L'expressió escrita i els continguts de l'humor a la literatura infantil i juvenil catalana de 1904 a 2004: educació en els valors

L'humor permet entendre i organitzar el món. És un aspecte en l'educació de la identitat cultural que comença tan aviat com la canalla pot seguir una narració oral, i que s'intensifica a mesura que la lectura esdevé un hàbit. L'humor escrit ofereix recursos expressius i camps semàntics determinats per la llengua, i continguts i referents culturals determinats pels valors socials; el seu codi inclou convencions amb el lector sobre la presentació i l'argument. Com a estratègia d'adaptació, l'humor es va modificant segons les circumstàncies socials al llarg del temps. El present treball es centra en la literatura per a infants i joves escrita en català com a idioma original i editada entre el 1904 i el 2004.

The empire strikes back: Die Postkoloniale Indische Literatur von Aussen Nach Innen

The article, which is divided into five sections, the Indian-born author of German language attempts to illustrate/illuminate the particular hurdles to determining this subject as a genre. The works discussed by male and female authors vary tremndously one from another both in theme and in style. Among them are novels and stories in traditional narrative style by Naipaul, Ghosh, Lahiri… primarily grouped by major themes of immigration. At the same time that authors such as Rushdie, Roy, Tharoor... have been endeavoring to expand the vocabulary and conventions of the English language and to further modern narrative technique. Not only is the complex Indian subcontinent and its positive and negative realities portrayed and redefined, but as a parallel occurrence, rave stories and pop novels are being written by Rushdie and Kureishi. One must note here that English is not the mother tongue of any of these writers. The English language is used as an instrument of literary and artistic expression. This essay also expounds on examples of how “Indian Writing in English” differentiates itself clearly from “The Indian Romanticism” of European literature. The postcolonial writers point an admonishing finger to the wounds of India and they ruthlessly mock the inhumane regimes of Mrs. Thatcher and of Mr. Bush. One segment is devoted to the bizarre portrayal of love, gender and sex relations that makes the reading of the books in question vexing.

Educação e desenvolvimento em Santa Catarina (Cabo Verde)

RESUMO: A educação e o desenvolvimento, são questões fundamentais do mundo actual, hoje mais do que nunca, fazem parte integrante dos discursos, discussões, convenções locais, nacionais e internacionais. Esta dissertação procura verificar se há ou não convergência entre a educação e desenvolvimento, respondendo à seguinte questão: o desenvolvimento e a educação podem ser complementares, através do investimento em capital humano? Este trabalho de investigação foi desenvolvido a partir de uma perspectiva educativa, isto é dando centralidade aos processos de aprendizagem da própria pessoa e sua construção como resposta aos desafios, aos imprevistos e incertezas, característicos da sociedade actual. Pretendemos também fornecer elementos de reflexão sobre os desafios que se colocam aos sistemas de educação, numa perspectiva sistémica, e na sua relação com o desenvolvimento. Para concretizar a investigação, avaliamos a influência da educação nas práticas efectivas do desenvolvimento de Santa Catarina (Cabo Verde), partindo de pressuposto de que a educação na sociedade cabo-verdiana, em particular no município de Santa Catarina, é a chave do desenvolvimento e progresso, no contexto dos recursos e constrangimentos existentes. Por isso, tivemos como objectivo analisar a influência da educação no processo de desenvolvimento para se avaliar o referido contributo. As nossas conclusões apontam para a existência de uma forte relação entre educação e desenvolvimento, as pessoas a ganharem centralidade no processo de desenvolvimento e a educação a surgir como motor do desenvolvimento. ABSTRACT: Education and deveopment are key issues in today's world, today more than ever they do make part of speeches, debates, local conventions, national and international meetings. This essay seeks to determine whether in Santa Catarina (Cape Verde) there is convergence between education and development, answering to the following question: development and education can be complementary, through investment in human capital? The research will be developed from an educational perspective, that is, giving centrality to the learning processes and to their construction as a response to the challenges, contingencies and uncertainties, which are characteristic of contemporary society. We also wanted to provide input on the challenges facing education systems, in a systemic perspective, and in their relationship with development To achieve the research, we intended to evaluate the impact of education in the actuals practices of the development of Santa Catarina (Cape Verde), beginning from the assumption that education in Cape Verde society, particularly in the municipality of Santa Catarina, is the key of development and progress, under or in respect of resources and existing constraints. Therefore, we aim to analyze the impact of education in the development processes to evaluate this contribution Our results indicate the presence of a strong relationship between education and development, people gains centrality in the development process and the education emerges as the motor of development.

As organizações internacionais e a proteção dos direitos dos indígenas no âmbito do Direito Internacional: especial referência ao sistema interamericano de direitos humanos e ao direito brasileiro

The purpose of this article is to analyze the role played by key international organizations, particularly those of the UN and the OAS systems in protecting the rights of indigenous peoples under international law. The method adopted for the preparation of this work is descriptive and analytical, applying document analysis based on primary literature sources, especially those arising in organs of the UN and inter-American systems, mainly the jurisprudence from the Inter-American Court of Human Rights. This article starts with the assumption underlying that international organizations have a preponderant role in the need to safeguard and secure the universality and indivisibility of human rights of indigenous peoples. It is argued further that resolutions and conventions emanating from such organizations are absorbed by national legal order of States members, so that, once these standards internalized by States, they can acquire legal force, beyond moral, in order that their liability is accepted.

Por media vida deslumbrados (Dossier: Narradores ecuatorianos de la década de 1950)

En este trabajo se plantea que acaso con mayor intensidad que en Huasipungo (1934) y El Chulla Romero y Flores (1958), es en tres obras poco estudiadas de Jorge Icaza donde puede apreciarse con claridad –tal que deslumbra– su propuesta estética: en la pieza de teatro Flagelo (1936), la novela Media vida deslumbrados (1942) y el cuento «El nuevo San Jorge» (1952). Sin apartarse de la denuncia social, Icaza cierra con Flagelo su propuesta dramática, constituyen una suerte de manifiesto literario, por las repercusiones estéticas que alcanzan a la narrativa del autor. En Media vida deslumbrados se puede apreciar un equilibrio efectivo entre las propuestas del autor y su afán de denuncia social. «El nuevo San Jorge», según el autor de este ensayo, sería la obra que alberga lo más radical, en cuanto propuesta estética, de toda la obra icaciana, destaca los elementos neo-barrocos de la misma, con insistencia en los juegos de máscaras, las intermitencias entre las luces y las sombras, y en el múltiple y a la vez unívoco rostro de quien detenta el poder –algunos de estos elementos comunes a las dos obras comentadas, y a El Chulla Romero y Flores.

Honorarios [adaptaciones y refundiciones en De la Cuadra y Aguilera-Malta] (Dossier: Cuatro narradores del 30, relecturas en su centenario)

Se contrasta Honorarios, obra dramática de Aguilera-Malta, y «Honorarios», el cuento de José de la Cuadra que la inspiró. El diálogo entre los dos autores fue explícito en diversos textos, así como en sus respectivos mundos literarios: nombres de personajes, motivos, leyendas, mitos, formas, ideología y demandas, actitudes e intereses. De la Cuadra dialogó a su vez con otros creadores. «Honorarios», e.g., recrea y reinterpreta la figura del mítico fetiche Moloch, según lo representan Metrópolis, del cineasta Fritz Lang, y Salambó, de Gustave Flaubert, la narración aludida es también una refundición en torno al tema del poder omnipresente y cruel, que requiere insaciablemente de víctimas propiciatorias. De igual manera, en su proceso creativo y de búsqueda expresiva, Aguilera-Malta acostumbró remozar y reformular temas en diferentes géneros literarios –como el de la lucha del ser humano frente a las fuerzas hostiles de la naturaleza y la sociedad, interpretado en La isla virgen, El tigre y Jaguar–. En Honorarios, Aguilera-Malta se concentró en hallar la manera de transferir la trama del relato «Honorarios» al género dramático. El resultado es una eficaz refundición, en términos de la perspectiva histórico-política y de reflexiones sobre la función de la literatura.

Jorge L. Borges y Augusto Roa Bastos: Plagios y falsificaciones, “El inmortal” y Yo el Supremo (Dossier: Novela, historia y nación en América Latina)

partir de algunas afinidades entre el relato “El inmortal” (J. L. Borges, 1947) y la novela Yo el Supremo (A. Roa Bastos, 1974) la autora indaga sobre el modo cómo estos textos desestabilizan simultáneamente las concepciones y prácticas tradicionales del discurso historiográfico y de la ficción narrativa, minando los procedimientos fundamentales y las convenciones propias de estos géneros discursivos, al menos en dos órdenes: la construcción de la figura de autor y la cita –arbitraria, irónica y paródica– de fuentes documentales, procedimientos ambos señalados por Foucault como condición para la producción discursiva de la verdad. Como consecuencia de estas transgresiones ambos textos introducen un cuestionamiento radical a la noción de una verdad histórica original, unívoca e incuestionable.

The excavation report as a literary genre: traditional practice in Britain

Although ways of thinking about the past have changed, in Britain the reporting of excavations has followed a series of shared conventions for nearly 100 years. This article considers two of them. It investigates the relationship between accounts of stratigraphic evidence and the publication of the associated artefacts and ecofacts and suggests that it results from the combination of two separate intellectual traditions in the late nineteenth century. It also identifies certain widely shared proportions between the separate components of excavation monographs published over a long period of time. Their existence has never been acknowledged. The excavation report has become a well-established literary genre and authors who are familiar with such texts unconsciously reproduce the same structures in their writing.

National and sub-national assessments of soil organic carbon stocks and changes: The GEFSOC modelling system

Soil organic carbon (SOC) plays a vital role in ecosystem function, determining soil fertility, water holding capacity and susceptibility to land degradation. In addition, SOC is related to atmospheric CO, levels with soils having the potential for C release or sequestration, depending on land use, land management and climate. The United Nations Convention on Climate Change and its Kyoto Protocol, and other United Nations Conventions to Combat Desertification and on Biodiversity all recognize the importance of SOC and point to the need for quantification of SOC stocks and changes. An understanding of SOC stocks and changes at the national and regional scale is necessary to further our understanding of the global C cycle, to assess the responses of terrestrial ecosystems to climate change and to aid policy makers in making land use/management decisions. Several studies have considered SOC stocks at the plot scale, but these are site specific and of limited value in making inferences about larger areas. Some studies have used empirical methods to estimate SOC stocks and changes at the regional scale, but such studies are limited in their ability to project future changes, and most have been carried out using temperate data sets. The computational method outlined by the Intergovernmental Panel on Climate Change (IPCC) has been used to estimate SOC stock changes at the regional scale in several studies, including a recent study considering five contrasting eco regions. This 'one step' approach fails to account for the dynamic manner in which SOC changes are likely to occur following changes in land use and land management. A dynamic modelling approach allows estimates to be made in a manner that accounts for the underlying processes leading to SOC change. Ecosystem models, designed for site scale applications can be linked to spatial databases, giving spatially explicit results that allow geographic areas of change in SOC stocks to be identified. Some studies have used variations on this approach to estimate SOC stock changes at the sub-national and national scale for areas of the USA and Europe and at the watershed scale for areas of Mexico and Cuba. However, a need remained for a national and regional scale, spatially explicit system that is generically applicable and can be applied to as wide a range of soil types, climates and land uses as possible. The Global Environment Facility Soil Organic Carbon (GEFSOC) Modelling System was developed in response to this need. The GEFSOC system allows estimates of SOC stocks and changes to be made for diverse conditions, providing essential information for countries wishing to take part in an emerging C market, and bringing us closer to an understanding of the future role of soils in the global C cycle. (C) 2007 Elsevier B.V. All rights reserved.

The Soil: Nature, Sustainable Use, Management, and Protection - An Overview

Soil forms the outer skin of the earth's land surface. Often less than a metre in depth, it is essential to sustain natural terrestrial ecosystems and human life. Soils result from the interactions over time between climate, parent material, topography, vegetation, and biota. They vary from place to place. Mineral soils are composed of mineral matter, organic matter, and gas- or liquid-filled pores in varying proportions. Soils perform a wide range of functions and provide many ecosystem or environmental services; with the climate problem, the soil is increasingly being recognised as a potential sink for carbon from the atmosphere. In part because of humankind's (over)use of soils and in part because of natural and human-induced environmental change, there is a widespread decline in soil quality and an increasing number of threats to soil, which jeopardise both the soil's natural functions and its use by humans. As a limited resource, soils must be used sustainably. Soil protection strategies have been indirectly embodied in a number of United Nations conventions, and there are now national and supranational developments towards specific regulations and legislation to protect soils and their functions.

Selection rules for rovibronic transitions in symmetric top molecules

A simple diagrammatic rule is presented for determining the rotational selection rules governing transitions between any pair of vibronic states in electric dipole spectra of symmetric top molecules. The rule is useful in cases where degenerate vibronic levels with first-order Coriolis splittings occur, because it gives immediately the selection rule for the (+l) and (-l) components in any degenerate state. The rule is also helpful in determining the symmetry species and the effective zeta constants in overtone and combination levels involving degenerate vibrations. Particular attention is devoted to the conventions concerning the signs of zeta constants.

Regulation and innovation: Rethinking 'inclusive' housing design

The Lifetime Homes (LTH) concept initiated in 1989 by the Helen Hamlyn Trust, and subsequently promoted by the Joseph Rowntree Foundation, emerged at a point when there was growing awareness of the decline of both private and public sector housing quality, especially in relation to floorspace standards (Karn & Sheridan, 1994). LTH were intended to offset the concerns of first, the house buying public of the appearance and affordability of homes suitable for successive generations, second, the private house building industry of the cost and marketability of incorporating 'inclusive' design features, and third, Registered Social Landlords (RSLs), who had to balance cost constraints with addressing the needs of a growing number of households with older and/or disabled people. Approved Document Part M of the building regulations was extended in 1999, from public buildings to private dwellings, and currently requires that all new housing meet minimal 'visitability' criteria. Indeed, although the signs are that Part M will be incrementally extended to comprise LTH principles, the paper argues that in their existing form they are insufficient to act as a key component of the government's 'new agenda for British housing'. This paper therefore explores how they might usefully be expanded from an approach, largely based on compromise, to one that inspires innovative, flexible and inclusive house forms, which also challenge design conventions.

Adobe Garamond Premier Pro Greek

In 2003, through a conference presentation in Vancouver and a series of exchanges with Lemon, Leonidas convinced Adobe to substantially extend the coverage of the Greek script in forthcoming Adobe typefaces. The revised brief for Garamond was extended to include, for the first time in a digital typeface, extensive polytonic support, full archaic characters, and small capitals with optional polytonic diacritics; these features should be implemented with respect for the Greek language’s complex rules for case conversion, allowing full dictionary support regardless of the features applied. This project was the first where these issues were addressed, both from a documentation and a development point of view. Leonidas’ responsibilities lay with researching historical and current conventions, developing specifications for the appearance and behaviour of the typefaces, editing glyph outlines, and testing of development versions.

Realism and politics in alienated space: Trevor Griffiths's plays of the 1970s in the television studio

The television studio play is often perceived as a somewhat compromised, problematic mode in which spatial and technological constraints inhibit the signifying and aesthetic capacity of dramatic texts. Leah Panos examines the function of the studio in the 1970s television dramas of socialist playwright Trevor Griffiths, and argues that the established verbal and visual conventions of the studio play, in its confined and ‘alienated’ space, connect with and reinforce various aspects of Griffiths's particular approach and agenda. As well as suggesting ways in which the idealist, theoretical focus of the intellectual New Left is reflexively replicated within the studio, Panos explores how the ‘intimate’ visual language of the television studio allows Griffiths to create a ‘humanized’ Marxist discourse through which he examines dialectically his dramatic characters' experiences, ideas, morality, and political objectives. Leah Panos recently completed her doctoral thesis, ‘Dramatizing New Left Contradictions: Television Texts of Ken Loach, Jim Allen, and Trevor Griffiths’, at the University of Reading and is now a Postdoctoral Researcher on the AHRC funded project, ‘Spaces of Television: Production, Site and Style’, which runs from July 2010 to March 2014.

'Public Sculpture (The Social)' 2010

Commisssioned by Frieze Art for the Frieze Sculpture Park The project presents the image of a sculpture as a sculpture, installed in the form of a large scale digital print on vinyl stretched over a 14 x 28ft (4.2 x 8.4m) stretcher supported by a scaffolding structure. The image itself depicts a futuristic public sculpture, an ‘impossible’ artwork, referencing Ballard’s descriptions in his book ‘Vermillion Sands’. The work also draws upon examples of rococo ornamentation and the compositional conventions of ‘images of sculpture’ (in art magazines, catalogues, publicity photos) including examples sited in Regents park in previous years. Technical details: The image is printed on vinyl, stretched over a 14 x 28ft (4.2 x 8.4m) wooden stretcher and fixed to a deep buttressed scaffold 8m long by 6.23 deep with IBC water tanks on the back edge as kentledge (4 x I tonne IVC water containers - 1 per bay). The structure is constructed from clean silver Layher system scaffold and wrapped by a dense black mesh netting.