995 resultados para Languages, history


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Scott, Len, The Cuban Missile Crisis And The Threat Of Nuclear War: Lessons From History (London: Continuum, 2007), pp.xii+222 RAE2008

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Marnet, Oliver, 'History repeats itself: The failure of rational choice models in corporate governance', Critical Perspectives on Accounting (2005) 18(2) pp.191-210 RAE2008

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Woods, T. (2007). African Pasts: Memory and History in African Literatures. Manchetser: Manchester University Press. RAE2008

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Forsyth, A. (2002). Gadamer, History and the Classics: Fugard, Marowitz, Berkoff and Harrison Rewrite the Theatre. Studies in Literary Criticism and Theory: Vol. 15. New York: Peter Lang. RAE2008

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O'Malley, T. (2002). Media History and Media Studies: aspects of the development of the study of media history in the UK 1945-2000. Media History. 8 (2), 155-173. RAE2008

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Sims-Williams, Patrick, Studies on Celtic Languages before the Year 1000 (Aberystwyth, CMCS Publications, 2007) RAE2008

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Sims-Williams, P. (2006). Ancient Celtic Place-Names in Europe and Asia Minor: Publications of the Philological Society, 39. Oxford: Blackwell Publishing. RAE2008

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Rubinstein, William, Genocide: A History (Harlow: Pearson Longman, 2004), pp.vii+322 RAE2008

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Rubinstein, William, et al., The Jews in the Modern World: A History Since 1750 (London: Hodder and Arnold, 2002), pp.xiv+449 RAE2008

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Borsay, Peter, 'New Approaches to Social History. Myth, Memory and Place: Monmouth and Bath 1750-1900', Journal of Social History (2006) 39(3) pp.867-889 RAE2008

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Price, Roger, A Concise History of France (Cambridge: Cambridge University Press, 2005), pp.xiii+491 RAE2008

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The paper presents, on the one hand, various terms that assign the categories of aspect and Aktionsart and, on the other hand, emphasizes that the concepts regarding them are not homogeneous. The confusions are supposed to have originated in the past. Therefore, we'll sketch briefly the history of aspect and Aktionsart in order to show that the term and the concept of aspect should be related exclusively to the Slavonic languages.

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Tendemos ha hablar del término diáspora como el lugar del desprendimiento, del desplazamiento hacia otros territorios de existencia, sin embargo la realización de ello indica la contaminación y generación de nuevos lenguajes, que en el arte latinoamericano manifiestan un continuo retorno. Un ir y venir que puede ser inscrito por medio de la acción diferida establecida en el momento en el cual el hecho diaspórico es registrado por otro capacitado de recodificarlo al historizar la realidad fundante del desplazamiento artístico como perturbación del orden simbólico y a su vez enunciar la relectura de las diásporas artísticas latinoamericanas, desde las vanguardias hasta la contemporaneidad como medio de reinscripción del movimiento en cuanto a espacio primordial de sus representaciones. La premisa central de este estudio es la de visualizar cómo el desplazamiento de distintas diásporas artísticas latinoamericanas han trasformado el lenguaje del arte de nuestro territorio, dentro del permanente ir y venir de una acción diferida que las hace eficaces a través de nuestro posicionamiento al releer el presente de nuestras diásporas y cómo los actos del desplazamiento sólo pueden aparecer en la historización de su continuo retorno. There is a tendency to treat the term diaspora as the place of detachment, of the displacement toward other territories of existence; however, its fulfilment implies the contamination and the generation of other languages which in Latin American Art involves a continuous return. A Come and Go inscribed by means of the deferred action, established in the moment in which the diasporic fact is registered by another one capable of recoding through history-making in the funding reality of the artistic displacement as a disturbance of the symbolic order and simultaneously enunciating the re-reading of the Latin American artistic diaporas, from the vanguards to contemporaneity as the means of re-inscription of the movement as the primary space of its representations. The central premise of this study is that of visualising how the displacement of different Latin American artistic disporas have transformed the art language of our territories, within the permanent Come and Go of a deferred action that works efficiently through our positioning in re-reading the present of our diasporas and how the displacement acts only can appear in the history-making of its continuous return.

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Traces the study of theology from its beginning until the beginning of the 20th century

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This recording is part of the Marsh Chapel Audio Collection.