros onde havia morangos no ponto de colheita e outro que orientava a pesagem e recebia o pagamento (CALEGARIO, 2009, Comunicação Pessoal). No Brasil, as informações sobre este tipo de comercialização são raras na literatura. Monteiro (2007) relata que um produtor de caqui realizou essa experiência com sucesso em Piedade, SP. Este trabalho teve como objetivo verificar viabilidade e aplicabilidade do Colhe e Pague na divulgação da PIMo e avaliar a satisfação dos participantes.

Effectiveness of three interventions to improve participation in colorectal cancer screening

Background and objective: Participation in colorectal cancer (CRC) screening varies widely among different countries and different socio-demographic groups. Our objective was to assess the effectiveness of three primary-care interventions to increase CRC screening participation among persons over the age of 50 years and to identify the health and socio-demographic-related factors that determine greater participation. Methods: We conducted a randomized experimental study with only one post-test control group. A total of 1,690 subjects were randomly distributed into four groups: written briefing; telephone briefing; an invitation to attend a group meeting; and no briefing. Subjects were evaluated 2 years post-intervention, with the outcome variable being participation in CRC screening. Results: A total of 1,129 subjects were interviewed. Within the groups, homogeneity was tested in terms of socio-demographic characteristics and health-related variables. The proportion of subjects who participated in screening was: 15.4% in the written information group (95% confidence interval [CI]: 11.2-19.7); 28.8% in the telephone information group (95% CI: 23.6-33.9); 8.1% in the face-to-face information group (95% CI: 4.5-11.7); and 5.9% in the control group (95% CI: 2.9-9.0), with this difference proving statistically significant (p < 0.001). Logistic regression showed that only interventions based on written or telephone briefing were effective. Apart from type of intervention, number of reported health problems and place of residence remained in the regression model. Conclusions: Both written and telephone information can serve to improve participation in CRC screening. This preventive activity could be optimized by means of simple interventions coming within the scope of primary health-care professionals.

Analysis of the claims data of a life insurance portfolio

Mestrado em Ciências Actuariais

Arquitectura de espaços abertos

Dissertação para obtenção do grau de Mestre em Arquitectura, apresentada na Universidade de Lisboa - Faculdade de Arquitectura.

Regards sur les territoires des ancrages haïtiano-montréalais : les impacts des pratiques transnationales au quotidien

À Montréal, les Haïtiens forment le troisième groupe ethnique en importance et offrent un exemple de peuple en diaspora. Étudier leurs mobilités et pratiques transnationales, ainsi que leurs incidences sur la redéfinition des concepts d’identité et de territoire, permet alors de comprendre les articulations entre le local et le transnational, dans le contexte de globalisation et de rétrécissement du monde permis par les nouvelles technologies. L’objectif de la recherche est de comprendre l’impact des pratiques transnationales et des médias dans la construction territoriale et l’ancrage des Haïtiens montréalais. Pour ce faire, 18 entrevues de type récit de vie ont été menées auprès d’un échantillon représentant les différentes vagues d’immigration haïtienne et des tables rondes ont été organisées. L’analyse des discours a permis de mettre en lumière les trajectoires, les lieux et types d’ancrages ainsi que le rôle des nouvelles technologies dans les liens translocaux de cette communauté. Les résultats, non généralisables, mettent de l’avant le rôle important des médias dans l’ancrage. Par exemple, l’ancrage des migrants de la première vague a été facilité par la création de radios haïtiennes, ces dernières ayant aidé à cimenter la communauté d’alors. Pour les deuxièmes générations, les nouveaux médias permettent de s’identifier à la diaspora et de s’ancrer en Haïti, avec des projets de développement, comme à Montréal, à travers l’expérience du cosmopolitisme. Finalement, l’analyse des récits de vie des nouveaux arrivants le confirme : les médias donnent la possibilité d’un ancrage inédit gardé à disposition avec les nouvelles technologies d’information et de communication.