The Legacy of Oboist and Master Teacher, Robert Bloom

Robert Bloom (1908-1994) was legendary in the education and performance world. Often hailed as one of the last performers of the Golden Era of classical music and a favorite of conductors ranging from Stokowski to Stravinsky to Shaw, Bloom was an orchestral oboist and English hornist, oboe soloist, chamber musician, teacher (Eastman, Yale, Hartt, Manhattan School of Music, Juilliard and Philadelphia's University of the Arts), composer, conductor, editor of masterworks of the 18th century, and, as a founding member of the Bach Aria group, a seminal influence in the post-WWII revival of Baroque music in America. In The Robert Bloom Collection and the Art of Robert Bloom CD and video archives, we see what his musical ideals were in 1)18th-century performance practices, 2) writing new music for the instrument and commissioning new works, and 3) and transcribing music for the oboe and English horn. As an oboist, I believe it is important that Bloom's teachings, historical performance practices and ideas for expanding repertoire are propagated. Therefore, the works chosen for this dissertation illustrated this legacy. My recitals included 1) some of Bloom's published 18th-century baroque elaborations (his term for ornamentation), as well Baroque works which I have elaborated, 2) works written by him and by other oboists/composers (Labate, Roseman) as well as a flute/oboe duo that I commissioned by Dr. Marcus Maroney and 3) transcriptions by both Bloom and myself (Bach, Donizetti, Mendelssohn, Mozart, Handel, Schumann and Telemann). In these three dissertation recitals, I hope to have illustrated some of Robert Bloom's lasting contributions and impact on the oboe world, and to have demonstrated the potential for carrying forward this legacy by studying his teaching and emulating his example.

Design of a salisbury screen absorber using frequency selective surfaces to improve bandwidth and angular stability performance

A new design method that greatly enhances the reflectivity bandwidth and angular stability beyond what is possible with a simple Salisbury screen is described. The performance improvement is obtained from a frequency selective surface (FSS) which is sandwiched between the outermost 377 Ω/square resistive sheet and the ground plane. This is designed to generate additional reflection nulls at two predetermined frequencies by selecting the size of the two unequal length printed dipoles in each unit cell. A multiband Salisbury screen is realised by adjusting the reflection phase of the FSS to position one null above and the other below the inherent absorption band of the structure. Alternatively by incorporating resistive elements midway on the dipoles, it is shown that the three absorption bands can be merged to create a structure with a −10 dB reflectivity bandwidth which is 52% larger and relatively insensitive to incident angle compared to a classical Salisbury screen having the same thickness. CST Microwave Studio was used to optimise the reflectivity performance and simulate the radar backscatter from the structure. The numerical results are shown to be in close agreement with bistatic measurements for incident angles up to 40° over the frequency range 5.4−18 GHz.

Indenture (vellum) of bargain and sale between the Honourable William Dickson of Galt and Robert Dickson of Niagara

Indenture (vellum) of bargain and sale between the Honourable William Dickson of Galt and Robert Dickson of Niagara for 31 acres in the Township of Niagara – instrument no. 966. This was recorded on Aug. 26, 1842 in Book B, folio 532-533 in the County of Lincoln Register, Nov. 8, 1830.

University of Michigan Football Team 1903

Back Row: stud. mngr, Thomas Roberts, Tom Hammond, John Curtis, John Garrels, Cecil Gooding, "Germany" Schulz, David Dunlap, Frank Longman, coach Fielding Yost, Ray Barnett, trainer Keene Fitzpatrick

Middle Row: Rolla Bigelow, Herb Graver, Joe Maddock, Curtis Redden, George Gregory, Willie Heston

front Row: James DePree, Walter Eyke, John James, Duncan Thomson, Eugene Person, Fred Norcross, Hal Weeks

Surcouf : opéra-comique en 3 actes et un prologue ; paroles de H. Chivot et A. Duru ; musique de Robert Planquette

Mode of access: Internet.

The life and letters of Robert Leighton, restoration bishop of Dunblane and archbishop of Glasgow,

Mode of access: Internet.

Memoirs and correspondence of the most noble Richard marquess Wellesley... Comprising numerous letters and documents, now first published from original mss.

Mode of access: Internet.

Report of work in the Necropolis of Thebes during the winter of 1903-1904 ...

Reprinted from Annales du Service des antiquités, v.6, 1905.

Spirit leveling in Texas, 1896 to 1915, inclusive, work done in cooperation with the state of Texas in 1902, 1903, 1909, and 1910, and with Harris county in 1915.

Mode of access: Internet.

Life and letters of Robert Browning,

Mode of access: Internet.

A bibliography of the works of Robert Lewis Stevenson,

Titles transcribed line for line.