987 resultados para Musica popular


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The objective if this work was a survey of medicinal plants plus commonly cultivated in quintais in Amazon State, Brazil. The work was carried out in five counties at the Solimões/Amazonas and Negro Rivers, by questionnaires, interviews and collections of botanical materials, using the literature to define the geographic origins. It was showed 105 species of medicinal plants, with average of 13 per house. The Amazonian plants, in general wood plants, meaning 10,9 percent of the total of species that was survey, with predominance of the American continent plants out of Amazonian (38,2 per cent). The major group was herbaceous or shrubs exotic plants, aromatics. In general, the peoples unknown the origin of the species of medicinal plants that use day after day.

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This study's goal was to caryy out an ethnobotanical survey focusing on the knowledge and use of medicinal plants within two rural communities (Marambaia and Camboinha), which are situated in an Environmental Protection Area in Atlantic Forest of Southern Bahia, Brazil. These communities use medicinal plants as an important therapeutic activity, which permits the rural inhabitants to be self-sufficient regarding health care. Data were collected through interviews with 26 families (24% of the total). The medicinal plants collected (98 species) were catalogued, identified and deposited at the Herbarium Rio Clarense (HRCB). They belong to 40 families so that Lamiaceae was the most cited. The majority of these species (78%) are cultivated, usually in backyards by local inhabitants. The leaf is the most common part of the plant used in medicinal preparations. The species with the greatest number of citations were Chenopodium ambrosioides L. and Lippia alba (Mill) N.E. Br. These species are also associated with the highest number of therapeutic uses. Use agreement and diversity index from this survey were compared to other surveys conducted in Brazilian Tropical Forests.

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At the middle of the twentieth century, between the forties and the fi fties, especially after the Second World War, the endless debate concerning national identity was taken up again in Latin America with a new focus. Mass culture, especially popular music with ties to the music industry, was shaped by its great capacity to spreadshown through its assorted forms of production, circulation and consumption- as one of the main areas of dispute related to the question of what is considered to be national. During that period there were important debates in Brazil and Chile about the selection, preservation and perpetuation of a certain repertoire of popular urban music as being representative of national folk music. These debates, which are analyzed starting from discursive representations driven by the written press, in both the specialized academic and the large-circulation press, constitute the central focus of this article.